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August Wilson Theatre

  • Theater
  • Midtown West
  • price 4 of 4

Time Out says

Formerly the Virginia Theatre (and before that the Guild Theatre), this 1,228-seat space was renamed after the late, great African-American playwright in 2005. The current occupant is the long-running Jersey Boys, but in previous decades, the site was home to Eugene O’Neill’s mammoth Mourning Becomes Electra (1931), Clifford Odets’s Golden Boy (1952) and the musical City of Angeles (1989).


245 W 52nd St
New York
Cross street:
between Broadway and Eighth Ave
Subway: C, E to 50th St; N, Q, R, 4nd St S, 1, 2, 3, 7 to 42nd St–Times Sq; N, R to 49th St
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What’s on

Funny Girl

  • 2 out of 5 stars
  • Musicals

Broadway review by Adam Feldman [Note: Beanie Feldstein will depart the production on July 31, and Lea Michele will assume the role of Fanny Brice starting September 6. In the interim, Fanny will be played by Julie Benko.] The rain clouds gather early over the misplaced-pride parade that is the Broadway revival of Funny Girl. The audience is primed for a boffo old-fashioned musical comedy, which this production promises. Even before the curtain—which itself depicts a curtain!—goes up, the audience claps at the overture’s most famous songs; when Beanie Feldstein makes her first appearance as Ziegfeld Follies comedian Fanny Brice, stares into an invisible mirror and delivers her famous opening self-affirmation (”Hello, gorgeous!”), the crowd goes wild. But then she starts to sing. It is unfair, but unavoidable, to compare Feldstein to Funny Girl’s original leading lady, Barbra Streisand, who was not only a fresh comic talent at the time but also one of the greatest vocalists in Broadway history. But there’s a reason Funny Girl hasn’t been revived since its original run in the early 1960s: Despite several memorable songs (with first-rate tunes by Jule Styne and second-rate lyrics by Bob Merrill), there’s not much to the story, which follows Brice’s meteoric rise in show business and her unlucky romance with a handsome but feckless gambler, Nick Arnstein (Ramin Karimloo). Isobel Lennart’s book has been rewritten for this production by Harvey Fierstein, but it still feels episodic

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