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Sex with Strangers

  • Theater, Drama
  • 3 out of 5 stars

Time Out says

3 out of 5 stars

Sex with Strangers. Second Stage Theatre (Off Broadway). By Laura Eason. Directed by David Schwimmer. With Anna Gunn, Billy Magnussen. Running time: 2hrs 20mins. One intermission.

Sex with Strangers: In brief

Anna Gunn (Skyler in AMC's Breaking Bad) and Billy Magnussen (Spike in Broadway's Vanya and Sonia and Masha and Spike) costar in Laura Eason's two-hander, in which a steamy memoirist tracks down his novelist idol. David Schwimmer, whom you may remember from a sitcom called Friends, directs.Second Stage Theatre (see Off Broadway). By Laura Eason. Dir. David Schwimmer. With Anna Gunn, Billy Magnussen. 2hrs 20mins. One intermission.

Sex with Strangers: Theater review by Adam Feldman

In the crackling first act of Laura Eason’s romantic thriller Sex with Strangers, Olivia (Gunn) finds herself snowed in, at a secluded Michigan bed-and-breakfast, with a cocky younger man named Ethan (Magnussen). She’s a talented writer who has fled into a world of private resignation; he’s a jerkwad-sex-blog star, tuckered and maxed out on his public persona and eager to rebrand himself as a serious literary figure. Bereft of Internet access, they spar and flirt. Opposites attract—she gives him class, he gives her sex—and he seals the deal by citing a passage from her underappreciated first novel. “Are you quoting me?” Olivia asks, dumbfounded and flattered. “I am fucking quoting you,” he confirms, and soon the “quoting” part drops away.

The actors strike sexy sparks: Gunn is warily intelligent and believably vulnerable, while Magnussen pops with dynamic energy (and raises shirtlessness to an art form). Under David Schwimmer’s canny direction, they earn big laughs with Eason’s swift, clever dialogue. But seeds of contrivance are planted along the way, which burst into fruit after intermission. The once-vibrant characters shrink to illustrations as the play spells out its points about authenticity, ambition and reputation. (As my friend observed, the second half is like a talkback about the first.) Eason ends on a note of ambiguity; in that spirit, you may get the most out of Sex with Strangers by leaving midway through and calling it a satisfying one-act stand.—Theater review by Adam Feldman

THE BOTTOM LINE Strangers slides from truth to fiction, but Gunn and Magnussen keep you glued.

Follow Adam Feldman on Twitter: @FeldmanAdam

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