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Playwright Kate Benson and director Lee Sunday Evans, who scored in 2015 with the sports-infused American-family spectacle A Beautiful Day in November on the Banks of the Greatest of the Great Lakes, reteam for this feel-weird comedy that exposes the underbelly of meet-cute romance. Benson likes to play with metanarration, and here she provides stage directions in a voiceover that sometimes seems audible to the characters. While presenting as adorable, the show also forces us to feel revulsion at our basic pleasures, whether that means bacon or sex or company. After a festival run last year, the piece now returns for a full encore engagement. Click here to read the original review.