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One of those mysteriously overpraised Cannes titles that reveals a massive disconnect between critical interest and popular satisfaction, Nuri Bilge Ceylan’s dull-as-dirt police procedural spends nearly an hour driving through the low-lit Turkish countryside looking for a corpse. Officers pass the time with sub-Tarantino banter, jawing their way toward a delayed revelation that says nothing new about the nature of crime.
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