The best museums participating in the Paris Museum Pass scheme
The Louvre is a city within the city, a vast, multi-level maze of galleries, passageways, staircases and escalators. Some 35,000 works of art and artefacts are on show, split into eight departments and housed in three wings: Denon, Sully and Richelieu. You'll find treasures from the Egyptians, Etruscans, Greeks and Romans as well as Middle Eastern and Islamic art, and European decorative arts from the Middle Ages up to the 19th century.
Centuries of makeovers have made Versailles the most sumptuously clad château in the world – a brilliant, unmissable cocktail of extravagance. Architect Louis Le Vau first embellished the original building – a hunting lodge built during Louis XIII's reign – after Louis XIV saw the impressive residence of his finance minister Nicolas Fouquet. André Le Nôtre turned the boggy marshland into terraces, parterres, lush groves and a spectacular series of fountains.
The Arc de Triomphe is the city's second most iconic monument after the Eiffel Tower - older, shorter, but far more symbolically important: indeed, the island on which it stands, in the centre of the vast traffic junction of l'Etoile, is the nearest thing to sacred ground in all of secular France, indelibly associated as it is with two of French history's greatest men, Napoleon and Charles de Gaulles.
Topped by its gilded dome, the Hôtel des Invalides was (and in part still is) a hospital. Commissioned by Louis XIV for wounded soldiers, it once housed as many as 6,000 invalids. Designed by Libéral Bruand (the foundations were laid in 1671) and completed by Jules Hardouin-Mansart...
The Musée d'Orsay, originally a train station designed by Victor Laloux in 1900, houses a huge collection spanning the period between 1848 and 1914, and is home to a profusion of works by Delacroix, Corot, Manet, Renoir, Pissarro, Gauguin, Monet, Caillebotte, Cézanne, Van Gogh, Toulouse-Lautrec and others. Impressionism, Naturalism and Symbolism all take pride of place here.
The Rodin museum occupies the hôtel particulier where the sculptor lived in the final years of his life. The Kiss, the Cathedral, the Walking Man, portrait busts and early terracottas are exhibited indoors, as are many of the individual figures or small groups that also appear on the Gates of Hell. Most visitors have greatest affection for the gardens: look out for the Burghers of Calais, the Gates of Hell, and the Thinker.
The reopening of this Monet showcase a few years ago means the Orangerie is now firmly back on the tourist radar: expect long queues. The look is utilitarian and fuss-free, with the museum's eight, tapestry-sized Nymphéas (water lilies) paintings housed in two plain oval rooms. They provide a simple backdrop for the astonishing, ethereal romanticism of Monet's works, painted late in his life.
The primary colours, exposed pipes and air ducts make the Centre Pompidou one of the best-known sights in Paris. The then-unknown Italo-British architectural duo of Renzo Piano and Richard Rogers won the competition with their 'inside-out' boilerhouse approach, which put air-conditioning, pipes, lifts and the escalators on the outside, leaving an adaptable space within.
This monumental 1930s building, housing the city's modern art collection, is strong on the Cubists, Fauves, the Delaunays, Rouault and Ecole de Paris artists Soutine and van Dongen. The museum was briefly closed in May 2010 after the theft of five masterpieces. The €100-million haul netted paintings by Picasso, Matisse, Braque, Modigliani and Léger.
Set in the great 17th century Hôtel Salé in the heart of the historic Marais area, Picasso’s masterpieces hang on the walls of bright, spacious exhibition rooms. This museum holds the largest collection in the world of Picasso’s masterpieces, and yet there's a lack of historical and political analyses, depriving visitors of a useful framework in which to grasp the agenda of the 20th century avant-garde artist.
Soufflot's neo-classical megastructure was the architectural grand projet of its day, commissioned by a grateful Louis XV to thank Sainte Geneviève for his recovery from illness. But by the time it was ready in 1790, a lot had changed; during the Revolution, the Panthéon was rededicated as a 'temple of reason' and the resting place of the nation's great men. The austere barrel-vaulted crypt now houses Voltaire, Rousseau, Hugo and Zola.
The Conciergerie looks every inch the forbidding medieval fortress. However, much of the façade was added in the 1850s, long after Marie-Antoinette, Danton and Robespierre had been imprisoned here. The 13th-century Bonbec tower, built during the reign of St Louis, the 14th-century twin towers, César and Argent, and the Tour de l'Horloge all survive from the Capetian palace.
After years of renovations, the château has finally re-opened to reveal Europe's tallest dungeon tower. Although much of the fine detail has been lost, you still get a haunting sense of what life might have been like for Charles V who lived in the tower's upper floors. The castle's 14th-century chapel, the "Sainte-Chapelle" is stunningly beautiful.
The national museum of medieval art is best known for the beautiful, allegorical Lady and the Unicorn tapestry cycle, but it also has important collections of medieval sculpture and enamels. There is also a worthy programme of medieval concerts in which troubadours reflect the museum's collection and occasional 45- minute heures musicales in a similar style.
Situated in a working-class corner of north-east Paris by Porte de Pantin, the extravagant new venue aims to democratise classical music, drawing in newbies as well as concert hall veterans. As well as the aesthetically impressive 2,400-seat concert hall (laid out such that no audience member is sat more than 38 metres from the conductor), it includes a cavernous exhibition space and a vast educational centre.
Hidden under the forecourt in front of the cathedral is a large void that contains bits and pieces of Roman quaysides, ramparts and hypocausts, medieval cellars, shops and pavements, the foundations of the Eglise Ste-Geneviève-des-Ardens (the church where Geneviève's remains were stored during the Norman invasions), an 18th-century foundling hospital and a 19th-century sewer, all excavated since the 1960s.
Sail back in time through 400 years of French naval history. Highlights include the Océan, a 19th-century sailing vessel equipped with an impressive 120 cannons; a gilded barge built for Napoleon; and some extravagant, larger-than-life figureheads, from serene-faced angels to leaping seahorses. There are also dozens of model boats, dating from the 18th to the 20th century, and several old-fashioned divers' suits.
Founded by industrialist Emile Guimet in 1889 to house his collection of Chinese and Japanese religious art, and later incorporating oriental collections from the Louvre, the museum has 45,000 objects from neolithic times onwards. Lower galleries focus on India and South-east Asia, centred on stunning Hindu and Buddhist Khmer sculpture from Cambodia.
This wonderful museum combines the small private apartment of Symbolist painter Gustave Moreau (1826-98) with the vast gallery he built to display his work - set out as a museum by the painter himself, and opened in 1903. Don't miss the trippy masterpiece Jupiter et Sémélé on the second floor.
Opened in 2007, this architecture and heritage museum impresses principally by its scale. The expansive ground floor is filled with life-size mock-ups of cathedral façades and heritage buildings, and interactive screens place the models in context. Upstairs, darkened rooms house full-scale copies of medieval and Renaissance murals and stained-glass windows.
This much celebrated institution was set up in 1998 with the stated aim of promoting the diversity of Jewish cultures and history in France. Visitors can explore the wide-ranging permanent collections, which sketch a brief chronological history of Jewish communities across the world, all while shining a light on their various customs, festivities and artistic traditions.
Surrounded by trees on the banks of the Seine, this museum, housed in an extraordinary building by Jean Nouvel, is a vast showcase for non-European cultures. Dedicated to the art of Africa, Oceania, Asia and the Americas, treasures include a tenth-century anthropomorphic Dogon statue from Mali, Vietnamese costumes, Gabonese masks, Aztec statues, and rare frescoes from Ethiopia.
A clever blend of high-tech and Arab influences, the shuttered windows are inspired by the screens of Moorish palaces, and act as camera apertures, contracting or expanding according to the amount of sunlight. The central attraction is an engaging museum that showcases the Arab world in all its facets – linguistics, culture, history and geography are all covered.
Devout King Louis IX (St Louis, 1226-70) had a hobby of accumulating holy relics. In the 1240s, he bought what was advertised as the Crown of Thorns, and ordered Pierre de Montreuil to design a shrine. The result was Sainte-Chapelle. With 15m (49ft) windows, the upper level appears to consist almost entirely of stained glass. The windows depict hundreds of scenes from the Old and New Testaments, culminating with the Apocalypse in the rose window.
Taken as a whole (along with the Musée de la Mode et du Textile and Musée de la Publicité), this is one of the world's major collections of design and the decorative arts. Located in the west wing of the Louvre since its opening a century ago, the venue reopened in 2006 after a decade-long, €35-million restoration of the building and of 6,000 of the 150,000 items donated mainly by private collectors.
Relocated to Frank Gehry's striking, spacious cubist building, the Cinémathèque Française now boasts four screens, a bookshop, a restaurant, exhibition space and the superb Musée du Cinéma.The Musée alone is worth the trip. The exhibition takes you from the birth of cinema in 19th-century ‘magic lanterns’ and optical illusions through to the first golden age of the Hollywood studios in the 30s.
The 'arts and trades' museum is, in fact, Europe's oldest science museum. Housed in the former Benedictine priory of St-Martin-des-Champs, it became a museum proper in 1819; it's a fascinating, attractively laid out and vast collection of treasures. Here are beautiful astrolabes, celestial spheres, barometers, clocks, weighing devices and some of Pascal's calculating devices.
This ultra-modern science museum pulls in five million visitors a year. Explora, the permanent show, occupies the upper two floors, whisking visitors through 320,000sq ft of space, life, matter and communication: scale models of satellites including the Ariane space shuttle, planes and robots, plus the chance to experience weightlessness, make for an exciting journey.