Hamilton: Theater review by David Cote What is left to say? After Founding Father Alexander Hamilton’s prodigious quill scratched out 12 volumes of nation-building fiscal and military policy; after Lin-Manuel Miranda turned that titanic achievement (via Ron Chernow’s 2004 biography) into the greatest American musical in decades; after every critic in town (including me) praised the Public Theater world premiere to high heaven; and after seeing this language-drunk, rhyme-crazy dynamo a second time, I can only marvel: We've used up all the damn words. Wait, here are three stragglers, straight from the heart: I love Hamilton. I love it like I love New York, or Broadway when it gets it right. And this is so right. A sublime conjunction of radio-ready hip-hop (as well as R&B, Britpop and trad showstoppers), under-dramatized American history and Miranda’s uniquely personal focus as a first-generation Puerto Rican and inexhaustible wordsmith, Hamilton hits multilevel culture buttons, hard. No wonder the show was anointed a sensation before even opening. Assuming you don’t know the basics, Hamilton is a (mostly) rapped-through biomusical about an orphan immigrant from the Caribbean who came to New York, served as secretary to General Washington, fought against the redcoats, authored most of the Federalist Papers defending the Constitution, founded the Treasury and the New York Post and even made time for an extramarital affair that he damage-controlled in a scandal-stanching pamp
View over 100 works made by creators outside of the artistic community, including inventive self-taught sculptors in New York City and illustrators who found their passion in prisons and psychiatric hospitals. Explore the inner lives of unknown artists through works made in private and often discovered after the artists' passing, with pieces like Steve Ashby's Rocking Bed Cunnilingus Whirligig and Henry Darger's watercolor At Sunbeam Creak/At Wickey Lansinia.
Even if the sidewalks are overrun with tourists, you’ll have ample room to skate at the city’s most iconic rink; only 150 people are allowed on the ice at once. So be prepared to spend a bit of a wait in line fantasizing about your waltz jumps and double axels: the buildup will be worth it once you're on the ice. RECOMMENDED: More rinks for ice skating in NYC
Dave Malloy's dazzlingly eclectic rock-pop musical, adapted from a portion of Tolstoy's War and Peace, conveys its story of high-society Muscovites in stirring and surprising ways. Directed by Rachel Chavkin, this Broadway transfer of the 2012 Off Broadway hit stars global-sensation singer Josh Groban and newcomer Denée Benton. Read the full review.
The Graham company keeps the modern dance master's legacy alive with three programs, presented in rep. Included are selections from Dark Meadow (1946), Primitive Mysteries (1931), Clytemnestra (1958), Diversion of Angels (1948) and her final finished piece, Maple Leaf Rag (1990). Alongside these classic Graham works are several dances created for the troupe: premieres by choreographers Sidi Larbi Cherkaoui and Annie-B Parson and recent pieces by Pontus Lidberg and Nacho Duato.