Futura

Jordan Harrison’s brisk-and-breezy prognosticative drama, in which text on paper has been forbidden in favor of the online word, begins with smartly written mayhem and then peters out. Happily, the plot holes start yawning only after we have already grown fond of the play’s harried typography professor (Mia Katigbak), whose font expertise makes her a target of Google-ish overlords.—Helen Shaw