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Few contemporary jazzers have assimilated Don Cherry’s globalist agenda better than Peter Apfelbaum, whose big band, the Hieroglyphics Ensemble, backed the trumpeter on 1990’s Multikulti. Here he draws on his jam-band affiliations—the saxophonist has gigged with both Phish and the Grateful Dead—heading up a project featuring Trey Anastasio affiliate Natalie Cressman on trombone and vocals.
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