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James Earl Jones Theatre

  • Theater
  • Midtown West
  • price 4 of 4
Cort Theatre
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Time Out says

With 1,082 seats and a lovely four-column facade, the Jones is one of the few Broadway houses located east of Broadway (or the "wrong side of the tracks," as we like to joke). It was built by West Coast impresario John Cort in 1912, and was named after him until 2022. Notable productions there have included Julie Taymor's The Green Bird, Douglas Carter Beane's The Little Dog Laughed and the revival of August Wilson's Fences, starring Denzel Washington. The venue generally hosts limited-run shows; rarely does it have a long-term tenant.

Details

Address:
138 W 48th St
New York
Cross street:
between Sixth and Seventh Aves
Transport:
Subway: N, Q, R, 42nd St S, 1, 2, 3, 7 to 42nd St–Times Sq; N, Q, R to 49th St; 1 to 50th St
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What’s on

The Heart of Rock and Roll

  • 3 out of 5 stars
  • Musicals
  • Open run

Broadway review by Regina Robbins Broadway has been catching up with the News this season. The smoky-voiced, harmonica-playing Huey Lewis and his band racked up a dozen top-10 singles in the U.S. between 1982 and 1991, one of which—“The Power of Love”—was featured in 1985’s biggest movie, Back to the Future. A musical adaptation of that time-travel classic, which has been giving Broadway audiences a nostalgia fix since last summer, includes it alongside another song from the movie, “Back in Time.” Both songs are now also featured in The Heart of Rock and Roll, which goes all in on Lewis, using his catalog—singles and deep cuts, plus one song written for the show—to transport us to a hot-pink version of the 1980s, cheerfully unbesmirched by the Cold War, AIDS or cocaine. At a cardboard packaging company in Milwaukee, Bobby (Corey Cott) is a would-be rocker turned working stiff who channels his ambition into a 9-to-5 job. (Cue “Hip to Be Square.”) Determined to succeed at something, anything—unlike his father, a musician who died years ago—he’s gunning for promotion to the sales team. Also trying to prove herself is the boss’s daughter, Cassandra (McKenzie Kurtz), a Princeton grad who crunches numbers but aspires to impress her father (John Dossett) in a leadership role. They may both get their chance at a trade convention in Chicago, where Owen Fjord (Orville Mendoza), a hotshot Swedish furniture mogul, will be the keynote speaker; making a deal with him would give the compan

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