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This shadowy collective—the lineup of which can vary from duo format to a 12-person ensemble—touches down in Brooklyn for a concert curated by Issue Project Room fellow Queer Trash. A journey through the symbology of gay S&M turned haunting and harrowing, Black Leather Jesus' music utilizes contact mics, scrap metal, and a circuit of effects pedals to fashion unique harsh noise soundscapes and percussive arrythmia.