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The Swiss bad boy is up to his usual Neo-Dada tricks with this installation. Two adjoining rooms are sparsely populated by objects whose meanings are enigmatic, to put it mildly. They objects include a trio of chairs—one of which features a disembodied pair of hands on the back, apparently pulling the seat away from an invisible table—and a large boulder-shaped sculpture in the corner. Most noticeable is the way each room has been painted, respectively, in pink and light green, in what must be assumed to be a deliberate expression of poor taste.
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