Say Something Bunny!
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Theater review by Helen Shaw
When you walk into Say Something Bunny!, you enter another time. You might not notice that at first, because the brick office space where it takes place is so determinedly ordinary-looking. The small audience sits around a doughnut-shaped conference table, and as Alison S.M. Kobayashi begins her multimedia docuplay, some spectators are already paging through the scripts that have been placed in front of each chair. The text turns out to be the full transcript of a real, unlabeled 65-year-old recording that Kobayashi found hidden in an antique wire recorder: the audio relic of a teenage boy in Woodmere, Queens, enthusiastically taping two dozen family members and neighbors.
Kobayashi has listened to the recording hundreds of times and has a seemingly boundless interest in the people whose voices it preserves, including amateur recordist David, mother Juliette and neighbor Bunny. She conducts us through a pair of after-dinner conversations, the first in 1952—she deduced the date from song lyrics mentioned on the wire—and the second in 1954. Aided by coauthor Christopher Allen, she pursues hints and half-heard jokes to determine who these people were and what befell them; she shows us the census records she used to find their old houses.
The play unspools unhurriedly, leaving space for Kobayashi to make jokes, play short films and highlight points of historical interest. It takes a while for it to sink in that—of course—many of these vibrant people must be long dead. The experience of Say Something Bunny! is light, sweet, funny and dear. But Kobayashi’s deep humanism has a way of moving you, even days later. She sifts through the details of strangers’ lives, a prospector who knows that the sand itself is precious.
UNDO Project Space (Off-Off Broadway). By Alison S.M. Kobayashi and Christopher Allen. Directed by Kobayashi. With Kobayashi. Running time: 2hrs 20mins. One intermission. Through July 30.
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