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Most people associate the sari with its South Asian origin. The New York Historical adds another layer to the garment's story by unearthing how the sari—and those who wear it—made New York City its home in a new exhibit opening soon. "The New York Sari: A Journey Through Tradition, Fashion, and Identity" opens September 12 and runs through April 2026.
This exhibition traces the path of the sari from the Indian subcontinent to NYC, going from exotic object of trade to a tradition embraced by many communities. The sari holds many different identities; whether it be within consumer empires, dance and performance or explorations of gender and identity, museum officials explained.
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By way of trade, colonialism and migration, the sari has a worldwide history. It is often recognized by its draping style and is customizable in its pattern, fabric and color. The 21st century sari reflects regional tradition, specific cultural identity and personal expression. More often than not, the sari is worn in instances that reflect reinvention, such as rituals, milestones and womanhood.
"'The New York Sari' illuminates how a centuries-old garment continues to shape identity, artistry and community-building across our city," Louise Mirrer, president of The New York Historical, said in a press release. "This exhibition is a celebration of the sari's complexity—not only as a textile but as a powerful cultural symbol shaped by trade, migration and personal expression. By centering voices from across the diaspora, we invite all New Yorkers to consider the rich histories woven into the fabric of everyday life and how a single garment can hold memory, spark dialogue and foster belonging in a city as dynamic as New York."
This exhibition is a celebration of the sari's complexity.
Expect to see over 50 objects, photographs and ephemera on display at the exhibition, including a bedcover or wall hanging (palampore), circa 1720-40; a 1984 photograph by Eugene Gordon capturing South Asian migrants; and Chitra Ganesh's 2018 linocut series "Sultana’s Dream." The show was curated by Salonee Bhaman, Mellon Foundation Postdoctoral Fellow in Women’s History and Public History, along with Anna Danziger Halperin, director of the Center for Women’s History.
This exhibition is truly for everyone, with families being able explore using a dedicated family guide and kid-friendly programming, including a special Family Day in the fall.