Hahn-Bin: Till Dawn Sunday

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Between costume changes and confounding verbal confessions, the Korean-born violinist, who seems to have taken style cues from Boy George, reminds us that he was once a musical prodigy, playing soulful renditions of Saint-Saëns’s Danse Macabre, Elgar’s Salut d’amour and Monti’s Csárdás.

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