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The intimate space, once a cinema, is a fine setting for dance. Of the 472 seats at the Joyce, there’s not a single bad one. Companies and choreographers who present work here, including Ballet Hispanico, David Parsons and Doug Varone, tend to be more conventional than experimental. The Joyce also hosts out-of-town crowd-pleasers like Pilobolus Dance Theatre. During the summer, when many theaters are dark, the Joyce continues its programming. At the Joyce Soho, emerging companies present work nearly every weekend. • Other location: Joyce Soho, 155 Mercer St between W Houston and Prince Sts (212-431-9233). Subway: B, D, F, M to Broadway–Lafayette St; N, R to Prince St; 6 to Bleecker St. $15–$20. Cash only.
David Parsons and his lively company return to the Joyce with a mixed bill that features four pieces by Parsons—a world-premiere solo for company veteran Zoey Anderson as well as In the End (set to music by the Dave Matthews Band), the Mozart-themed Wolfgang and company favorite Caught —as well as Robert Battle’s fierce quartet The Hunt and the world premiere of Rena Butler's Sheep’s Gothic, a collaboration with composer Darryl J. Hoffmans.
Contemporary and experimental
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