Thanks for subscribing! Look out for your first newsletter in your inbox soon!
The best of New York straight to your inbox
We help you navigate a myriad of possibilities. Sign up for our newsletter for the best of the city.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
As Stephen Schwartz prepares for the local premiere of his first opera, Séance on a Wet Afternoon, he sits for a panel discussion on the set of his other New York hit, Wicked. Joining him aresinger and songwriter Rufus Wainwright, librettist David Henry Hwang, Adam Guttell[Guettel? Add an E and remove an L?] (The Light in the Piazza) and John Kander (Cabaret and Chicago) in a discussion of what distinguishes opera from musical theater. City Opera general manager George Steel will moderate the conversation.
By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions.
🙌 Awesome, you're subscribed!
Thanks for subscribing! Look out for your first newsletter in your inbox soon!