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Kobayashi’s epic, exhausting examination of one man’s spiritual descent is an extraordinary achievement by any standard. An antiwar Candide, it took two years to complete and turned its star, Tatsuya Nakadai, into a marquee name in Japan. Broken into three sections, this massive social drama takes turns pointing an accusing finger at a merry-go-round of oppressive institutions. Part 1 (“No Greater Love”) pits Nakadai against capitalist fat cats in a Manchurian mining camp.
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