The venerable experimental-theater outfit Elevator Repair Service, whose magnificent F. Scott Fitzgerald adaptation Gatz is among the highlights of 21th-century theater in New York, turns its collective eye to The Seagull, Anton Chekhov's group portrait of gloomy artists in a tragicomic daisy chain of she-loves-me-nots. This being an ERS joint, expect elaborately precise sound and movement and plenty of metatheatrical smudging of the lines between characters and performers.
Seagull

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