Top Koaysomboon has served as the Editor-in-Chief of Time Out Bangkok since 2015 when the media brand kicked off in Thailand. He is fascinated by modern art, centuries-old Asian recipes, cool tiny gadgets, minimalist architecture, and all things white. 

Check out his almost-black-and-white photo diary @topkoay on Instagram.

Top Koaysomboon

Top Koaysomboon

Editor-in-Chief, Time Out Bangkok

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Articles (160)

Hansik āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ­āļēāļŦāļēāļĢāđ€āļāļēāļŦāļĨāļĩāļ”āļąāđ‰āļ‡āđ€āļ”āļīāļĄāļ—āļĩāđˆāđ€āļāļēāļŦāļĨāļĩāđƒāļ•āđ‰āļ­āļĒāļēāļāđƒāļŦāđ‰āļ„āļļāļ“āļĢāļđāđ‰āļˆāļąāļ

Hansik āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ­āļēāļŦāļēāļĢāđ€āļāļēāļŦāļĨāļĩāļ”āļąāđ‰āļ‡āđ€āļ”āļīāļĄāļ—āļĩāđˆāđ€āļāļēāļŦāļĨāļĩāđƒāļ•āđ‰āļ­āļĒāļēāļāđƒāļŦāđ‰āļ„āļļāļ“āļĢāļđāđ‰āļˆāļąāļ

āļĢāļđāđ‰āļˆāļąāļ Hansik āļāļąāļ™āđ„āļŦāļĄāļ„āļĢāļąāļš Hansik (한ė‹) āđāļ›āļĨāļ‡āđˆāļēāļĒāđ† āļāđ‡āļ„āļ·āļ­āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ­āļēāļŦāļēāļĢāđāļšāļšāđ€āļāļēāļŦāļĨāļĩ āđāļĨāļ°āļĢāļąāļāļšāļēāļĨāđ€āļāļēāļŦāļĨāļĩāļ—āļąāđ‰āļ‡āļĢāļ°āļ”āļąāļšāđ€āļĄāļ·āļ­āļ‡āđāļĨāļ°āļĢāļ°āļ”āļąāļšāļ›āļĢāļ°āđ€āļ—āļĻ āļāļģāļĨāļąāļ‡āđ‚āļ›āļĢāđ‚āļĄāļ• Hansik āļ­āļĒāđˆāļēāļ‡āļŦāļ™āļąāļāļŦāļ™āđˆāļ§āļ‡ āđƒāļŦāđ‰āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ­āļēāļŦāļēāļĢāļ‚āļ­āļ‡āđ€āļāļēāļŦāļĨāļĩāđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļˆāļ”āļˆāļģāđƒāļ™āļ§āļ‡āļāļ§āđ‰āļēāļ‡āđƒāļ™āļĢāļ°āļ”āļąāļšāđ€āļ”āļĩāļĒāļ§āļāļąāļš K-Entertainment — āļ—āļĩāđˆāđƒāļ™āļĢāļ°āļ”āļąāļšāđ‚āļĨāļāļ§āđˆāļē Hallyu āļŦāļĢāļ·āļ­ Korean Wave āđāļ•āđˆ Hansik āđƒāļ™āļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāđƒāļˆāļ‚āļ­āļ‡āđ€āļĢāļēāļāļąāļšāļ‚āļ­āļ‡āđ€āļāļēāļŦāļĨāļĩāļ­āļēāļˆāļˆāļ°āļ•āđˆāļēāļ‡āļāļąāļ™āļ­āļĒāļđāđˆāļ™āļīāļ”āļ™āļķāļ‡ āđ€āļŠāđˆāļ™āļ–āļķāļ‡āđ€āļĢāļēāļˆāļ°āđ€āļŦāđ‡āļ™āļ‰āļēāļāļāļīāļ™āļĢāļēāļĄāļĒāļ­āļ™āļāļąāļ™āļšāđˆāļ­āļĒāļĄāļēāļāđ† āļˆāļ™āđ€āļĢāļēāļ­āļĒāļēāļāļāļīāļ™āļ•āļēāļĄāđƒāļ™āļ‹āļĩāļĢāļĩāļŠāđŒāđ€āļāļēāļŦāļĨāļĩ āđāļ•āđˆāļĢāļēāļĄāļĒāļ­āļ™āđ„āļĄāđˆāđ„āļ”āđ‰āđ€āļ›āđ‡āļ™ Hansik āđāļāļ™āļŦāļĨāļąāļāļ—āļĩāđˆāļĢāļąāļāļšāļēāļĨāđ€āļāļēāļŦāļĨāļĩāļ­āļĒāļēāļāļ™āļģāđ€āļŠāļ™āļ­āļ™āļ°āļ„āļĢāļąāļš āđ€āļŠāđˆāļ™āđ€āļ”āļĩāļĒāļ§āļāļąāļšāļāļēāļĢāļāļīāļ™āđ„āļāđˆāļ—āļ­āļ”āđāļšāļšāđ€āļāļēāļŦāļĨāļĩāļ„āļđāđˆāļāļąāļšāđ€āļšāļĩāļĒāļĢāđŒ (āļ—āļĩāđˆāļ–āđ‰āļēāļˆāļ°āđƒāļŦāđ‰āļŸāļīāļ™āļŠāļļāļ”āđ† āļ•āđ‰āļ­āļ‡āļāļīāļ™āļŠāļđāđ‰āļĨāļĄāļŦāļ™āļēāļ§āļĢāļīāļĄāđāļĄāđˆāļ™āđ‰āļģāļŪāļąāļ™) Hansik āļ„āļ·āļ­āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ­āļēāļŦāļēāļĢāđāļšāļšāļ”āļąāđ‰āļ‡āđ€āļ”āļīāļĄāļ‚āļ­āļ‡āļŠāļ™āļŠāļēāļ•āļīāđ€āļāļēāļŦāļĨāļĩ āđƒāļŠāđ‰āļ§āļąāļ•āļ–āļļāļ”āļīāļšāđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻāđāļĨāļ°āļāļĢāļ°āļšāļ§āļ™āļ§āļīāļ˜āļīāļāļēāļĢāļ—āļģāļ—āļĩāđˆāļžāļąāļ’āļ™āļēāļŠāđˆāļ‡āļ•āđˆāļ­āļˆāļēāļāļĢāļļāđˆāļ™āļŠāļđāđˆāļĢāļļāđˆāļ™ āđ€āļ›āđ‡āļ™āđ„āļĄāđ‰āļĒāļ·āļ™āļ•āđ‰āļ™āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āđāļāļ™āļŦāļĨāļąāļāļ‚āļ­āļ‡āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ­āļēāļŦāļēāļĢāđāļšāļšāđ€āļāļēāļŦāļĨāļĩāļˆāļĢāļīāļ‡āđ† āđ‚āļ”āļĒ Hansik āļ—āļĩāđˆāļĢāļąāļāļšāļēāļĨāđ€āļāļēāļŦāļĨāļĩāļ­āļĒāļēāļāđ‚āļ›āļĢāđ‚āļĄāļ•āđƒāļ™āļ•āļ­āļ™āļ™āļĩāđ‰ āļĄāļĩ 3 āļ­āļĒāđˆāļēāļ‡āļ„āļĢāļąāļš āļ„āļ·āļ­ āļāļēāļĢāļŦāļĄāļąāļāļ”āļ­āļ‡Â (āļāđ‡āļ„āļ·āļ­āļāļīāļĄāļˆāļī āđāļĨāļ° āļˆāļąāļ‡ āļŦāļĢāļ·āļ­āļ‹āļ­āļŠāļ•āđˆāļēāļ‡āđ† āđ€āļŠāđˆāļ™ āđ‚āļ„āļŠāļđāļˆāļąāļ‡) āđ€āļ™āļ·āđ‰āļ­āļ§āļąāļ§āļŪāļąāļ™āļ§āļđ (āļ—āļĩāđˆāļ§āđˆāļēāļāļąāļ™āļ§āđˆāļēāļˆāļ°āđ€āļ›āđ‡āļ™ the next Wagyu) āđāļĨāļ° āļ­āļēāļŦāļēāļĢāļ§āļąāļ” (āđƒāļŠāđ‰āļ„āļģāļ§āđˆāļē temple food āđ€āļĨāļĒ āđ€āļ›āđ‡āļ™āļ­āļēāļŦāļēāļĢāđ€āļˆāļ—āļĩāđˆāļ›āļĢāļļāļ‡āļˆāļēāļāļ§āļąāļ•āļ–āļļāļ”āļīāļšāļ•āļēāļĄāļĪāļ”āļđāļāļēāļĨ)  āđ‚āļ›āļĢāđ‚āļĄāļ•āļāļąāļ™āļ­āļĒāđˆāļēāļ‡āļˆāļĢāļīāļ‡āļˆāļąāļ‡āļœāđˆāļēāļ™āļ­āļĩāđ€āļ§āļ™āļ•āđŒāļ­āļēāļŦāļēāļĢāđāļšāļĢāļ™āļ”āđŒāļĢāļ°āļ”āļąāļšāđ‚āļĨāļ Asia’s 50 Best Restaurants 2024 āļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļē āļžāļēāļŠāļ·āđˆāļ­āļĄāļ§āļĨāļŠāļ™āļˆāļēāļāļ—āļąāđˆāļ§āđ‚āļĨāļāđ„āļ”āđ‰āļĢāļąāļšāđ€āļŠāļīāļāđ„āļ›āļ—āļģāļ„āļ§āļēāļĄāļĢāļđāđ‰āļˆāļąāļāļāļąāļšāļŠāļīāđˆāļ‡āļ™āļĩāđ‰āļ­āļĒāđˆāļēāļ‡āļĨāļķāļāļ‹āļķāđ‰āļ‡

āļāļēāļĢāļŦāļĄāļąāļāļ”āļ­āļ‡ āđāļāđˆāļ™āļ‚āļ­āļ‡āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ­āļēāļŦāļēāļĢāđ€āļāļēāļŦāļĨāļĩ

āļāļēāļĢāļŦāļĄāļąāļāļ”āļ­āļ‡ āđāļāđˆāļ™āļ‚āļ­āļ‡āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ­āļēāļŦāļēāļĢāđ€āļāļēāļŦāļĨāļĩ

āļ āļīāļāļĐāļļāļ“āļĩāļˆāļ­āļ‡āļ„āļ§āļēāļ™āđ€āļĨāđˆāļēāđƒāļŦāđ‰āđ€āļĢāļēāļŸāļąāļ‡āļ§āđˆāļē āļŦāļąāļ§āđƒāļˆāļ‚āļ­āļ‡āļ­āļēāļŦāļēāļĢāđ€āļāļēāļŦāļĨāļĩāļ­āļĒāļđāđˆāļ—āļĩāđˆāļ§āļąāļ•āļ–āļļāļ”āļīāļš āļ„āļ·āļ­ āđ€āļ™āļ·āđ‰āļ­ āļ­āļēāļŦāļēāļĢāļ—āļ°āđ€āļĨ āđāļĨāļ°āļ›āļĢāļ°āļāļ­āļšāļ”āđ‰āļ§āļĒāļ­āļ‡āļ„āđŒāļ›āļĢāļ°āļāļ­āļšāļ—āļĩāđˆāļŠāļģāļ„āļąāļāļ—āļĩāđˆāļŠāļļāļ”āļ™āļąāđˆāļ™āļ„āļ·āļ­ āļ‹āļ­āļŠ āļŦāļĢāļ·āļ­āļ—āļĩāđˆāļ āļēāļĐāļēāđ€āļāļēāļŦāļĨāļĩāđ€āļĢāļĩāļĒāļāļ§āđˆāļē ‘āļˆāļąāļ‡ (Jang)’ ‘āļˆāļąāļ‡â€™ āļ™āļąāđ‰āļ™āđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ™āļŠāļģāļ„āļąāļāđƒāļ™āļ•āļĢāļ°āļāļđāļĨāļāļēāļĢāļŦāļĄāļąāļāļ”āļ­āļ‡ āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļ­āļ‡āļ„āđŒāļ›āļĢāļ°āļāļ­āļšāļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ­āļēāļŦāļēāļĢāđ€āļāļēāļŦāļĨāļĩāļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļ•āđˆāļ­āļŠāļđāđ‰āļāļąāļšāļ­āļēāļāļēāļĻāļŦāļ™āļēāļ§āđ€āļŦāļ™āđ‡āļšāđāļĨāļ°āļœāļĨāļœāļĨāļīāļ•āļ—āļēāļ‡āļāļēāļĢāđ€āļāļĐāļ•āļĢāļ—āļĩāđˆāļˆāļģāļāļąāļ”āļĄāļēāļ­āļĒāđˆāļēāļ‡āļĒāļēāļ§āļ™āļēāļ™āđƒāļ™āļ­āļ”āļĩāļ• āđāļ•āđˆāļ„āļ™āļ—āļĩāđˆāđ€āļĨāđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡ ‘āļˆāļąāļ‡â€™ āđƒāļŦāđ‰āđ€āļĢāļēāļŸāļąāļ‡āđƒāļ™āļ—āļĢāļīāļ›Â Asia’s 50 Best Restaurants āļ—āļĩāđˆāļāļĢāļļāļ‡āđ‚āļ‹āļĨāļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļēāļ„āļ·āļ­ Cho Hee Suk āđ€āļŠāļŸāđ€āļˆāđ‰āļēāļ‚āļ­āļ‡āļĢāđ‰āļēāļ™ Hansikgonggan āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļ­āļ§āļĒāļĒāļĻāđ€āļ›āđ‡āļ™āļ”āļąāđˆāļ‡ godmother of Korean cuisine Photograph: Top Koaysomboonchef cho hee-sook āđ€āļŠāļŸāđ‚āļŠāđ€āļ›āđ‡āļ™āđ€āļŦāļĄāļ·āļ­āļ™āļ„āļļāļ“āļ™āđ‰āļēāđƒāļˆāļ”āļĩ āļ—āļĩāđˆāļ„āđˆāļ­āļĒāđ† āļ­āļ˜āļīāļšāļēāļĒāđƒāļŦāđ‰āļŠāļ·āđˆāļ­āļˆāļēāļāļ—āļąāđˆāļ§āđ‚āļĨāļāļŸāļąāļ‡āļ§āđˆāļēāđƒāļ™āļ­āļēāļŦāļēāļĢāđ€āļāļēāļŦāļĨāļĩāļ™āļąāđ‰āļ™āļĄāļĩ ‘āļˆāļąāļ‡â€™ āļ­āļĒāļđāđˆ 3 āļ›āļĢāļ°āđ€āļ āļ— āļ„āļąāļ™āļˆāļąāļ‡ (Ganjang) āļ‹āļ­āļŠāļ–āļąāđˆāļ§āđ€āļŦāļĨāļ·āļ­āļ‡ āļŦāļĢāļ·āļ­āļ–āđ‰āļēāđ€āļĢāļĩāļĒāļāđāļšāļšāļšāđ‰āļēāļ™āđ€āļĢāļēāļāđ‡āļ„āļ·āļ­āļ‹āļĩāļ­āļīāđŠāļ§āļ™āļąāđˆāļ™āđāļŦāļĨāļ° āļ—āļąāļ™āļˆāļąāļ‡ (Doenjang) āļ‹āļ­āļŠāļ–āļąāđˆāļ§āļŦāļĄāļąāļ āļŦāļĢāļ·āļ­āļāđ‡āļ„āļ·āļ­āđ€āļ•āđ‰āļēāđ€āļˆāļĩāđ‰āļĒāļ§ āđāļĨāļ°āļŠāļļāļ”āļ—āđ‰āļēāļĒ āļŦāļĨāļēāļĒāļ„āļ™āļ„āļļāđ‰āļ™āļŠāļ·āđˆāļ­ āļ„āļ·āļ­ āđ‚āļ„āļŠāļđāļˆāļąāļ‡ (Gochujang) āļ‹āļ­āļŠāļžāļĢāļīāļāđāļ”āļ‡ āļŦāļĢāļ·āļ­āļ‹āļ­āļŠāđ€āļœāđ‡āļ”āļ—āļĩāđˆāđ€āļĢāļēāđ€āļŦāđ‡āļ™āļ­āļĒāļđāđˆāđƒāļ™āļ­āļēāļŦāļēāļĢāđ€āļœāđ‡āļ”āļ•āđˆāļēāļ‡āđ† āļ‚āļ­āļ‡āđ€āļāļēāļŦāļĨāļĩāļ™āļąāđˆāļ™āđ€āļ­āļ‡ āļ„āļąāļ™āļˆāļąāļ‡ āđāļĨāļ° āļ—āļąāļ™āļˆāļąāļ‡ āļ™āļąāđ‰āļ™āļ—āļģāļˆāļēāļāļāļēāļĢāļŦāļĄāļąāļāļ–āļąāđˆāļ§āđ€āļŦāļĨāļ·āļ­āļ‡ āđ€āļĢāļīāđˆāļĄāļˆāļēāļāļāļēāļĢāļ™āļķāđˆāļ‡āļ–āļąāđˆāļ§āđ€āļŦāļĨāļ·āļ­āļ‡āđāļĨāđ‰āļ§āļšāļ”āļ­āļąāļ”āđāļšāļšāđāļ—āđˆāļ‡āđ€āļŦāļĄāļ·āļ­āļ™āļ­āļīāļāļšāļĨāđ‡āļ­āļ āļāđˆāļ­āļ™āļˆāļ°āļˆāļēāļāđ„āļ§āđ‰āļĢāļēāļ§ 8-10 āļŠāļąāļ›āļ”āļēāļŦāđŒāđƒāļŦāđ‰āļāļĢāļ°āļšāļ§āļ™āļāļēāļĢāļŦāļĄāļąāļāļ„āđˆāļ­āļĒāđ† āļ—āļģāļ‡āļēāļ™ āļŠāļīāđˆāļ‡āļ™āļĩāđ‰āđ€āļĢāļĩāļĒāļāļ§āđˆāļē āđ€āļĄāļˆāļđ (Meju) āđ€āļĄāļˆāļđāļ—āļĩāđˆāđāļŦāđ‰āļ‡āđāļĨāđ‰āļ§āļˆāļ°āļ–āļđāļāđ€āļĢāļĩāļĒāļ‡āđƒāļ™āđ„āļŦāļ”āļīāļ™āđ€āļœāļē āļ•āļēāļĄāļ”āđ‰āļ§āļĒāđ€āļāļĨāļ·āļ­ āļ™āđ‰āļģ āđāļĨāļ°āļ–āđˆāļēāļ™āļŦāļīāļ™ āļŦāļĄāļąāļāļ­āļĩāļāļĢāļēāļ§āđ€āļ”āļ·āļ­āļ™āļ„āļĢāļķāđˆāļ‡āļ–āļķāļ‡āļŠāļ­āļ‡āđ€āļ”āļ·āļ­āļ™āļāđ‡āļˆāļ°āđ„āļ”āđ‰āļ‚āļ­āļ‡āđ€āļŦāļĨāļ§āļ—āļĩāđˆāđ€āļŦāļĨāļ·āļ­āļāđ‰āļ™āđ„āļŦ āļ‹āļķāđˆāļ‡āļĒāļąāļ‡āđƒāļŠāđ‰āđ„āļĄāđˆāđ„āļ”āđ‰ āļ•āđ‰āļ­āļ‡āđ€āļ­āļēāđ„āļ›āļ•āđ‰āļĄāļāđˆāļ­āļ™āļŠāļĢāđ‡āļˆāļāđ‡āļˆāļ°āđ„āļ”āđ‰āđ€āļ›āđ‡āļ™āļ„āļąāļ™āļˆāļąāļ‡āļ—āļĩāđˆāļāļīāļ™āđ„āļ”āđ‰ āļŠāđˆāļ§āļ™āđ€āļĄāļˆāļđāļ—āļĩāđˆāļ—āļģāļ„āļąāļ™āļˆāļąāļ‡āđāļĨāđ‰āļ§āļāđ‡āļˆāļ°āđ„āļ›āļœāđˆāļēāļ™āļāļĢāļ°āļšāļ§āļ™āļāļēāļĢāļŦāļĄāļąāļāļāļąāļšāļ„āļąāļ™āļˆāļąāļ‡āļāļąāļšāļ™āđ‰āļģāļ­āļĩāļāļĢāļ­āļš āļāđ‡āļˆāļ°āđ„āļ”āđ‰āđ€āļ›āđ‡āļ™āļ—āļąāļ™āļˆāļąāļ‡ Photograph: Top KoaysomboonGanjang āđ‚āļ„āļŠāļđāļˆāļąāļ‡ āļ‹āļ­āļŠāļžāļĢāļīāļāđ€āļāļēāļŦāļĨāļĩāļĒāļ­āļ”āļ™āļīāļĒāļĄāļ™āļąāđ‰āļ™āļāđ‡āđ€āļĢāļīāđˆāļĄāļ—āļĩāđˆāđ€āļĄāļˆāļđāđ€āļŠāđˆāļ™āļāļąāļ™Â  āđ€āļ›āđ‡āļ™āļāļēāļĢāļšāļ”āđ€āļĄāļˆāļđāļœāļŠāļĄāļāļąāļšāļšāļ”āļ‚āđ‰āļēāļ§āđ€āļŦ

āļĢāļđāđ‰āļˆāļąāļ āļ­āļēāļŦāļēāļĢāļ§āļąāļ”āđ€āļāļēāļŦāļĨāļĩ (Korea Temple Food) āļˆāļēāļāļ āļīāļāļĐāļļāļ“āļĩāļˆāļ­āļ‡āļ„āļ§āļēāļ™

āļĢāļđāđ‰āļˆāļąāļ āļ­āļēāļŦāļēāļĢāļ§āļąāļ”āđ€āļāļēāļŦāļĨāļĩ (Korea Temple Food) āļˆāļēāļāļ āļīāļāļĐāļļāļ“āļĩāļˆāļ­āļ‡āļ„āļ§āļēāļ™

āļāļēāļĢāļ›āļĢāļ°āļāļēāļĻāļĢāļēāļ‡āļ§āļąāļĨ Asia’s 50 Best Restaurants āđ€āļĄāļ·āđˆāļ­āļ›āļĩ 2022 āļŠāļ·āđˆāļ­āļœāļđāđ‰āļ—āļĩāđˆāļĢāļąāļšāļĢāļēāļ‡āļ§āļąāļĨ Icon Award āļĢāļēāļ‡āļ§āļąāļĨāļ—āļĩāđˆāđƒāļŦāđ‰āđāļāđˆāđ„āļ­āļ„āļ­āļ™āļ—āļĩāđˆāļŠāļĢāđ‰āļēāļ‡āđāļĢāļ‡āļšāļąāļ™āļ”āļēāļĨāđƒāļˆāđƒāļŦāđ‰āđāļāđˆāļœāļđāđ‰āļ„āļ™āđƒāļ™āļ§āļ‡āļāļēāļĢāļ­āļēāļŦāļēāļĢ (āđ€āļˆāđŠāđ„āļ āļāđ‡āđ€āļ„āļĒāđ„āļ”āđ‰āļĢāļąāļšāļĢāļēāļ‡āļ§āļąāļĨāļ™āļĩāđ‰) āļ„āļ·āļ­ āļ āļīāļāļĐāļļāļ“āļĩāļˆāļ­āļ‡āļ„āļ§āļēāļ™ āļ™āļąāļāļšāļ§āļŠāļˆāļēāļāļ§āļąāļ”āļžāļļāļ—āļ˜āđƒāļ™āđ€āļāļēāļŦāļĨāļĩāļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļ•āļąāļ§āđāļ—āļ™āļ„āļēāđāļĢāļāđ€āļ•āļ­āļĢāđŒāļ‚āļ­āļ‡āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ­āļēāļŦāļēāļĢāļ§āļąāļ”āđ€āļāļēāļŦāļĨāļĩāļĄāļēāļĒāļēāļ§āļ™āļēāļ™ āļ­āļēāļŦāļēāļĢāļ§āļąāļ”āđ€āļāļēāļŦāļĨāļĩ āļāđ‡āļ„āļ·āļ­āļ­āļēāļŦāļēāļĢāđ€āļˆāđāļšāļšāļ—āļĩāđˆāđ€āļĢāļēāļ„āļ™āđ„āļ—āļĒāđ€āļ‚āđ‰āļēāđƒāļˆāļ™āļĩāđˆāđāļŦāļĨāļ° āđ€āļžāļĢāļēāļ°āļ™āļąāļāļšāļ§āļŠāļžāļļāļ—āļ˜āļĄāļŦāļēāļĒāļēāļ™āļ™āļąāđ‰āļ™āļāļīāļ™āđ€āļˆāļāļąāļ™ āļŠāļīāđˆāļ‡āļ™āļĩāđ‰āļŠāļēāļ§āļˆāļēāļāđ€āļ­āđ€āļŠāļĩāļĒāļ•āļ°āļ§āļąāļ™āļ­āļ­āļāļ™āļąāđ‰āļ™āļ„āļļāđ‰āļĒāđ€āļ„āļĒāļāļąāļ™āļ­āļĒāļđāđˆāđāļĨāđ‰āļŠ āđāļ•āđˆāļŠāļģāļŦāļĢāļąāļšāļ„āļ™āļ āļēāļĒāļ™āļ­āļāļ āļđāļĄāļīāļ āļēāļ„ āđ€āļŠāđˆāļ™āļˆāļēāļāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ—āļĩāđˆāļ™āļąāļšāļ–āļ·āļ­āļžāļļāļ˜āđāļšāļšāđ€āļ–āļĢāļ§āļēāļ—āļ­āļĒāđˆāļēāļ‡āđ„āļ—āļĒ āđ€āļĢāļēāļāđ‡āļˆāļ°āļ•āļąāđ‰āļ‡āļ„āļģāļ–āļēāļĄāļ­āļĒāļđāđˆāđƒāļ™āđƒāļˆāļ§āđˆāļēāđāļĨāđ‰āļ§āļ­āļēāļŦāļēāļĢāļ§āļąāļ”āđ€āļāļēāļŦāļĨāļĩāļ™āļąāđ‰āļ™āļĨāļķāļāļ‹āļķāđ‰āļ‡āđ€āļžāļĩāļĒāļ‡āđƒāļ” āđ„āļ­āļ„āļ­āļ™āļ‚āļ­āļ‡āļ­āļēāļŦāļēāļĢāļŠāļ™āļīāļ”āļ™āļĩāđ‰āļˆāļķāļ‡āđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāđ€āļŠāļīāļ”āļŠāļđ āļ—āđˆāļēāļ™āļˆāļ­āļ‡āļ„āļ§āļēāļ™āđ€āļ›āđ‡āļ™āļœāļđāđ‰āļ•āļ­āļšāļ„āļģāļ–āļēāļĄāļ™āļĩāđ‰āļāļąāļšāđ€āļĢāļē Photograph: Top Koaysomboonāļ āļīāļāļĐāļļāļ“āļĩāļˆāļ­āļ‡āļ„āļ§āļēāļ™ āđ€āļĢāļēāđ„āļ”āđ‰āļžāļšāļāļąāļšāļ—āđˆāļēāļ™āļˆāļ­āļ‡āļ„āļ§āļēāļ™āđƒāļ™āļāļēāļĢāļ›āļĢāļ°āļāļēāļĻāļĢāļēāļ‡āļ§āļąāļĨ Asia’s 50 Best Restaurants 2024 āļ—āļĩāđˆāļˆāļąāļ”āļ‚āļķāđ‰āļ™āļ—āļĩāđˆāļāļĢāļļāļ‡āđ‚āļ‹āļĨ āļ›āļĢāļ°āđ€āļ—āļĻāđ€āļāļēāļŦāļĨāļĩāđƒāļ•āđ‰āđ€āļ›āđ‡āļ™āļ„āļĢāļąāđ‰āļ‡āđāļĢāļ āđƒāļ™āđ€āļ§āļīāļĢāđŒāļ”āļŠāļ­āļ›āļ—āļĩāđˆāļˆāļąāļ”āļ‚āļķāđ‰āļ™āđƒāļŦāđ‰āļŠāļ·āđˆāļ­āļĄāļ§āļĨāļŠāļ™āļˆāļēāļāļ—āļąāđˆāļ§āđ‚āļĨāļ āđ€āļ›āđ‡āļ™āļŠāļēāļĄāļŠāļąāđˆāļ§āđ‚āļĄāļ‡āļ—āļĩāđˆāļ—āđˆāļēāļ™āļˆāļ­āļ‡āļ„āļ§āļēāļ™āļŠāđˆāļ§āļĒāđ„āļ‚āļ‚āđ‰āļ­āļ‚āđ‰āļ­āļ‡āđƒāļˆāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļ­āļēāļŦāļēāļĢāļ§āļąāļ”āđ€āļāļēāļŦāļĨāļĩ āļœāđˆāļēāļ™āļĨāđˆāļēāļĄāļ—āļĩāđˆāđāļ›āļĨāļ„āļ§āļēāļĄāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĒāļ­āļ”āđ€āļĒāļĩāđˆāļĒāļĄÂ  āļŦāļąāļ§āđƒāļˆāļ‚āļ­āļ‡āļ­āļēāļŦāļēāļĢāļ§āļąāļ”āđ€āļāļēāļŦāļĨāļĩāļ™āļąāđ‰āļ™āļ­āļĒāļđāđˆāļ„āļ§āļēāļĄāđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ„āļ™āđāļĨāļ°āļ­āļēāļŦāļēāļĢ āļāļēāļĢāļ•āļĢāļ°āļŦāļ™āļąāļāđāļĨāļ°āļĢāļąāļšāļŸāļąāļ‡āļĢāđˆāļēāļ‡āļāļēāļĒāļ‚āļ­āļ‡āļ•āļ™āđ€āļ­āļ‡ āļŠāļĢāļĢāļžāļŠāļīāđˆāļ‡āđ‚āļ”āļĒāļĢāļ­āļš āđāļĨāļ°āļĪāļ”āļđāļāļēāļĨ “Cooking is about the connection and is the process of find who I am” āļ—āđˆāļēāļ™āļˆāļ­āļ‡āļ„āļ§āļēāļ™āļāļĨāđˆāļēāļ§āļœāđˆāļēāļ™āļĨāđˆāļēāļĄ Photograph: Top Koaysomboonāļ āļīāļāļĐāļļāļ“āļĩāļˆāļ­āļ‡āļ„āļ§āļēāļ™ āđ€āļāļēāļŦāļĨāļĩāļ™āļąāđ‰āļ™āļĄāļĩāļĪāļ”āļđāļāļēāļĨāļŦāļĨāļąāļ 4 āļĪāļ”āļđ āļŦāļĢāļ·āļ­ āđƒāļšāđ„āļĄāđ‰āļœāļĨāļī āđƒāļšāđ„āļĄāđ‰āļĢāđˆāļ§āļ‡ āļĢāđ‰āļ­āļ™ āļŦāļ™āļēāļ§ āđāļĨāļ°āđāļšāđˆāļ‡āđ€āļ›āđ‡āļ™āļĪāļ”āļđāļĒāđˆāļ­āļĒāđ„āļ”āđ‰āļ­āļĩāļāļ–āļķāļ‡ 24 āļĪāļ”āļđāļĒāđˆāļ­āļĒ āđāļĨāļ°āđƒāļ™āđāļ•āđˆāļĨāļ°āļĪāļ”āļđāļĒāđˆāļ­āļĒāļ™āļąāđ‰āļ™āļāđ‡āļˆāļ°āļĄāļĩāļžāļ·āļŠāļžāļĢāļĢāļ“āđāļĨāļ°āļ§āļąāļ•āļ–āļļāļ”āļīāļšāđāļ•āļāļ•āđˆāļēāļ‡āļāļąāļ™āđ„āļ› āļāļēāļĢāļĢāļđāđ‰āļˆāļąāļāļ§āļąāļ•āļ–āļļāļ”āļīāļšāđƒāļ™āđāļ•āđˆāļĨāļ°āļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāļ™āļąāđ‰āļ™āļŠāļģāļ„āļąāļāļĄāļēāļāļŠāļģāļŦāļĢāļąāļšāļ­āļēāļŦāļēāļĢāļ§āļąāļ”āđ€āļāļēāļŦāļĨāļĩ  āļ­āļēāļŦāļēāļĢāļ§āļąāļ”āđ€āļāļēāļŦāļĨāļĩāļ™āļąāđ‰āļ™āđ€āļšāļŠāļ—āļĩāđˆāļœāļąāļ āđ€āļžāļĢāļēāļ°āđƒāļ™āļ„āļ§āļēāļĄāđ€āļŠāļ·āđˆāļ­āļžāļļāļ—āļ˜āđāļšāļšāļĄāļŦāļēāļĒāļēāļ™ āļŠāļąāļ•āļ§āđŒāļāđ‡āđ€āļ›āļĢāļĩāļĒāļšāđ„āļ”

Check-in: Dusit Thani Kyoto

Check-in: Dusit Thani Kyoto

āļ˜āļ‡āđ„āļ—āļĒāļ—āļĩāđˆāđ‚āļšāļāļ­āļĒāļđāđˆāļŦāļ™āđ‰āļēāļ­āļēāļ„āļēāļĢāļ‚āļ™āļēāļ”āđƒāļŦāļāđˆāļŦāļĨāļąāļ‡āļŦāļ™āļķāđˆāļ‡āļšāļ™āļ–āļ™āļ™ Nishinotoin āđƒāļ™āļĒāđˆāļēāļ™ Gojo āļ‚āļ­āļ‡āđ€āļĄāļ·āļ­āļ‡āđ€āļāļĩāļĒāļ§āđ‚āļ• āļ­āļēāļˆāļˆāļ°āļ—āļģāđƒāļŦāđ‰āļ™āļąāļāļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§āđ„āļ—āļĒāļŦāļĨāļēāļĒāļ„āļ™āļ„āļīāļ”āļ§āđˆāļēāđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ—āļģāļāļēāļĢāđƒāļŦāļĄāđˆāļ‚āļ­āļ‡āļŦāļ™āđˆāļ§āļĒāļĢāļēāļŠāļāļēāļĢāđ„āļ—āļĒ āļ—āļĩāđˆāļĄāļēāļ—āļģāļ­āļ°āđ„āļĢāļ­āļĒāļđāđˆāļ•āļĢāļ‡āļ™āļĩāđ‰ āļ‹āļķāđˆāļ‡āđ„āļĄāđˆāđƒāļŠāđˆ — āļ•āļķāļāļŠāļļāļ”āļĄāļīāļ™āļīāļĄāļąāļĨāļ—āļĩāđˆāļŠāļļāļ”āđāļŠāļ™āļˆāļ°āļāļĩāđˆāļ›āļļāđŠāļ™āļāļĩāđˆāļ›āļļāđˆāļ™āļ•āļķāļāļ™āļĩāđ‰āļ„āļ·āļ­ āđ‚āļĢāļ‡āđāļĢāļĄāļ”āļļāļŠāļīāļ•āļ˜āļēāļ™āļĩ āđ€āļāļĩāļĒāļ§āđ‚āļ• āļāļēāļĢāļ›āļąāļāļ˜āļ‡āļ„āļĢāļąāđ‰āļ‡āđāļĢāļāļ‚āļ­āļ‡āđāļšāļĢāļ™āļ”āđŒāļ”āļļāļŠāļīāļ•āļ˜āļēāļ™āļĩāļ­āļĒāđˆāļēāļ‡āļ āļēāļ„āļ āļđāļĄāļīāđƒāļˆāđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻāļāļĩāđˆāļ›āļļāđˆāļ™ āđāļĨāļ°āļ˜āļ‡āļŠāļēāļ•āļīāđ„āļ—āļĒāļāđ‡āļ„āļ·āļ­āļŠāļąāļāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļ āļēāļ„āļ āļđāļĄāļīāđƒāļˆāļ™āļĩāđ‰āđ€āļ­āļ‡ āđ€āļĢāļēāļˆāļ°āļžāļēāđ„āļ›āđ€āļĒāļĩāđˆāļĒāļĄāđ‚āļĢāļ‡āđāļĢāļĄāļĨāļđāļāļ„āļĢāļķāđˆāļ‡āđ„āļ—āļĒ-āļāļĩāđˆāļ›āļļāđˆāļ™āđāļŦāđˆāļ‡āļ™āļĩāđ‰āđ„āļ›āļžāļĢāđ‰āļ­āļĄāđ† āļāļąāļ™āļ„āļĢāļąāļš   The best of both cultures āļ”āļļāļŠāļīāļ•āļ˜āļēāļ™āļĩ āđ€āļāļĩāļĒāļ§āđ‚āļ• āđ€āļ›āđ‡āļ™āļ­āļēāļ„āļēāļĢāļ—āļĩāđˆāļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđƒāļŦāļĄāđˆāļ—āļąāđ‰āļ‡āļŦāļĄāļ” āļ­āļ­āļāđāļšāļšāđ‚āļ”āļĒāļ•āļąāđ‰āļ‡āđƒāļˆāđ€āļšāļĨāļ™āļ”āđŒāļ„āļ§āļēāļĄāđ„āļ—āļĒāđāļĨāļ°āļāļĩāđˆāļ›āļļāđˆāļ™āđ€āļ‚āđ‰āļēāļ”āđ‰āļ§āļĒāļāļąāļ™āļ•āļąāđ‰āļ‡āđāļ•āđˆāđāļĢāļ āđāļ•āđˆāļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļ—āļĩāđˆāļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļāļĨāļēāļ‡āđ€āļĄāļ·āļ­āļ‡āļŦāļĨāļ§āļ‡āđ€āļāđˆāļēāļ‚āļ­āļ‡āļāļĩāđˆāļ›āļļāđˆāļ™ āđāļĨāļ°āļāļĩāđˆāļ›āļļāđˆāļ™āļ™āļąāđ‰āļ™āļĄāļĩāļ­āļąāļ•āļĢāļēāļāļēāļĢāļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§āļ‚āļ­āļ‡āļ„āļ™āļāļĩāđˆāļ›āļļāđˆāļ™āđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻāļŠāļđāļ‡āļĄāļēāļ āļ—āļģāđƒāļŦāđ‰āļ™āđ‰āļģāļŦāļ™āļąāļāļāļēāļĢāļ­āļ­āļāđāļšāļšāļˆāļ°āļŦāļ™āļąāļāđ„āļ›āļ­āļĒāļđāđˆāļāļąāļšāļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ­āļēāļ„āļēāļĢāļŠāđ„āļ•āļĨāđŒāļāļĩāđˆāļ›āļļāđˆāļ™āđ‚āļĄāđ€āļ”āļīāļĢāđŒāļ™āļ—āļĩāđˆāļāļĨāļĄāļāļĨāļ·āļ™āđ„āļ›āļāļĨāļąāļšāļŠāļ āļēāļžāđ‚āļ”āļĒāļĢāļ­āļš āđāļĨāļ°āļ„āđˆāļ­āļĒāļŠāļ­āļ”āđāļ—āļĢāļāļ”āđ‰āļ§āļĒāļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļ—āļēāļ‡āļ•āļāđāļ•āđˆāļ‡āđāļšāļšāđ„āļ—āļĒāđ‚āļšāļĢāļēāļ“ (āļŠāđˆāļ§āļ‡āļ­āļēāļ“āļēāļˆāļąāļāļĢāđ€āļāđˆāļēāļ­āļĒāđˆāļēāļ‡āļ­āļĒāļļāļ˜āļĒāļē āļĨāđ‰āļ­āđ„āļ›āļāļąāļšāđ€āļāļĩāļĒāļ§āđ‚āļ•āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āđ€āļĄāļ·āļ­āļ‡āļŦāļĨāļ§āļ‡āđ€āļāđˆāļēāļ”āđ‰āļ§āļĒāđ€āļŠāđˆāļ™āļāļąāļ™) āļ­āļēāļŦāļēāļĢāđ„āļ—āļĒ āļ™āļ§āļ”āđāļšāļšāđ„āļ—āļĒāđ† āđāļĨāļ°āļšāļĢāļīāļāļēāļĢāđāļšāļšāđ„āļ—āļĒāđ†Â  Photograph: Top KoaysomboonDusit Thani Kyoto āļ­āļēāļ„āļēāļĢāđāļšāļšāļāļĩāđˆāļ›āļļāđˆāļ™ (āļ—āļĩāđˆāļĢāļąāļšāđāļ™āļ§āļ„āļīāļ”āļĄāļēāļˆāļēāļāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļˆāļĩāļ™āļ­āļĩāļāļ—āļ­āļ”) āļ™āļąāđ‰āļ™āļĄāļąāļāļˆāļ°āļ­āļ­āļāđāļšāļšāļ‚āļķāđ‰āļ™āļšāļ™āđāļ™āļ§āļ„āļīāļ” āļ›āļīāļ”āļ™āļ­āļ-āđ€āļ›āļīāļ”āđƒāļ™ āļ•āļąāļ§āļ­āļēāļ„āļēāļĢāļ‚āļ­āļ‡āđ‚āļĢāļ‡āđāļĢāļĄāļ”āļļāļŠāļīāļ•āļ˜āļēāļ™āļĩ āđ€āļāļĩāļĒāļ§āđ‚āļ• āļ™āļąāđ‰āļ™āļāđ‡āļ­āļ­āļāđāļšāļšāļ āļēāļĒāđƒāļ•āđ‰āđāļ™āļ§āļ„āļīāļ”āļ™āļĩāđ‰āđ€āļŠāđˆāļ™āļāļąāļ™ āļ­āļēāļ„āļēāļĢāđ‚āļ”āļĒāđ€āļĢāļĩāļĒāļšāļāļĢāļīāļšāļŠāļĩāđ€āļ—āļēāļ™āļąāđ‰āļ™āļ–āļđāļāļ›āļīāļ”āļœāļīāļ§āļ”āđ‰āļ§āļĒāļĢāļ°āđāļ™āļ‡āđ„āļĄāđ‰āļšāļąāļ‡āļ•āļēāđ‚āļ”āļĒāļĢāļ­āļšāļ­āļēāļ„āļēāļĢ āļ—āļąāđ‰āļ‡āļŠāđˆāļ§āļĒāļĢāļąāļāļĐāļēāļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ™āļ•āļąāļ§āļ‚āļ­āļ‡āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļ āļēāļĒāđƒāļ™ āđāļĨāļ°āļŠāļ§āļ™āđƒāļŦāđ‰āļ­āļĒāļēāļāļĢāļđāđ‰āļ­āļĒāļēāļāđ€āļŦāđ‡āļ™āđ„āļ›āđƒāļ™āđ€āļ§āļĨāļēāđ€āļ”āļĩāļĒāļ§āļāļąāļ™ Photograph: Top KoaysomboonDusit Thani Kyoto āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāđāļšāļšāļ”āļļāļŠāļīāļ•āļ˜āļēāļ™āļĩāđ€āļĢāļīāđˆāļĄāļ‚āļķāđ‰āļ™āđ€āļĄāļ·āđˆāļ­āļœāđˆāļēāļ™āļ›āļĢāļ°āļ•āļđāđ€āļĨāļ·āđˆāļ­āļ™āđ€āļ‚āđ‰āļēāļĄāļēāđāļĨāļ°āđ„āļ”āđ‰āļāļĨāļīāđˆāļ™āļŦāļ­āļĄāļ—āļĩāđˆāđ€āļ›āđ‡āļ™āđ€āļ­āļāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āđāļšāļĢāļ™āļ”āđŒāļĨāļ­āļĒāļŦāļ­āļĄāļŸāļļāđ‰āļ‡āļ—āļąāđˆāļ§āļžāļ·āđ‰āļ™āļ—āļĩāđˆāđ€āļ›āļīāļ”āđ‚āļĨāđˆāļ‡āļ‚āļ™āļēāļ”āđƒāļŦāļāđˆ āļ—āļĩāđˆāđ€āļ›

Check-in: NH Collection Roma Palazzo Cinquecento

Check-in: NH Collection Roma Palazzo Cinquecento

āļ•āļ­āļ™āļ—āļĩāđˆāļ—āļēāļ‡ NH Hotels āļšāļ­āļāđ€āļĢāļēāļ§āđˆāļē NH Collection Roma Palazzo Cinquecento āļ™āļąāđ‰āļ™āđƒāļāļĨāđ‰āļŠāļ–āļēāļ™āļĩāļĢāļ–āđ„āļŸ Roma Termini āļĄāļēāļāđ† āļ™āļąāđ‰āļ™ āđ€āļĢāļēāļāđ‡āđ„āļĄāđˆāļ„āļīāļ”āļ§āđˆāļēāļˆāļ°āđƒāļāļĨāđ‰āđāļšāļšāļ­āļĒāļđāđˆāļŦāļ™āđ‰āļēāļŠāļ–āļēāļ™āļĩ āđ€āļ›āđ‡āļ™āļ•āļķāļāđāļĢāļāļ—āļĩāđˆāļ­āļ­āļāļˆāļēāļāļŠāļ–āļēāļ™āļĩāđāļĨāđ‰āļ§āđ€āļŦāđ‡āļ™āđ€āļĨāļĒ āđ€āļĢāļĩāļĒāļāļ§āđˆāļēāđ„āļĄāđˆāļāļĩāđˆāļāđ‰āļēāļ§āđ€āļ”āļīāļ™āļˆāļĢāļīāļ‡āđ† āđāļšāļšāđ„āļĄāđˆāļĄāļĩāđƒāļāļĨāđ‰āļāļ§āđˆāļēāļ™āļĩāđ‰āļ­āļĩāļāđāļĨāđ‰āļ§ āļŠāļ°āļ”āļ§āļāļāļ§āđˆāļēāđ‚āļĢāļ‡āđāļĢāļĄāđ„āļŦāļ™āđ† āđƒāļ™āđ‚āļĢāļĄ NH Collection Roma Palazzo CinquecentoNH Collection Roma Palazzo Cinquecento NH Collection Roma Palazzo Cinquecento āļ™āļąāđ‰āļ™āđ‚āļ­āļ­āđˆāļēāđ‚āļŦāļāđˆāđ‚āļ• āđ€āļžāļĢāļēāļ°āđ€āļ„āļĒāđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ•āļąāđ‰āļ‡āļ‚āļ­āļ‡āļšāļĢāļīāļĐāļąāļ—āļĢāļ–āđ„āļŸāļ‚āļ­āļ‡āļ­āļīāļ•āļēāļĨāļĩāļĄāļēāļĒāļēāļ§āļ™āļēāļ™āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ•āđ‰āļ™āļ„āļĢāļīāļŠāļ•āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ 19 āļāđˆāļ­āļ™āļˆāļ°āđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļšāļđāļĢāļ“āļ°āđƒāļŦāļĄāđˆāļŦāļĄāļ”āđƒāļ™āļ›āļĩ 2015 āđāļšāļšāđ„āļĄāđˆāđ€āļŦāļĨāļ·āļ­āđ€āļ„āđ‰āļēāđ€āļ”āļīāļĄ āđāļĨāļ°āđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄāļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļŠāļ°āļ”āļ§āļāļŠāļ°āļšāļēāļĒāđāļĨāļ°āļŦāļĢāļđāļŦāļĢāļēāđāļšāļšāđ‚āļĢāļ‡āđāļĢāļĄāļŠāļąāđ‰āļ™āļ™āļģ āļœāļīāļ§āļ­āļēāļ„āļēāļĢāļŠāļĩāļ­āļīāļāļ™āļąāđ‰āļ™āļ•āļąāļ”āļāļąāļšāļ—āđ‰āļ­āļ‡āļŸāđ‰āļēāļ‚āļ­āļ‡āđ‚āļĢāļĄāđƒāļ™āļ§āļąāļ™āļ­āļēāļāļēāļĻāļ”āļĩ āđāļĨāļ°āļŠāļĩāđ€āļ‚āļĩāļĒāļ§āļ‚āļ­āļ‡āļŠāļ§āļ™āļŦāļ™āđ‰āļēāđ‚āļĢāļ‡āđāļĢāļĄāļ—āļĩāđˆāđ‚āļ­āļšāļĨāđ‰āļ­āļĄāļ‹āļēāļāļāļģāđāļžāļ‡āđ‚āļĢāļĄāļąāļ™āđ‚āļšāļĢāļēāļ“āļ—āļĩāđˆāļĒāđ‰āļ­āļ™āļ­āļēāļĒāļļāđ„āļ”āđ‰āļ–āļķāļ‡āļĻāļ•āļ§āļĢāļĢāļĐāļ—āļĩāđˆ 6 āđ€āļĨāļĒāļ—āļĩāđ€āļ”āļĩāļĒāļ§ āļ–āđ‰āļēāđƒāļ„āļĢāđ€āļĨāļ·āļ­āļāļ—āļĩāđˆāļ™āļąāđˆāļ‡āļĢāļīāļĄāļĢāļ°āđ€āļšāļĩāļĒāļ‡āļ—āļĩāđˆāļŦāđ‰āļ­āļ‡āļ­āļēāļŦāļēāļĢ Grand Tour āļ•āļ­āļ™āđ€āļŠāđ‰āļēāļāđ‡āļˆāļ°āđ„āļ”āđ‰āļˆāļīāļĄāļāļēāđāļŸāđ„āļ›āļžāļĢāđ‰āļ­āļĄāđ† āļāļąāļšāļĢāļąāļšāđāļ”āļ”āđāļĨāļ°āļ§āļīāļ§āļāļģāđāļžāļ‡āđ€āļāđˆāļēāđāļāđˆāļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļ­āļ™āļļāļĢāļąāļāļĐāđŒāđ„āļ§āđ‰āļ­āļĒāđˆāļēāļ‡āļ”āļĩ āđāļĨāļ°āļ–āđ‰āļēāđƒāļ„āļĢāđ„āļ”āđ‰āļŦāđ‰āļ­āļ‡āļ—āļēāļ‡āļ”āđ‰āļēāļ™āļŦāļ™āđ‰āļēāļāđ‡āļ„āļ·āļ­āļ™āļ­āļ™āđ„āļ›āļžāļĢāđ‰āļ­āļĄāđ† āļāļąāļšāļĢāđˆāļ­āļ‡āļĢāļ­āļĒāļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļ‚āļ­āļ‡āđ€āļĄāļ·āļ­āļ‡āļŦāļĨāļ§āļ‡āļ­āļēāļĒāļļāļ™āļąāļšāļžāļąāļ™āļ›āļĩāđāļŦāđˆāļ‡āļ™āļĩāđ‰āđ€āļĨāļĒ NH Collection Roma Palazzo CinquecentoNH Collection Roma Palazzo Cinquecento āļŦāđ‰āļ­āļ‡āļžāļąāļāļ—āļąāđ‰āļ‡ 177 āļŦāđ‰āļ­āļ‡āļ™āļąāđ‰āļ™āļ•āļāđāļ•āđˆāļ‡āđƒāļ™āļ”āļĩāđ„āļ‹āļ™āđŒāđ‚āļĄāđ€āļ”āļīāļĢāđŒāļ™āđāļĨāļ°āļĄāļĩāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ‚āļ™āļēāļ”āđƒāļŦāđ‰āđ€āļĨāļ·āļ­āļ āļ•āļąāđ‰āļ‡āđāļ•āđˆ superior (17 āļ•āļēāļĢāļēāļ‡āđ€āļĄāļ•āļĢ) āļ—āļĩāđˆāđ€āļžāļĩāļĒāļšāļžāļĢāđ‰āļ­āļĄāļ”āđ‰āļ§āļĒāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ­āļģāļ™āļ§āļĒāļ„āļ§āļēāļĄāļŠāļ°āļ”āļ§āļ āđ„āļ›āļˆāļ™āļ–āļķāļ‡āļŦāđ‰āļ­āļ‡ Suite āļ—āļĩāđˆāļ‚āļ™āļēāļ”āđƒāļŦāļāđˆāļ—āļĩāđˆāļŠāļļāļ”āļ„āļ·āļ­ 67 āļ•āļēāļĢāļēāļ‡āđ€āļĄāļ•āļĢ āđ€āļ—āļĩāļĒāļšāđ„āļ”āđ‰āļāļąāļšāļ„āļ­āļ™āđ‚āļ”āļĒāļđāļ™āļīāļ•āđƒāļŦāļāđˆāđ† āđ€āļĨāļĒāļ—āļĩāđ€āļ”āļĩāļĒāļ§   NH Collection Roma Palazzo CinquecentoNH Collection Roma Palazzo Cinquecento NH Collection āļ™āļąāđ‰āļ™āļāļģāļĨāļąāļ‡āļĄāļļāđˆāļ‡āļĄāļąāļ™āļˆāļ°āļŠāļĢāđ‰āļēāļ‡āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒ “sleep better” āđƒāļŦāđ‰āļāļąāļšāđāļ‚āļāļ—āļļāļāļ„āļ™ āļ™āļąāđ‰āļ™āļŦāļĄāļēāļĒāļ–āļķāļ‡āđ€āļ•āļĩāļĒāļ‡āđāļĨāļ°āļŦāļĄāļ­āļ™āļ™āļļāđˆāļĄāļŠāļšāļēāļĒ āļ„āļĨāļļāļĄāļ”āđ‰āļ§āļĒāļœāđ‰āļēāļ›āļđāļ­āļĒāđˆāļēāļ‡āļ”āļĩāļŠāļģāļŦāļĢāļą

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āļ›āļđāļ‹āļēāļ™ āđ€āļĄāļ·āļ­āļ‡āđƒāļŦāļāđˆāļ­āļąāļ™āļ”āļąāļšāļŠāļ­āļ‡āļ‚āļ­āļ‡āđ€āļāļēāļŦāļĨāļĩāđƒāļ•āđ‰ āļŦāļąāļ§āđ€āļĄāļ·āļ­āļ‡āđƒāļŦāļāđˆāļ—āļēāļ‡āļ•āļ­āļ™āđƒāļ•āđ‰āļ‚āļ­āļ‡āļ›āļĢāļ°āđ€āļ—āļĻāļ™āļąāđ‰āļ™āļāļģāļĨāļąāļ‡āđ€āļĢāļīāđˆāļĄāđ€āļ›āļĨāđˆāļ‡āđāļŠāļ‡āđ€āļ›āđ‡āļ™āļ­āļĩāļāļŦāļ™āļķāđˆāļ‡āļˆāļļāļ”āļŦāļĄāļēāļĒāļ›āļĨāļēāļĒāļ—āļēāļ‡āļ”āđ‰āļēāļ™āļ­āļēāļŦāļēāļĢ (food destination) āđƒāļ™āļ āļđāļĄāļīāļ āļēāļ„āđ€āļ­āđ€āļŠāļĩāļĒāļ•āļ°āļ§āļąāļ™āļ­āļ­āļāđ€āļ‰āļĩāļĒāļ‡āđ€āļŦāļ™āļ·āļ­ āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļ—āļĩāđˆāļĄāļēāļ‚āļ­āļ‡āđāļŠāļ‡āļ™āļąāđ‰āļ™āļĄāļēāļˆāļēāļāļĄāļīāļŠāļĨāļīāļ™āđ„āļāļ”āđŒ āļ—āļĩāđˆāđƒāļ™āļ›āļĩ 2024 āļ™āļąāđ‰āļ™āđ„āļ”āđ‰āļ‚āļĒāļēāļĒāļžāļ·āđ‰āļ™āļ—āļĩāđˆāđ€āļ‚āđ‰āļēāļŠāļđāđˆāļ›āļđāļ‹āļēāļ™āđ€āļ›āđ‡āļ™āļ„āļĢāļąāđ‰āļ‡āđāļĢāļ āļ™āļąāļšāļ•āļąāđ‰āļ‡āđāļ•āđˆāļĄāļīāļŠāļĨāļīāļ™āđ„āļāļ”āđŒāđ€āļ›āļīāļ”āļ•āļąāļ§āđƒāļ™āļ„āļēāļšāļŠāļĄāļļāļ—āļĢāđ€āļāļēāļŦāļĨāļĩāđƒāļ™āļ›āļĩ 2017 āļ›āļđāļ‹āļēāļ™āļ™āļąāđ‰āļ™āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļĢāļđāđ‰āļˆāļąāļāļĄāļēāļĒāļēāļ§āļ™āļēāļ™āđƒāļ™āļāļēāļ™āļ°āđ€āļĄāļ·āļ­āļ‡āļŠāļēāļĒāļāļąāđˆāļ‡āđāļ”āļ”āļ”āļĩ āļ­āļēāļŦāļēāļĢāļ—āļ°āđ€āļĨāļŠāļ” āđāļĨāļ°āļ§āļąāļ•āļ–āļļāļ”āļīāļšāļ­āļēāļŦāļēāļĢāļŠāļąāđ‰āļ™āđ€āļĨāļīāļĻ – āđāļ•āđˆāļŠāļīāđˆāļ‡āļŦāļ™āļķāđˆāļ‡āļ—āļĩāđˆāļŦāļĨāļēāļĒāļ„āļ™āļ­āļēāļˆāļˆāļ°āđ„āļĄāđˆāļ—āļĢāļēāļšāļ„āļ·āļ­ āļ›āļđāļ‹āļēāļ™āļ™āļąāđ‰āļ™āļĄāļĩāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ­āļēāļŦāļēāļĢāļ‚āļ­āļ‡āļ•āļąāļ§āđ€āļ­āļ‡āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āđ€āļ­āļāļĨāļąāļāļĐāļ“āđŒ āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ™āļĩāđ‰āļ™āļąāđ‰āļ™āđ€āļāļīāļ”āļˆāļēāļāļāļēāļĢāļ­āļžāļĒāļžāļ‚āļ­āļ‡āļœāļđāđ‰āļ„āļ™āļˆāļēāļāļ—āļēāļ‡āđ€āļŦāļ™āļ·āļ­āđƒāļ™āļŠāļ§āļ‡āļŠāļ‡āļ„āļĢāļēāļĄāđ€āļāļēāļŦāļĨāļĩ (1950-1953) āđāļšāļšāļ—āļĩāđˆāļ­āļžāļĒāļžāļ‚āđ‰āļēāļĄāļ›āļĢāļ°āđ€āļ—āļĻāļ•āļĢāļ‡āļ”āļīāđˆāļ‡āļĄāļēāļ—āļēāļ‡āđƒāļ•āđ‰āđ€āļĨāļĒāđāļšāļšāđ„āļĄāđˆāđāļ§āļ°āđ‚āļ‹āļĨ Photograph: Top KoaysomboonBusan fresh market āđ€āļĄāļ·āđˆāļ­āļŠāļđāļ•āļĢāļĄāļēāļ›āļĢāļąāļšāđāļĨāļ°āļœāļŠāļĄāļœāļŠāļēāļ™āļāļąāļšāļ§āļąāļ•āļ–āļļāļ”āļīāļšāļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™āļ—āļĩāđˆāđāļ•āļāļ•āđˆāļēāļ‡āļ­āļ­āļāđ„āļ› āļ—āļģāđƒāļŦāđ‰āđ€āļāļīāļ”āđ€āļ›āđ‡āļ™āļŠāđ„āļ•āļĨāđŒāļ­āļēāļŦāļēāļĢāļ—āļĩāđˆāđ„āļĄāđˆāđ€āļŦāļĄāļ·āļ­āļ™āļ—āļĩāđˆāđ„āļŦāļ™ āđ„āļĄāđˆāđ€āļŦāļĄāļ·āļ­āļ™āļ—āļąāđ‰āļ‡āļ•āļ­āļ™āđ€āļŦāļ™āļ·āļ­ āļŦāļĢāļ·āļ­āđ„āļĄāđˆāđ€āļŦāļĄāļ·āļ­āļ™āđāļĄāđ‰āļāļĢāļ°āļ—āļąāđˆāļ‡āļ­āļēāļŦāļēāļĢāđƒāļ™āļāļĢāļļāļ‡āđ‚āļ‹āļĨ  (āļ–āđ‰āļēāđ€āļ›āļĢāļĩāļĒāļšāđ€āļ—āļĩāļĒāļšāļ‡āđˆāļēāļĒāđ† āļāđ‡āļˆāļ°āļ„āļĨāđ‰āļēāļĒāļ­āļēāļŦāļēāļĢāđ€āļ›āļ­āļĢāļēāļ™āļēāļāļąāļ™āļ—āļĩāđˆāđ€āļāļīāļ”āļˆāļēāļāļŠāļēāļ§āļˆāļĩāļ™āļ­āļžāļĒāļžāļĄāļēāļžāļšāļāļąāļšāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļĄāļēāđ€āļĨāļĒāđŒ) āđ€āļŠāđˆāļ™ āļŦāļĄāļĩāđ€āļĒāđ‡āļ™āļāđ‡āļˆāļ°āđƒāļŠāđ‰āļ§āļąāļ•āļ–āļļāļ”āļīāļšāļ—āļĩāđˆāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđ„āļ› āļĢāļŠāļŠāļēāļ•āļīāļ­āļēāļˆāļˆāļ°āļ„āļĨāđ‰āļēāļĒāđ€āļ”āļīāļĄāđāļ•āđˆāļāđ‡āļˆāļ°āđ„āļĄāđˆāđ€āļŦāļĄāļ·āļ­āļ™ āļŠāļēāļ§āļ›āļđāļ‹āļēāļ™āđ€āļĨāļĒāļ āļēāļ„āļ āļđāļĄāļīāđƒāļˆāļāļąāļšāļ­āļēāļŦāļēāļĢāļ‚āļ­āļ‡āļ•āļ™āđ€āļ­āļ‡āļĄāļēāļ āļāļēāļĢāļĄāļēāļ–āļķāļ‡āļ‚āļ­āļ‡āļĄāļīāļŠāļĨāļīāļ™āđ„āļāļ”āđŒāļˆāļķāļ‡āđ€āļ›āđ‡āļ™āļ•āļąāļ§āļŠāđˆāļ§āļĒāļ›āļĢāļ°āļŠāļēāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāđƒāļŦāđ‰āļ„āļ™āļ āļēāļĒāļ™āļ­āļāđ„āļ”āđ‰āđ€āļĢāļīāđˆāļĄāļĢāļđāđ‰āļˆāļąāļāļ„āļ§āļēāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ‚āļ­āļ‡āļ­āļēāļŦāļēāļĢāļ‚āļ­āļ‡āļ›āļđāļ‹āļēāļ™ āđāļĨāļ°āļ™āļ­āļāļˆāļēāļāļ™āļąāđ‰āļ™āđ€āļĄāļ·āļ­āļ‡āļŠāļēāļĒāļ—āļ°āđ€āļĨāļ™āļĩāđ‰āļĒāļąāļ‡āđ€āļĢāļīāđˆāļĄāļĄāļĩāļĢāđ‰āļēāļ™āļ­āļēāļŦāļēāļĢāđāļšāļš fine-dining āļ—āļĩāđˆāđƒāļŠāđ‰āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļˆāļēāļāļ§āļąāļ•āļ–āļļāļ”āļīāļšāļ”āļĩāđ† āđƒāļ™āļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™āļĄāļēāļœāļŠāļĄāļœāļŠāļēāļ™āļ„āļ§āļēāļĄāļ„āļīāļ”āļŠāļĢāđ‰āļēāļ‡āļŠāļĢāļĢāļ„āđŒ āđāļĨāļ°āļĒāļāļĢāļ°āļ”āļąāļšāļ­āļēāļŦāļēāļĢāļāļīāļ™āļ‚āļ­āļ‡āļ—āļĩāđˆāļ™āļĩāđˆāđ„āļ›āļ­āļĩāļāļ‚āļąāđ‰āļ™āļŦāļ™āļķāđˆāļ‡āđāļ—āļĢāļāļ•āļąāļ§āļ­āļĒāļđāđˆāļ•āļēāļĄāļĄāļļāļĄāļ•āđˆāļēāļ‡āđ† āļ‚āļ­āļ‡āđ€āļĄāļ·āļ­āļ‡āļ”āđ‰āļ§āļĒ āļĢāđ‰āļēāļ™āđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļ”āļĩāđāļĨāļ°āļ™āđˆāļēāļŠāļ™āđƒāļˆāļˆāļ™āļĄāļĩāļĢāđ‰āļēāļ™āļ­āļēāļŦāļēāļĢāđ„āļ”āđ‰āļĢāļąāļšāļĢāļēāļ‡āļ§āļąāļĨ 1 āļ”āļēāļ§āļĄāļīāļŠāļĨāļīāļ™āļ–āļķāļ‡ 3 āļĢāđ‰āļēāļ™āđƒāļ™āļ›āļĩāđāļĢāļāļ—āļĩāđˆāļĄāļīāļŠāļĨāļīāļ™āđ„āļāļ”āđŒāļĄāļēāđ€āļ›āļīāļ”āļ•āļąāļ§āļ—āļĩāđˆāļ™āļĩāđˆāļāļąāļ™āđ€āļĨāļĒāļ—āļĩāđ€āļ”āļĩāļĒāļ§ āļĄāļĩāļĢāđ‰āļēāļ™āļ­āļ°āđ„āļĢāļšāđ‰āļēāļ‡ āđ€āļĢāļēāļˆāļ°āļžāļē

The 30 coolest streets in the world

The 30 coolest streets in the world

Ticking off the main tourist attractions on a city break is all well and good, but it’s only when you veer off down a side street or stumble across a leafy avenue that you really get a glimpse of a city’s true character. Streets are the heart of local life; they’re where communities come together, where new local businesses become go-to staples and where urbanites go out, hang out and have fun.  So what are the world’s coolest streets worth a stroll right now? To find the answer, we reached out to our global team of local expert editors and contributors, who each made a case for the coolest street in their city. We then narrowed down the selection to create a definitive ranking of the best avenues, thoroughfares, backstreets and boulevards on the planet. And so you have it: the coolest streets in the world’s best cities. Over the last few years, street life has gone through something of an evolution. Outdoor drinking and dining, at one point a temporary measure, has become a staple on many of the streets on our hotlist; only bolstered by green initiatives like pedestrianisation and low-traffic avenues. In other words, these streets have become much more walkable and pleasant places to spend our time. On every street on this list, there are bold, creative new ventures in food, drink, nightlife and culture: from listening bars to repurposed heritage buildings, these streets are where you’ll find a city’s most exciting cultural trends. Ready for a wander?  RECOMMENDED: 🏘ïļ The w

The 50 best cities in the world in 2024

The 50 best cities in the world in 2024

What makes a city great? Some would say it’s all about buzzing neighbourhoods, affordable food and drink and a mighty selection of things to do, from art galleries and museums to live music and theatre. Others might highlight things like the happiness of its locals, access to green space and strong community vibes. We factor in all that and more in our annual survey, which asks city-dwellers around the world to tell us what it’s like to live, work and play in their hometowns right now. Thanks to the opinions and insights of locals on the ground and our global network of city experts, we’re able to create a global ranking of the world’s best cities – and the 2024 results are in. As in previous years, the basis of the ranking remains our global survey of the people who know their city best: the locals. Working with research company Potentia Insight, we surveyed thousands of city-dwellers about the quality and affordability of food, culture and nightlife in their city. We also asked locals how their city makes them feel: are they happy there? Is it a beautiful place? Is it easy to make social connections? Their thousands of responses gave us a unique insight into the reality of living in the world’s greatest cities right now. Now that international travel is forecast to bounce back to the highest levels since 2019, many travellers will be planning a city break this year – so in 2024, we added a little extra weight to a city’s global appeal. Each survey respondent was asked which

The 40 coolest neighbourhoods in the world

The 40 coolest neighbourhoods in the world

It’s that time again. Every year, we ask thousands of city-dwellers to tell us the coolest spots in their cities. What are the places locals love and visitors flock to? Where are the exciting new openings across food, drink and culture? Where are people going out, hanging out and having fun? For the sixth year running, the results are in. Over 12,000 people had their say in this year’s shortlist, naming the neighbourhoods in their hometowns where everyone wants to be right now. Then, we narrowed down the selection with the insight and expertise of city editors and local experts who know their cities better than anyone else. To create and rank the final list, we considered factors including community and social ventures, access to open and green space, and thriving street life. In 2023, our neighbourhoods are more global than ever before. The rise and rise in post-pandemic digital nomadism has led to an explosion of brand-new community spaces, multi-purpose culture centres and more cafÃĐs than we can count on two hands. But while most of these neighbourhoods have experienced a transformation over recent years, they remain resolutely local at heart. Slick new developments and cool cafÃĐs might bring in new crowds, but neighbourhood stalwarts – from old pubs to family greengrocers – keep it real.  The world’s coolest neighbourhoods this year are, therefore, places with big personalities. Each area’s diversity is reflected in its food, culture and festivals. Community is key: local

Check-in: NH Collection Firenze Palazzo Gaddi

Check-in: NH Collection Firenze Palazzo Gaddi

āđ€āļ„āļĒāļāļąāļ™āļ­āļĒāļēāļāļ™āļ­āļ™āđƒāļ™āļ­āļīāļ•āļēāđ€āļĨāļĩāļĒāļ™āļ›āļēāļĨāļēāļ‹āđ‚āļ‹āđ„āļŦāļĄāļ„āļĢāļąāļš? āđ‚āļžāļŠāļ•āđŒāļ™āļĩāđ‰āđ€āļĢāļēāļŠāļ§āļ™āļ•āļēāļĄāđ€āļĢāļēāđ„āļ›āļžāļąāļāđ‚āļĢāļ‡āđāļĢāļĄāļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļ›āļēāļĨāļēāļ‹āđ‚āļ‹āļ­āļēāļĒāļļāļāļ§āđˆāļē 400 āļ›āļĩāļāļąāļ™āļ„āļĢāļąāļš – āļ—āļĩāđˆāļŸāļĨāļ­āđ€āļĢāļ™āļ‹āđŒ āļ­āļīāļ•āļēāļĨāļĩ āļāļąāļš NH Collection Firenze Palazzo Gaddi NH Hotels & ResortsNH Collection Firenze Palazzo Gaddi   āđƒāļ™āļšāļĢāļĢāļ”āļēāđ‚āļĢāļ‡āđāļĢāļĄ NH Collection āļŦāļĨāļēāļĒāļĢāđ‰āļ­āļĒāđāļŦāđˆāļ‡āđƒāļ™āļĒāļļāđ‚āļĢāļ› NH Collection Firenze Palazzo Gaddi āļ™āļąāđ‰āļ™āļ–āļ·āļ­āļ§āđˆāļēāđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āđ€āļžāļŠāļĢāļĒāļ­āļ”āļĄāļ‡āļāļļāļŽ āđ€āļ›āđ‡āļ™āđ‚āļĢāļ‡āļ—āļĩāđˆāđ€āļ­āđ‡āļāļ‹āđŒāļ„āļĨāļđāļ‹āļĩāļŸ āļŦāļĢāļđāļŦāļĢāļē āđāļĨāļ°āđ€āļ›āļĩāđˆāļĒāļĄāđ„āļ›āļ”āđ‰āļ§āļĒāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ—āļēāļ‡āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļĄāļēāļāļ—āļĩāđˆāļŠāļļāļ”āļāđ‡āļ§āđˆāļēāđ„āļ”āđ‰ āđ€āļžāļĢāļēāļ°āļ›āļĢāļąāļšāļ›āļĢāļļāļ‡āļˆāļēāļ Palazzo Gaddi āļ—āļĩāđˆāļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āļĢāļēāļ§āļ›āļĩ āļ„.āļĻ. 1596 āļŦāļĢāļ·āļ­āļāļ§āđˆāļē 400 āļ›āļĩāļĄāļēāđāļĨāđ‰āļ§ āđ€āļ›āđ‡āļ™āļšāđ‰āļēāļ™āļ‚āļ­āļ‡āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§ Gaddi āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļ™āļąāļāļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āļ—āļĩāđˆāļĄāļĩāļ­āļīāļ—āļ˜āļīāļžāļĨāđƒāļ™āļĒāļļāļ„āđ€āļĢāļ­āđ€āļ™āļŠāļ‹āļ­āļ‡āļŠāđŒ āļĒāļļāļ„āļ—āļ­āļ‡āļ‚āļ­āļ‡āļŸāļĨāļ­āđ€āļĢāļ™āļ‹āđŒ NH Hotels & ResortsNH Collection Firenze Palazzo Gaddi āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļ—āļĩāđˆāļĢāļ§āļĒāđāļĨāļ°āļĄāļĩāļ­āļīāļ—āļ˜āļīāļžāļĨ Palazzo Gaddi āđ€āļĨāļĒāļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāđƒāļˆāļāļĨāļēāļ‡āđ€āļĄāļ·āļ­āļ‡āđ€āļāđˆāļē āđƒāļŦāļāđˆāđ‚āļ•āļ–āļķāļ‡ 6 āļŠāļąāđ‰āļ™ āđāļĨāļ°āļ•āļāđāļ•āđˆāļ‡āļ”āđ‰āļ§āļĒāļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ”āđāļĨāļ°āļ‡āļēāļ™āļĻāļīāļĨāļ›āļ°āļ—āļĩāđˆāļŠāļ°āļ—āđ‰āļ­āļ™āļŠāļ–āļēāļ™āļ°āļ‚āļ­āļ‡āđ€āļˆāđ‰āļēāļ‚āļ­āļ‡āļšāđ‰āļēāļ™ āđāļ„āđˆāđ€āļ”āļīāļ™āļœāđˆāļēāļ™āļ›āļĢāļ°āļ•āļđāļāđ‡āđ€āļŦāļĄāļ·āļ­āļ™āļĒāđ‰āļ­āļ™āļāļĨāļąāļšāđ„āļ›āļŠāļđāđˆāļšāđ‰āļēāļ™āļœāļđāđ‰āļ”āļĩāđ€āļĢāļ­āđ€āļ™āļŠāļ‹āļ­āļ‡āļŠāđŒ āļĄāļĩāļ‹āļļāđ‰āļĄāđ‚āļ„āđ‰āļ‡āđāļĨāļ°āļŦāđ‰āļ­āļ‡āļ™āļąāđˆāļ‡āđ€āļĨāđˆāļ™āļŠāļĩāđ€āļ‚āļĩāļĒāļ§āđ€āļ‚āđ‰āļĄāđāļĨāļ°āđāļ”āļ‡āļāđˆāļģ āļĄāļĩāļāļĨāļļāđˆāļĄāđ‚āļ‹āļŸāļēāļŦāļ™āļąāļ‡āļ•āļąāđ‰āļ‡āđ€āļ”āđˆāļ™āđƒāļ•āđ‰āļŦāļĨāļąāļ‡āļ„āļēāļāļĢāļ°āļˆāļāļ—āļĩāđˆāđ€āļ›āļīāļ”āđƒāļŦāđ‰āđāļŠāļ‡āļĨāļ‡āļĄāļēāļ­āļĒāđˆāļēāļ‡āđ€āļŦāļĄāļēāļ°āđ€āļˆāļēāļ° āļ‚āļ™āļēāļ™āļ”āđ‰āļ§āļĒāļšāļēāļĢāđŒāļĒāļēāļ§āđ„āļĄāđ‰āļĄāļ°āļŪāļ­āļāļāļēāļ™āļĩāļŠāļļāļ”āļ„āļĨāļēāļŠāļŠāļīāļ āđƒāļ„āļĢāļŠāļ­āļšāļĻāļīāļĨāļ›āļ°āļˆāļ°āļ•āđ‰āļ­āļ‡āļ•āļēāđāļ•āļāļāļąāļšāļ‡āļēāļ™āļĻāļīāļĨāļ›āļ°āļˆāļģāļ™āļ§āļ™āļĄāļēāļ āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āļˆāļīāļ•āļĢāļāļĢāļĢāļĄāļāļēāļœāļ™āļąāļ‡āđ‚āļ”āļĒāļĻāļīāļĨāļ›āļīāļ™ Giovanni Batista Ranieri del Pace āļ—āļĩāđˆāļ§āļēāļ”āļ āļēāļĒāļŦāļĨāļąāļ‡āđƒāļ™āļĒāļļāļ„āļšāļēāđ‚āļĢāļ āđāļĨāļ°āđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļ”āļđāđāļĨāđāļšāļšāļ—āļĩāđˆāļŠāļĩāļĒāļąāļ‡āļŠāļ”āļˆāļ™āļ–āļķāļ‡āļ›āļąāļˆāļˆāļļāļšāļąāļ™ āđāļĨāļ°āļĢāļąāļšāļ›āļĢāļ°āļāļąāļ™āļ§āđˆāļēāļ‡āļēāļ™āļĻāļīāļĨāļ›āļ°āđāļĨāļ°āļ•āļķāļāļ™āļĩāđ‰āļˆāļ°āļŠāļ§āļĒāļ‡āļēāļĄāđāļšāļšāļ™āļĩāđ‰āļ•āđˆāļ­āđ„āļ›āļ­āļĩāļāļĒāļēāļ§āđ† āđƒāļ™āļ­āļ™āļēāļ„āļ• āđ€āļžāļĢāļēāļ°āļ•āļķāļāļ™āļĩāđ‰āļ­āļĒāļđāđˆāļ āļēāļĒāđƒāļ•āđ‰āļāļēāļĢāļ„āļļāđ‰āļĄāļ„āļĢāļ­āļ‡āļ‚āļ­āļ‡ Soprintendenza āļ‹āļķāđˆāļ‡āļāđ‡āļ„āļ·āļ­āļŸāļĩāļĨāļāļĢāļĄāļĻāļīāļĨāļ›āļēāļāļĢāļ‚āļ­āļ‡āđ€āļĢāļē NH Hotels & ResortsNH Collection Firenze Palazzo Gaddi āļ­āļ˜āļīāļšāļēāļĒāļ„āļģāļ§āđˆāļē ‘Palazzo – āļ›āļēāļĨāļēāļ‹āđ‚āļ‹â€™ āļ‚āļ­āļ‡āļ­āļīāļ•āļēāļĨāļĩāđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄāļŠāļąāļāļ™āļīāļ” āđ€āļĢāļēāļ„āļ™āđ„āļ—āļĒāļ­āļēāļˆāļˆāļ°āļ„āļļāđ‰āļ™āđ€āļ„āļĒāļ„āļģāļ™āļĩāđ‰āđƒāļ™āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ‚āļ­āļ‡ Pa

Check-in: NH Collection Milano CityLife

Check-in: NH Collection Milano CityLife

āđ€āļžāļĢāļēāļ°āļāļēāļĢāļšāļīāļ™āđ„āļ—āļĒāļāļģāļĨāļąāļ‡āļˆāļ°āļāļĨāļąāļšāļĄāļēāđ€āļ›āļīāļ”āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļšāļīāļ™āļ•āļĢāļ‡āļāļĢāļļāļ‡āđ€āļ—āļžāļŊ-āļĄāļīāļĨāļēāļ™ āļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡āļāļĨāļēāļ‡āļ›āļĩāļ™āļĩāđ‰ āđ€āļĢāļēāđ€āļĨāļĒāļˆāļ°āļŠāļ§āļ™āđ„āļ›āļĢāļđāđ‰āļˆāļąāļāļāļąāļšāđ‚āļĢāļ‡āđāļĢāļĄāļ—āļĩāđˆāļˆāļ°āđ€āļ›āđ‡āļ™āļ­āļĩāļāļŦāļ™āļķāđˆāļ‡āđ„āļ­āđ€āļ”āļĩāļĒāļŠāļģāļŦāļĢāļąāļšāļ„āļ™āļ—āļĩāđˆāļāļģāļĨāļąāļ‡āļĄāļ­āļ‡āļŦāļēāļ—āļĩāđˆāļžāļąāļāļ—āļĩāđˆāļˆāļ°āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļ„āļļāļ“āļŠāļģāļĢāļ§āļˆāļĄāļīāļĨāļēāļ™āđ„āļ”āđ‰āļ—āļąāđˆāļ§āđ† NH Collection Milano CityLife āļ™āļąāđ‰āļ™āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāđƒāļ™āļšāļĢāļīāđ€āļ§āļ“āļ—āļĩāđˆāđ€āļĢāļĩāļĒāļāļ§āđˆāļē CityLife āļ‹āļķāđˆāļ‡āļ–āđ‰āļēāļ™āļąāļšāđ€āļ­āļēāļĄāļīāļĨāļēāļ™āļ”āļđāđ‚āļ­āđ‚āļĄāđˆāđ€āļ›āđ‡āļ™āļĻāļđāļ™āļĒāđŒāļāļĨāļēāļ‡ āļšāļĢāļīāđ€āļ§āļ“āļ™āļĩāđ‰āļāđ‡āļˆāļ°āļ­āļĒāļđāđˆāđ€āļĨāļĒāļĄāļēāļ—āļēāļ‡āļ”āđ‰āļēāļ™āļ•āļ°āļ§āļąāļ™āļ­āļ­āļāđ€āļ‰āļĩāļĒāļ‡āđ€āļŦāļ™āļ·āļ­āļŠāļąāļāļŦāļ™āđˆāļ­āļĒ NH Collection Milano CityLifeNH Collection Milano CityLife āđ€āļĨāđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡ CityLife āđāļšāļšāļŠāļąāđ‰āļ™āđ† āļāđ‡āļ„āļ·āļ­āļžāļ·āđ‰āļ™āļ—āļĩāđˆāđ€āļ„āļĒāđ€āļ›āđ‡āļ™ Fiera Milano āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļˆāļąāļ”āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāļ‚āļ™āļēāļ”āļĒāļąāļāļĐāđŒāļ—āļĩāđˆāļĒāđ‰āļēāļĒāļ­āļ­āļāđ„āļ›āđāļĨāļ°āļāļģāļĨāļąāļ‡āđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļžāļąāļ’āļ™āļēāļ‚āļķāđ‰āļ™āđ€āļ›āđ‡āļ™āļĻāļđāļ™āļĒāđŒāļāļĨāļēāļ‡āļ˜āļļāļĢāļāļīāļˆāđƒāļŦāļĄāđˆ āļ–āđ‰āļēāđ€āļ›āļĢāļĩāļĒāļšāđ€āļ—āļĩāļĒāļšāļāļąāļšāļāļĢāļļāļ‡āđ€āļ—āļžāļŊ āļāđ‡āļˆāļ°āļ„āļĨāđ‰āļēāļĒāđ† āļāļąāļš One Bangkok āļ—āļĩāđˆāļĄāļēāđāļ—āļ™ āļŠāļ§āļ™āļĨāļļāļĄāđ„āļ™āļ—āđŒāļšāļēāļĢāđŒāļ‹āļēāļĢāđŒāđ€āļāđˆāļēāļ™āļąāđˆāļ™āđ€āļ­āļ‡ āļĒāđˆāļēāļ™āļ™āļĩāđ‰āđ€āļĨāļĒāđ€āļ›āđ‡āļ™āļĒāđˆāļēāļ™āļ—āļĩāđˆāļ™āđˆāļēāļˆāļąāļšāļ•āļēāļĄāļ­āļ‡āļĄāļēāļ āļ­āļēāļ„āļēāļĢāļžāļēāļ“āļīāļŠāļĒāđŒāđāļĨāļ°āļ”āļ­āļ™āđ‚āļ”āļŠāļđāļ‡āđ€āļŠāļĩāļĒāļ”āļŸāđ‰āļēāļāļģāļĨāļąāļ‡āđāļ‚āđˆāļ‡āļāļąāļ™āļˆāļąāļšāļˆāļ­āļ‡āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļ—āļĩāđˆāđ€āļ›āđ‡āļ™āđ€āļŦāļĄāļ·āļ­āļ™āļ āļēāļžāļ­āļ™āļēāļ„āļ•āļ‚āļ­āļ‡āļĄāļīāļĨāļēāļ™Â  NH Collection Milano CityLifeNH Collection Milano CityLife āļ•āļąāļ§āļ­āļēāļ„āļēāļĢ NH Collection Milano CityLife āļ™āļąāđ‰āļ™āļ­āļĒāļđāđˆāļ•āļĢāļ‡āļ‚āļ­āļšāļžāļ·āđ‰āļ™āļ—āļĩāđˆāļžāļ­āļ”āļĩ āļ–āđ‰āļēāļĄāļ­āļ‡āļˆāļēāļāļ āļēāļžāļˆāļ°āđ€āļŦāđ‡āļ™āļ§āđˆāļēāđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ™āļœāļŠāļĄāļ‚āļ­āļ‡āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄāđƒāļŦāļĄāđˆāđāļĨāļ°āļ„āļĨāļēāļŠāļŠāļīāļ āđ€āļžāļĢāļēāļ°āļ•āļąāļ§āļ­āļēāļ„āļēāļĢāļ™āļąāđ‰āļ™āđ€āļ„āļĒāđ€āļ›āđ‡āļ™āđ‚āļšāļŠāļ–āđŒāđ€āļāđˆāļēāđāļāđˆāļĄāļēāļāđˆāļ­āļ™ (āļ”āļđāļ āļēāļž) āļŠāļ·āđˆāļ­āļ§āđˆāļē Chiesa Christo Re āđ€āļ›āđ‡āļ™āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄāļŠāđ„āļ•āļĨāđŒ neo-mannerism āļ—āļĩāđˆāļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđƒāļ™āļĢāļēāļ§āļ—āļĻāļ§āļĢāļĢāļĐāļ—āļĩāđˆ 1920 āđāļĨāļ°āļ›āļīāļ”āļ•āļąāļ§āļĨāļ‡āđƒāļ™āļ›āļĨāļēāļĒāļĒāļļāļ„ 1990 āļāđˆāļ­āļ™āļˆāļ°āļ–āļđāļāļĢāļĩāđ‚āļ™āđ€āļ§āļ•āđ€āļ›āđ‡āļ™āđ‚āļĢāļ‡āđāļĢāļĄāļ‹āļķāđˆāļ‡āđ€āļžāļīāđˆāļ‡āđ€āļ›āļīāļ”āđƒāļŦāđ‰āļšāļĢāļīāļāļēāļĢāđƒāļ™āļ›āļĩ 2022 āļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļēāļ™āļĩāđ‰āđ€āļ­āļ‡ NH Hotels & ResortsNH Collection Milano CityLife āļ•āđ‰āļ­āļ‡āļ‚āļ­āļšāļ„āļļāļ“ NH Collection Milano CityLife āļ—āļĩāđˆāđ€āļĨāļ·āļ­āļāđ€āļāđ‡āļšāđ‚āļ„āļĢāļ‡āļŠāļĢāđ‰āļēāļ‡āļŠāđˆāļ§āļ™āļŦāļ™āđ‰āļēāļ‚āļ­āļ‡āđ‚āļšāļŠāļ–āđŒāđ€āļ”āļīāļĄāđ„āļ§āđ‰ āļ—āļģāđƒāļŦāđ‰āđāļ‚āļāļ—āļļāļāļ„āļ™āļˆāļ°āđ„āļ”āđ‰āđ€āļ”āļīāļ™āļœāđˆāļēāļ™āļŦāđ‰āļ­āļ‡āļŠāļ§āļ”āļ—āļĩāđˆāļ–āļđāļāļ›āļĢāļąāļšāļ›āļĢāļļāļ‡āđāļĨāļ°āđ€āļ›āļīāļ”āļœāļ™āļąāļ‡āļ”āđ‰āļēāļ™āļ‚āđ‰āļēāļ‡āđƒāļŦāđ‰āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ—āļēāļ‡āđ€āļ”āļīāļ™āđāļĨāļ°āļŠāđˆāļ§āļ™āļ•āđ‰āļ­āļ™āļĢāļąāļšāļ—āļĩāđˆāđ‚āļ­āđ‚āļ–āđˆāļ‡ āļ­āļšāļ­āļļāđˆāļ™ āđāļĨāļ°āļĻāļąāļāļ”āļīāđŒāļŠāļīāļ—āļ˜āļīāđŒāđ„āļ›āļžāļĢāđ‰āļ­āļĄāđ† āļāļąāļ™ āđ€āļžāļ·āđˆāļ­āļˆ

Listings and reviews (381)

gCircuit Song Kran Pool Parties

gCircuit Song Kran Pool Parties

Asia’s largest gay-focused Songkran event has moved its pool parties—one for “bears” (Apr 13) and one for “hunky boys” (Apr 14)—to Sukhumvit for the first time at Tribe Sky Beach Club at Emsphere. Well, you know what to expect. Entry is priced at B2,600/party  

Gordon Ramsay Street Pizza

Gordon Ramsay Street Pizza

Months after the opening of its big sister, Bread Street Kitchen, the more casual Street Pizza restaurant founded by the acclaimed British chef will kick off operations this week.  Hoisting a “pizza without rules” concept, Gordon Ramsay Street Pizza in Bangkok, like other branches around the world, upends the traditional Italian conventions surrounding pizza by loading sourdough crust with creative toppings. The introduction menu features eight choices, with the Londoner Pizza (mozzarella, salami, and burrata, B590) and Corn & Chorizo (sweet corn with Spanish chorizo and chicken, B450) as the main highlights. Sides include Gordon Fried Chicken and fried chicken topped with a “hotter-than-hell” sauce, which, we recommend, you follow up with a sip of lemonade (B220 to B1290). While Street Pizza is known for its bottomless concept, the Bangkok branch will be the second to not follow this all-you-can-eat pizza concept–it’s à la carte only.

Louis Vuitton Visionary Journeys

Louis Vuitton Visionary Journeys

5 out of 5 stars

Louis Vuitton has launched its all-new immersive experience in Bangkok, and it’s not to be missed.  “Visionary Journeys” is applause-worthy for presenting 150 years worth of Louis Vuitton creativity in a fun, stunning, and immersive experience. Best of all, access is free! Designed by award-winning architect firm OMA, led by Shohei Shigematsu, the exhibit comprises four parts:  Trunkscape, Origins, Icons, and Collaborations. Upon entering, Trunkscape greets you with a jaw-dropping tunnel-slash-time portal that features 96 vintage Louis Vuitton trunks surrounded by digital screens playing moving images. This steers you into Origins, a room showcasing rare vintage trunks from the Paris archive. The room also reveals how these prized trunks have evolved over the years and have given inspiration to succeeding LV products.   Icons, the next zone, presents the notable visionaries, such Nicholas Ghesquiere and Pharrell Williams, who have been behind the brand’s most iconic bags,  all presented in “bubbles” to symbolize a “bubble of creativity”. Collaborations reveals LV’s efforts to fly above the game through continuous collaborations with artists and labels such as Yayoi Kusama, Steven Sprouse, and Supreme, all presented in a 360-degree digital screen.  The show concludes in a room lit up by multi-hued panels inspired by the colors seen on booths at the famed Rod Fai Market Ratchada. Interact with the screen to receive a cool set of postcards as a souvenir.   The exhibition will be

LV The Place

LV The Place

Come to shop, sip freshly brewed coffee, enjoy elegant fare by one of the world’s most esteemed chefs, and brush up on fashion history at LV The Place Bangkok, Louis Vuitton's new concept store, which made its world debut in Thailand this month at Gaysorn Amarin in Ratchaprasong.  LV The Place will first blind your eyes with an over-the-top illuminated facade that’s obviously derived from the French brand’s iconic monogram pattern, which was first created in the 1950s. Behind this glittering facade are two floors of luxury goods as well as indulgent experiences.  The first floor is home to Le CafÃĐ, the designer brand’s first cafe in Thailand, which offers an array of gorgeously presented cakes and cookies (said to be prepared by Blue by Alain Ducasse pastry kitchen) along with coffee bearing the LV monogram. How expensive, you may ask? Cakes are priced from B550 while cookies go for B1,700 for a box of five. But if you’re taking them home, they do come in the signature Louis Vuitton orange-hued box. And that’s almost worth the extravagant prices.    SEE ALSO: See inside Louis Vuitton’s new-concept store in Thailand: bags, cakes, fine dining, plus a cool exhibition   Half of the first floor also hosts an immersive and interactive exhibition that takes you on a journey through the brand’s history and past collaborations. It’s a fun and awe-inspiring way of learning all about the French brand.  Entry is free, although you would need to pre-book.  The second floor sees the boutiq

W Lounge

W Lounge

W Lounge takes the same spot as Woobar but squares itself from the arrival lobby behind a massive black wall, creating an intimate drinking space. Over-the-top ceiling art decoration, a floor-lit dancing stage, and overall perfect lighting give the entire space a chic and metropolitan vibe. The drinks menu draws inspiration from cabaret scenes worldwide, including those in Thailand, and features vermouth-based cocktails in colorful renditions (imagine an iced purple martini served with a feather on the side).

Bisou

Bisou

This French gastro bar by chef-sommerlier duo Antoine Darquin and ThÃĐo Lavergne lures you in with sexy lighting and super chic vibes, courtesy of a spiral mirrored staircase, artsy vintage wall collages, and beautiful clientele. But what will keep you in your seats—and coming back for more—are stylish comfort fare such as truffle toast and fried chicken, plus fine and affordable wines.

Asiatique Ancient Tea House

Asiatique Ancient Tea House

Those who’ve been to Asiatique will be likely familiar with an old house sitting near the riverfront promenade. No longer dated and rundown, it’s been given head-to-toe renovations and now enjoys a new lease on life as a Chinese restaurant and bar called Asiatique Ancient Tea House.  The word “ancient” signifies two main inspirations behind the new venture. It’s a reference to the building itself, which is believed to have been erected in 1912 as part of the East Asiatic Port, Bangkok’s first international seaport. Secondly, the word pays tribute to one of the products traded at the port: tea, which has a history dating back thousands of years. The new establishment still preserves the original century-old structure, while Chinese motifs and art deco elements, including a glasshouse, and modern comforts were added to enhance the dining experience. Sit down in an elegant setting to feast on Cantonese yum cha that was designed and crafted by Marriott Marquis’ renowned Pagoda restaurant, with tea as the main ingredient. You can also pair your dim sum with a fine selection of teas sourced from around the world, including Bai Mu Dan White Tea from China and Darjeeling First Flush Dark Tea from India.

Bread Street Kitchen & Bar

Bread Street Kitchen & Bar

Asia’s third Bread Street Kitchen & Bar has opened on the ground level of the new Emsphere mall, and features a core concept design and menu that embodies Gordon Ramsay’s vision, but with mindful flavor adjustments to satisfy local palates. The interiors mirror the original location in London, showcasing industrial design elements, complete with European furnishings, finely crafted tile flooring, and a cushy mustard-colored banquette sofa. Menu-wise, there’s the ubiquitous British pub fare, fish and chips, as well as the house’s signature Beef Wellington, which requires two days to perfect. Sticky toffee pudding served with milk ice cream is the spotlighted sweet, but you can also end your meal with the restaurant’s signature cocktails. We got to try some dishes during the preview and, while the food is good enough for the brand standard, we don’t think they’re special enough to merit waiting in line. 

Bangkok Theatre Festival

Bangkok Theatre Festival

This November sees the return of Bangkok Theatre Festival, featuring 64 productions from 61 theater crews over the course of two weeks. Watch performances by  local talents and aspiring actors at participating small theaters around Bangkok, namely River City Bangkok, GalieOasis, Lanna Ari, Yellow Lane, Sundown, Siam Scape, Nang Lerng, and Tribes Bar. Debuted in 2002, the festival is the city’s premier platform for nurturing and promoting the local theater scene,  which is small and, oftentimes, lacks funding. See updated programs on Bangkok Theatre Festival’s Facebook page.   Bangkok Theatre Festival 2023Bangkok Theatre Festival 2023 Bangkok Theatre Festival 2023Bangkok Theatre Festival 2023 Bangkok Theatre Festival 2023Bangkok Theatre Festival 2023

Ninetails on Radio

Ninetails on Radio

It doesn’t matter what you call it: Wireless Road or Witthayu. One thing remains the same. This area is far from being cheap nor chill. But Ninetails on Radio is changing that reputation—or at least, it’s trying to. Ninetails, the popular music bar in Ladprao that offers affordable drinks and live music in an artsy setting, recently celebrated its seventh anniversary by branching out downtown and opening a spinoff bar called Ninetails on Radio on the top floors of a shophouse right between All Seasons and the Rolex showroom—a very cool spot. Ladprao bars are known for their laid-back vibes and reasonably priced booze — think of pre-gentrified Brooklyn—and Ninetails on Radio is trying to bring all these to Wireless. The bar spans three floors: an eating area decorated with colorful and mismatched furniture and pop art, a glass-roofed rooftop that boasts stylish lighting, bar chairs, and live music, and another tiny rooftop that displays a sign that says “Wish You Were Here”.  Yeah, we wish we were there, too.  Ninetail on Radio also has a brunch menu, served from around 11 am on weekends. Catch up with its happenings on Instagram.  

W Drag Brunch

W Drag Brunch

W’s Drag Brunch, which made headlines during Pride month, is back on September 23 at The Kitchen Table, the hotel’s main dining hall.  Apart from campy but ultimately fun performances from some of the city’s most glamorous drag queens, this Saturday brunch promises loads of meats, from Wagyu brisket to BBQ pork ribs to smoked chorizos, as well as seafood, carb-heavy comfort fare, and array of delectable desserts. The brunch is priced at B2,299 per person with free-flow soft drinks, and B3,499 with free-flow alcoholic drinks. 

Two Door Cinema Club

Two Door Cinema Club

Northern Ireland indie pop-rock band Two Door Cinema Club is bringing their all-time hits to Bangkok at BITEC this Monday, August 14. Get ready to sing and sway with tracks like 'What You Know,' 'Undercover Martyn,' and 'Something Good Can Work.' This will be their first visit to Thailand after the pandemic. Local indie band Panician will be performing as the opening act. Last-minute ticket deals start from B3,200.

News (296)

What we know so far about the first Nobu in Thailand, opening September 2024

What we know so far about the first Nobu in Thailand, opening September 2024

The moment we saw the legendary duo of Chef Nobu Matsuhisa and Robert De Niro walking into the foyer of The Empire Residence for their first press meet, we knew that the Nobu Bangkok project was truly happening. We can now start counting down to its opening on September 20 this year.  Nobu Bangkok, set to be the highest Nobu location in the world, will occupy three rooftop platforms at The Empire on Sathorn. Heavily inspired by nature, its design aims to create the experience of being on the peak of a sky-high mountain. Guests arriving on the 58th floor will find a spacious area for indoor and outdoor dining. A cleverly designed passage will then lead to the summit, featuring a bar with a crescent backdrop surrounded by an infinity pool. Diners are supposed to feel as if they’re floating in the sky while enjoying 360-degree views of the City of Smiles.  AWC According to Wallapa Traisorat, CEO of Asset World Corporation (AWC), which owns The Empire and is backing the Nobu Bangkok venture, around 600 million baht is being spent on the restaurant, almost half of the entire rooftop project, which costs about 1.5 billion baht. She affirmed that the major construction works are complete, including “strengthening the structure for dancing.”  Chef Nobu Matsuhisa promises to bring the full-fledged Nobu experience, which he started with Hollywood legend Robert De Niro in 1994, to Bangkok, making it a new must-visit destination in Asia. He will also focus on using as many local produc

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Thailand becomes the first nation in Southeast Asia to legalize marriage equality following the senate's approval of the bill

Thailand becomes the first nation in Southeast Asia to legalize marriage equality following the senate's approval of the bill

After several debates and discussions, the senate approved the marriage equality bill today (June 18), making Thailand the first nation in Southeast Asia and the 38th in the world to legally accept same-sex marriage. In short, this bill amends Thailand’s current marriage law, changing the wording from ‘between a man and a woman’ to ‘between two people’. It was approved with 130 votes, 4 disapprovals, and 8 abstentions. The bill will proceed to the Cabinet, be officially announced in the Royal Gazette, and take effect 120 days after that. Further discussions will address documentation changes, marriage with foreigners, and adoption.

JW Marriott opens first ‘JW Garden’ in Asia in Khao Lak, strengthens Marriott Hotels’ sustainability move in Southern Thailand

JW Marriott opens first ‘JW Garden’ in Asia in Khao Lak, strengthens Marriott Hotels’ sustainability move in Southern Thailand

Khao Lak has just welcomed a massive 27-acre organic garden at the luxurious JW Marriott Khao Lak Resort and Spa—the first of its kind for Marriott outside the USA where the brand was born.* JW Garden, which spans 27 acres right next to the luxurious resort grounds, is home to more than 200 species of organic edible plants—all of which are indigenous to the locality—and spaces for almost a hundred free-range-bred chickens and ducks. JW Marriott Khao Lak Resort & SpaJW Garden at JW Marriott Khao Lak   JW Garden debuted in 2022 at three JW Marriott locations in the states: JW Marriott Desert Springs Resort & Spa; JW Marriott Orlando Bonnet Creek Resort & Spa; and JW Marriott Essex House New York. The initial concept was inspired by Alice Marriott’s love for gardening and preparing Sunday gatherings from the produce she grew and has been developed by landscape design Studio Lily Kwong. Thailand’s JW Garden at JW Marriott Khao Lak is the first outside the USA. JW Garden is not just an organic farm for guests to enjoy. It’s a bold benchmark for the Marriott brand’s ambition for sustainable tourism. Brad Edman, the general manager of Renaissance Phuket Resort & Spa and Marriott Thailand’s Multi-Property Vice President for Southern Thailand, added at the press conference that the hotel group has initiated several sustainability-focused campaigns and projects that align with Marriott brand’s ambitious goal of becoming zero-carbon emission by 2050. JW Marriott Khao Lak Resort & Spa

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Michelin Key āļĢāļēāļ‡āļ§āļąāļĨāļ”āļēāļ§āļĄāļīāļŠāļĨāļīāļ™āļŠāļģāļŦāļĢāļąāļšāđ‚āļĢāļ‡āđāļĢāļĄ āļ›āļĢāļ°āļāļēāļĻāļŠāļļāļ”āđāļĢāļāđƒāļ™āđ‚āļĨāļāđāļĨāđ‰āļ§āđ€āļĄāļ·āđˆāļ­āļ§āļēāļ™āļ™āļĩāđ‰ (8 āđ€āļĄāļĐāļēāļĒāļ™ 2567) āļ—āļĩāđˆāļ›āļĢāļ°āđ€āļ—āļĻāļāļĢāļąāđˆāļ‡āđ€āļĻāļŠāļšāđ‰āļēāļ™āđ€āļāļīāļ”āļ‚āļ­āļ‡āđāļšāļĢāļ™āļ”āđŒ āđ‚āļ”āļĒāđƒāļŦāđ‰ ‘āļāļļāļāđāļˆāļĄāļīāļŠāļĨāļīāļ™â€™ āļāļąāļš 189 āđ‚āļĢāļ‡āđāļĢāļĄ āđāļšāđˆāļ‡āđ€āļ›āđ‡āļ™ 3 āļĢāļ°āļ”āļąāļš āļ„āļ·āļ­ 1-3 āļāļļāļāđāļˆ āđ€āļŦāļĄāļ·āļ­āļ™āļāļąāļ™āļāļēāļĢāđƒāļŦāđ‰āļĢāļēāļ‡āļ§āļąāļĨāļ­āļēāļŦāļēāļĢāđƒāļ™āļĄāļīāļŠāļĨāļīāļ™āđ„āļāļ”āđŒ āđ€āļŠāđˆāļ™āđ€āļ”āļĩāļĒāļ§āļāļąāļšāļĢāļēāļ‡āļ§āļąāļĨāļ­āļēāļŦāļēāļĢ āļĄāļīāļŠāļĨāļīāļ™āļˆāļ°āļŠāđˆāļ‡āļœāļđāđ‰āļ•āļĢāļ§āļˆāļŠāļ­āļšāđ„āļ›āļžāļąāļāļĒāļąāļ‡āđ‚āļĢāļ‡āđāļĢāļĄāļ•āđˆāļēāļ‡āđ† āļˆāļĢāļīāļ‡ āđ€āļžāļ·āđˆāļ­āļžāļīāļˆāļēāļĢāļ“āļēāđƒāļŦāđ‰āļ„āļ°āđāļ™āļ™āđƒāļ™ 5 āļŦāļąāļ§āļ‚āđ‰āļ­ āđ„āļ”āđ‰āđāļāđˆ A destination unto itself: āđ€āļ›āđ‡āļ™āđ‚āļĢāļ‡āđāļĢāļĄāļ—āļĩāđˆāļžāļīāđ€āļĻāļĐāđāļšāļšāđ€āļ›āđ‡āļ™āļˆāļļāļ”āļŦāļĄāļēāļĒāļ›āļĨāļēāļĒāļ—āļēāļ‡āļ”āđ‰āļ§āļĒāļ•āļąāļ§āđ€āļ­āļ‡ Excellence in interior design and architecture: āļāļēāļĢāļ­āļ­āļāđāļšāļšāļ—āļąāđ‰āļ‡āļ™āļ­āļāđāļĨāļ°āđƒāļ™āđ‚āļ”āļ”āđ€āļ”āđˆāļ™ Quality and consistency in service: āļ„āļļāļ“āļ āļēāļžāļāļēāļĢāļšāļĢāļīāļāļēāļĢāļ”āļĩāđ€āļĒāļĩāđˆāļĒāļĄāđāļĨāļ°āļ„āļ‡āļ—āļĩāđˆ Consistency in the value for money paid: āļ„āļļāđ‰āļĄāļĢāļēāļ„āļēāļŦāļĄāļēāļĒāļ–āļķāļ‡āđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āļ–āļđāļÂ āđāļ•āđˆāļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ„āļ”āđ‰āļāļąāļšāđ€āļ‡āļīāļ™āļ—āļĩāđˆāļˆāđˆāļēāļĒāļ„āļļāđ‰āļĄāļ„āđˆāļēāļāļąāļ™ Individuality and autheticity: āđ€āļĢāļēāļ§āđˆāļēāļ‚āđ‰āļ­āļ™āļĩāđ‰āļŠāļģāļ„āļąāļāļ„āļ·āļ­āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āđ€āļ­āļāļĨāļąāļāļĐāļ“āđŒāļ‚āļ­āļ‡āđ‚āļĢāļ‡āđāļĢāļĄ āđ‚āļ”āļĒāļāđˆāļ­āļ™āļŦāļ™āđ‰āļēāļ™āļĩāđ‰āđ€āļĢāļēāđ€āļ„āļĒāļĢāļēāļĒāļ‡āļēāļ™āļ§āđˆāļēāļĄāļīāļŠāļĨāļīāļ™āļĒāļąāļ‡āļ„āļ‡āļžāļīāļˆāļēāļĢāļ“āļēāļāļąāļ™āļ āļēāļĒāđƒāļ™āļ§āđˆāļēāļˆāļ°āļĄāļĩāļĢāļ°āļ”āļąāļšāļ‚āļ­āļ‡āļāļļāļāđāļˆāđ„āļŦāļĄ – āļāđ‡āļŠāļĢāļļāļ›āđ„āļ”āđ‰āļˆāļēāļāļĨāļīāļŠāļ•āđŒāļ—āļĩāđˆāļ›āļĢāļ°āļāļēāļĻāđ€āļĄāļ·āđˆāļ­āļ§āļēāļ™āļ§āđˆāļēāļˆāļ°āļĄāļĩāļāļļāļāđāļˆ 3 āļĢāļ°āļ”āļąāļš āļ„āļ·āļ­ 1-3 āļ”āļ­āļ āđ„āļ”āđ‰āđāļāđˆ 🔑 1 āļāļļāļāđāļˆ = a very special stay āđ‚āļĢāļ‡āđāļĢāļĄāļ—āļĩāđˆāļžāļīāđ€āļĻāļĐāđ€āļŦāļ™āļ·āļ­āļāļ§āđˆāļēāđ‚āļĢāļ‡āđāļĢāļĄāđ‚āļ”āļĒāļ—āļąāđˆāļ§āđ„āļ› 🔑🔑 2 āļāļļāļāđāļˆ = an exceptional stay āđ‚āļĢāļ‡āđāļĢāļĄāļ—āļĩāđˆāđ‚āļ”āļ”āđ€āļ”āđˆāļ™āļāļ§āđˆāļēāđ‚āļĢāļ‡āđāļĢāļĄāđ‚āļ”āļĒāļ—āļąāđˆāļ§āđ„āļ› 🔑🔑🔑 3 āļāļļāļāđāļˆ = an extraordinary stay āđ‚āļĢāļ‡āđāļĢāļĄāļ—āļĩāđˆāļĄāļ­āļšāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļžāļīāđ€āļĻāļĐ āđāļšāļšāļ—āļĩāđˆāļŦāļēāđ„āļĄāđˆāđ„āļ”āđ‰āļˆāļēāļāļ—āļĩāđˆāļ­āļ·āđˆāļ™ āđāļĨāļ°āļ„āļļāđ‰āļĄāļ„āđˆāļēāļ•āđ‰āļ­āļ‡āđ„āļ›āļžāļąāļāļŠāļąāļāļ„āļĢāļąāđ‰āļ‡āđƒāļ™āļŠāļĩāļ§āļīāļ• āđƒāļ™āļāļļāļāđāļˆāļĄāļīāļŠāļĨāļīāļ™āļŠāļļāļ”āđāļĢāļāļ™āļĩāđ‰ āđ‚āļĢāļ‡āđāļĢāļĄāļ—āļĩāđˆāđ„āļ”āđ‰ 3 āļāļļāļāđāļˆ āļĄāļĩāļ—āļąāđ‰āļ‡āļŦāļĄāļ” 24 āđ‚āļĢāļ‡ āļ‹āļķāđˆāļ‡āđ€āļĢāļēāđ€āļŠāļ·āđˆāļ­āļ§āđˆāļēāļ™āļąāļāđ€āļ”āļīāļ™āļ—āļēāļ‡āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āđāļŸāļ™āđ‚āļĢāļ‡āđāļĢāļĄāļŦāļĢāļđāļˆāļ°āļ„āļļāđ‰āļ™āļŠāļ·āđˆāļ­āļ•āđˆāļēāļ‡āđ† āļāļąāļ™āļ”āļĩ āđ€āļŠāđˆāļ™ Four Seasons George V āļŠāļļāļ”āļŦāļĢāļđāļ—āļĩāđˆāđ€āļ›āļīāļ”āļĄāļēāļ•āļąāđ‰āļ‡āđāļ•āđˆāļ›āļĩ 1928 āđāļĨāļ° Cheval Blanc Paris āđ‚āļĢāļ‡āđāļĢāļĄāļŦāļĢāļđ (āļĄāļēāļ) āļ‚āļ­āļ‡āļāļĨāļļāđˆāļĄ LVMH āđƒāļ™āļ­āļēāļ„āļēāļĢāļ‚āļ­āļ‡āļŦāđ‰āļēāļ‡āļŠāļĢāļĢāļžāļŠāļīāļ™āļ„āđ‰āļē La Samaritaine āļĢāļīāļĄāđāļĄāđˆāļ™āđ‰āļģSaine āđāļĨāļ° Saint James Paris āđ‚āļĢāļ‡āđāļĢ

Sample Nyonya delights in Pattaya this Songkran

Sample Nyonya delights in Pattaya this Songkran

If you’re in Pattaya for the Songkran break and feel like eating something beyond yum and tum, Andaz Pattaya is hosting a limited-time Nyonya food festival where you can sample the truest tastes of Singapore and Malaysia. From Songkran until the end of April, Andaz Pattaya’s Wok Wok will be taken over by chefs from Andaz Singapore’s acclaimed restaurants. The special menu will feature Strait cuisine favorites such as bak kut teh, laksa Singapura, Nyonya chicken rice, and beef rendang. End your meal with Peranakan sweets such as tang yuan and chendol. Andaz Pattaya Jomtien BeachRojak Call 038 221234 to book.

āļ›āļĢāļ°āļāļēāļĻ ‘āļˆāļąāļ‡āļŦāļ§āļąāļ”āđƒāļŦāļĄāđˆâ€™ āđƒāļ™āļĄāļīāļŠāļĨāļīāļ™āđ„āļāļ”āđŒ āļŦāļĄāļēāļĒāļ–āļķāļ‡āļ­āļ°āđ„āļĢ?

āļ›āļĢāļ°āļāļēāļĻ ‘āļˆāļąāļ‡āļŦāļ§āļąāļ”āđƒāļŦāļĄāđˆâ€™ āđƒāļ™āļĄāļīāļŠāļĨāļīāļ™āđ„āļāļ”āđŒ āļŦāļĄāļēāļĒāļ–āļķāļ‡āļ­āļ°āđ„āļĢ?

āđ€āļĄāļ·āđˆāļ­āđ€āļŠāđ‰āļēāļ™āļĩāđ‰ (3 āđ€āļĄ.āļĒ. 2567) āļĄāļīāļŠāļĨāļīāļ™ āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒ āļ›āļĢāļ°āļāļēāļĻāđ€āļ›āļīāļ”āļ•āļąāļ§āļˆāļąāļ‡āļŦāļ§āļąāļ”āđƒāļŦāļĄāđˆāļ—āļĩāđˆāļˆāļ°āļ–āļđāļāļĢāļ§āļĄāđ€āļ‚āđ‰āļēāļĄāļēāļ­āļĒāļđāđˆāđƒāļ™ Michelin Guide Thailand 2025 āļ—āļĩāđˆāļˆāļ°āđ€āļ›āļīāļ”āļ•āļąāļ§āđƒāļ™āļŠāđˆāļ§āļ‡āļ›āļĨāļēāļĒāļ›āļĩāļ™āļĩāđ‰ āļ™āļąāđˆāļ™āļ„āļ·āļ­ āļŠāļĨāļšāļļāļĢāļĩ āļŦāļąāļ§āđ€āļĄāļ·āļ­āļ‡āļ‚āļ­āļ‡āļ­āļĢāđˆāļ­āļĒāļ āļēāļ„āļ•āļ°āļ§āļąāļ™āļ­āļ­āļāļ—āļĩāđˆāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļžāļīāļāļąāļ”āļŦāļĨāļąāļāļ–āļąāļ”āļˆāļēāļ āļāļĢāļļāļ‡āđ€āļ—āļžāļŊ, āļ āļđāđ€āļāđ‡āļ•-āļžāļąāļ‡āļ‡āļē, āđ€āļŠāļĩāļĒāļ‡āđƒāļŦāļĄāđˆ, āļ­āļĒāļļāļ˜āļĒāļē, āļ āļēāļ„āļ­āļĩāļŠāļēāļ™ 4 āļˆāļąāļ‡āļŦāļ§āļąāļ” āđāļĨāļ° āđ€āļāļēāļ°āļŠāļĄāļļāļĒ-āļŠāļļāļĢāļēāļĐāļŽāļĢāđŒāļ˜āļēāļ™āļĩ āđāļ™āđˆāļ™āļ­āļ™āļ§āđˆāļēāļ—āļģāđ€āļ­āļēāļŸāļđāđ‰āļ”āļ”āļĩāđ‰ āđāļĨāļ°āļŠāļēāļ§āļŠāļĨāļšāļļāļĢāļĩ āļ•āļ·āđˆāļ™āđ€āļ•āđ‰āļ™āļāļąāļ™āđ„āļ›āđ€āļĢāļĩāļĒāļšāļĢāđ‰āļ­āļĒ āđāļ•āđˆāļŠāļģāļŦāļĢāļąāļšāļ„āļ™āļ—āļĩāđˆāđ„āļĄāđˆāđ„āļ”āđ‰āļ­āļĒāļđāđˆāđƒāļ™āļ§āļ‡āļāļēāļĢāļ­āļēāļŦāļēāļĢāđāļĨāļ°āļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§ āļ­āļēāļˆāļˆāļ°āļ•āļąāđ‰āļ‡āļ„āļģāļ–āļēāļĄāļāļąāļ™āļ­āļĒāļđāđˆāđƒāļ™āđƒāļˆ āļ§āđˆāļēāļ—āļģāđ„āļĄāļ•āđ‰āļ­āļ‡āļĄāļĩāļāļēāļĢāđ€āļžāļīāđˆāļĄāļˆāļąāļ‡āļŦāļ§āļąāļ”āđƒāļŦāļĄāđˆāļĨāđˆāļ°? āđ„āļĄāđˆāđ„āļ”āđ‰āļžāļīāļˆāļēāļĢāļ“āļēāļĢāļ§āļĄāļ—āļąāđ‰āļ‡āļ›āļĢāļ°āđ€āļ—āļĻāļ­āļĒāļđāđˆāđāļĨāđ‰āļ§āļŦāļĢāļ­? āđāļĨāļ°āļāļēāļĢāđ€āļžāļīāđˆāļĄāļˆāļąāļ‡āļŦāļ§āļąāļ”āđƒāļŦāļĄāđˆāļ™āļĩāđ‰āļĄāļĩāļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ­āļĒāđˆāļēāļ‡āđ„āļĢāļŠāļģāļŦāļĢāļąāļšāđ€āļ‚āļē?  āļˆāļ°āļ—āļģāļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāđƒāļˆāđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļĩāđ‰āļ•āđ‰āļ­āļ‡āļĒāđ‰āļ­āļ™āļāļĨāļąāļšāđ„āļ›āļ—āļģāļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāđƒāļˆāļāļēāļĢāļ„āļąāļ”āļŠāļĢāļĢāđāļĨāļ°āđƒāļŦāđ‰āļĢāļēāļ‡āļ§āļąāļĨāļĢāđ‰āļēāļ™āļ­āļēāļŦāļēāļĢāļ‚āļ­āļ‡āļĄāļīāļŠāļĨāļīāļ™āđ„āļāļ”āđŒāļāļąāļ™āļāđˆāļ­āļ™ āļĢāđ‰āļēāļ™āļ­āļēāļŦāļēāļĢāļ—āļąāđ‰āļ‡āļŦāļĄāļ”āđƒāļ™ Michelin Guide āđ„āļĄāđˆāļ§āđˆāļēāđ€āļ­āļ”āļīāļŠāļąāļ™āđ„āļŦāļ™ āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđ‚āļ”āļĒāļ—āļĩāļĄāļœāļđāđ‰āļ•āļĢāļ§āļˆāļŠāļ­āļš (inspector) āļ—āļĩāđˆāđ€āļ›āđ‡āļ™ ‘āļžāļ™āļąāļāļ‡āļēāļ™āļ›āļĢāļ°āļˆāļģ’ āļ‚āļ­āļ‡āļĄāļīāļŠāļĨāļīāļ™ āļ‹āļķāđˆāļ‡āļˆāļ°āļ•āđ‰āļ­āļ‡āđ€āļ”āļīāļ™āļ—āļēāļ‡āđ„āļ›āļŠāļīāļĄāļĢāđ‰āļēāļ™āļ­āļēāļŦāļēāļĢāļ•āđˆāļēāļ‡āđ† āļˆāļĢāļīāļ‡āđ† āđ€āļžāļ·āđˆāļ­āļ›āļĢāļ°āđ€āļĄāļīāļ™āđāļ•āđˆāļĨāļ°āļĢāđ‰āļēāļ™āđƒāļ™ 5 āļŦāļąāļ§āļ‚āđ‰āļ­ āļ„āļ·āļ­ (1) āļ„āļļāļ“āļ āļēāļžāļ‚āļ­āļ‡āļ§āļąāļ•āļ–āļļāļ”āļīāļšāļ—āļĩāđˆāđƒāļŠāđ‰ (2) āļ„āļ§āļēāļĄāđ‚āļ”āļ”āđ€āļ”āđˆāļ™āļ‚āļ­āļ‡āļĢāļŠāļŠāļēāļ•āļīāđāļĨāļ°āđ€āļ—āļ„āļ™āļīāļ„āļāļēāļĢāļ—āļģāļ­āļēāļŦāļēāļĢ (3) āđ€āļ­āļāļĨāļąāļāļĐāļ“āđŒāđ€āļ‰āļžāļēāļ°āļ•āļąāļ§āļ‚āļ­āļ‡āđ€āļŠāļŸāļ—āļĩāđˆāļŠāļ°āļ—āđ‰āļ­āļ™āļ­āļ­āļāļĄāļēāđƒāļ™āļ­āļēāļŦāļēāļĢāđāļĨāļ°āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāđƒāļ™āļĄāļ·āđ‰āļ­āļ™āļąāđ‰āļ™ (4) āļ„āļ§āļēāļĄāļ„āļļāđ‰āļĄāļ„āđˆāļēāļŠāļĄāļĢāļēāļ„āļē āđāļĨāļ° (5) āļ„āļ§āļēāļĄāļŠāļĄāđˆāļģāđ€āļŠāļĄāļ­ – āļ‹āļķāđˆāļ‡āļ‚āđ‰āļ­āļŠāļļāļ”āļ—āđ‰āļēāļĒāļ™āļĩāđ‰āļŦāļĄāļēāļĒāļ–āļķāļ‡ inspector āļˆāļ°āļ•āđ‰āļ­āļ‡āļŠāļīāļĄāļ­āļēāļŦāļēāļĢāļĢāđ‰āļēāļ™āđ€āļ”āļīāļĄāļĄāļēāļāļāļ§āđˆāļē 1 āļ„āļĢāļąāđ‰āļ‡ āļ‡āđˆāļēāļĒāđ† āļ„āļ·āļ­ āļĢāđ‰āļēāļ™āļˆāļ°āļĄāļēāļāđāļ„āđˆāđ„āļŦāļ™ āļˆāļ°āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļˆāđƒāļŦāļāđˆāđāļ„āđˆāđ„āļŦāļ™ āļāđ‡āļ•āđ‰āļ­āļ‡āđ€āļ›āđ‡āļ™āļ—āļĩāļĄ inspector āļ™āļĩāđˆāđāļŦāļĨāļ°āļ—āļĩāđˆāđ„āļ› āļ”āļąāļ‡āļ™āļąāđ‰āļ™āļāļēāļĢāđ€āļ›āļīāļ”āļ•āļąāļ§ Michelin Guide āđāļ•āđˆāļĨāļ°āđ€āļ­āļ”āļīāļŠāļąāļ™āļˆāļķāļ‡āļĄāļąāļāļˆāļ°āļĄāļĩāļāļēāļĢāļĢāļ°āļšāļļāļ‚āļ­āļšāđ€āļ‚āļ•āļžāļ·āđ‰āļ™āļ—āļĩāđˆāđ„āļ§āđ‰āđ€āļŠāļĄāļ­ āđ€āļžāļ·āđˆāļ­āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āđ„āļ›āđ„āļ”āđ‰āļˆāļĢāļīāļ‡āđƒāļ™āļāļēāļĢāļ›āļāļīāļšāļąāļ•āļīāļāļēāļĢāđƒāļ™āļŠāđˆāļ§āļ‡āđāļĢāļ āđ€āļŠāđˆāļ™ āļ–āđ‰āļēāļˆāļģāļāļąāļ™āđ„āļ”āđ‰ āļ•āļ­āļ™āļ—āļĩāđˆāļĄāļīāļŠāļĨāļīāļ™āđ€āļ›āļīāļ”āļ•āļąāļ§āļ„āļĢāļąāđ‰āļ‡āđāļĢāļāđƒāļ™āđ„āļ—āļĒāđ€āļĄāļ·āđˆāļ­āļ›āļĩ 2018 āļ™āļąāđ‰āļ™āļĄāļēāđƒāļ™āļŠāļ·āđˆāļ­ Michelin Guide Bangkok āļœāļđāđ‰āļ•āļĢāļ§āļˆāļŠāļ­āļšāļāđ‡āļˆāļ°āđ‚āļŸāļāļąāļŠāļāļąāļšāļāļēāļĢāļ„āļąāļ”āļŠāļĢāļĢāđ€āļ‰āļžāļēāļ°āļĢāđ‰āļēāļ™āđƒāļ™āđ€āļ‚āļ•āđ€āļĄāļ·āļ­āļ‡āļŦāļĨāļ§āļ‡

āļŠāļĢāļļāļ›āļĢāļēāļ‡āļ§āļąāļĨāļĢāđ‰āļēāļ™āļ­āļēāļŦāļēāļĢāļ—āļĩāđˆāļ”āļĩāļ—āļĩāđˆāļŠāļļāļ”āđƒāļ™āđ€āļ­āđ€āļŠāļĩāļĒ Asia’s 50 Best Restaurants 2024

āļŠāļĢāļļāļ›āļĢāļēāļ‡āļ§āļąāļĨāļĢāđ‰āļēāļ™āļ­āļēāļŦāļēāļĢāļ—āļĩāđˆāļ”āļĩāļ—āļĩāđˆāļŠāļļāļ”āđƒāļ™āđ€āļ­āđ€āļŠāļĩāļĒ Asia’s 50 Best Restaurants 2024

āļĢāļēāļĒāļ‡āļēāļ™āļ•āļĢāļ‡āļˆāļēāļāđ‚āļ‹āļĨ: āļ‡āļēāļ™āļ›āļĢāļ°āļāļēāļĻāļĢāļēāļ‡āļ§āļąāļĨāļĢāđ‰āļēāļ™āļ­āļēāļŦāļēāļĢāļ—āļĩāđˆāļ”āļĩāļ—āļĩāđˆāļŠāļļāļ”āđƒāļ™āđ€āļ­āđ€āļŠāļĩāļĒāļ›āļĢāļ°āļˆāļģāļ›āļĩ 2024 āļĢāđ‰āļēāļ™āļ­āļēāļŦāļēāļĢāļ—āļĩāđˆāļ”āļĩāļ—āļĩāđˆāļŠāļļāļ”āđƒāļ™āđ€āļ­āđ€āļŠāļĩāļĒāļ›āļĢāļ°āļˆāļģāļ›āļĩāļ™āļĩāđ‰āļ„āļ·āļ­ SÃĐzanne āļˆāļēāļāđ‚āļ•āđ€āļāļĩāļĒāļ§ āļ‚āļķāđ‰āļ™āļˆāļēāļāļ­āļąāļ™āļ”āļąāļšāļ—āļĩāđˆ 2 āđƒāļ™āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ āļŠāđˆāļ§āļ™āļĢāđ‰āļēāļ™āļ­āļēāļŦāļēāļĢāļˆāļēāļāđ„āļ—āļĒāļ—āļĩāđˆāļ­āļąāļ™āļ”āļąāļšāļŠāļđāļ‡āļŠāļļāļ”āļ„āļ·āļ­ Gaggan Anand āļ‚āļ­āļ‡āđ€āļŠāļŸāļāļēāļāļąāļ™āļ—āļĩāđˆāļžāļļāđˆāļ‡āļ—āļ°āļĒāļēāļĒāļŠāļđāđˆāļ­āļąāļ™āļ”āļąāļš 3 āđƒāļ™āļ‚āļ“āļ°āļ—āļĩāđˆ Ledu āļĢāđ‰āļēāļ™āļ­āļēāļŦāļēāļĢāļ­āļąāļ™āļ”āļąāļšāļŦāļ™āļķāđˆāļ‡āđƒāļ™āļ›āļĩāļ—āļĩāđˆāđāļĨāđ‰āļ§ āđāļĨāļ°āđ€āļžāļīāđˆāļ‡āļĢāļĩāđ‚āļ™āđ€āļ§āļ•āļĢāđ‰āļēāļ™āđƒāļŦāļĄāđˆāļ„āļĢāļšāļĢāļ­āļš 10 āļ›āļĩ āļ•āļāļĄāļēāļ­āļĒāļđāđˆāļ—āļĩāđˆāļ­āļąāļ™āļ”āļąāļšāļ—āļĩāđˆ 12 āđƒāļ™āļ›āļĩāļ™āļĩāđ‰ āļĢāđ‰āļēāļ™āļ­āļēāļŦāļēāļĢāļˆāļēāļāđ„āļ—āļĒāļ—āļĩāđˆāļ•āļīāļ”āļ­āļąāļ™āļ”āļąāļšāđƒāļ™āļ›āļĩāļ™āļĩāđ‰āđ„āļ”āđ‰āđāļāđˆ SÞhring āđƒāļ™āļ­āļąāļ™āļ”āļąāļš 7, āļĻāļĢāļ“āđŒ āļ­āļĒāļđāđˆāļ—āļĩāđˆāļ­āļąāļ™āļ”āļąāļšāļ—āļĩāđˆ 11 (āđāļĨāļ°āđ€āļŠāļŸāđ„āļ­āļ‹āđŒāļšāļ­āļāđ€āļĢāļēāļ§āđˆāļēāļ‡āļēāļ™āļĢāļĩāđ‚āļ™āđ€āļ§āļ•āļĢāđ‰āļēāļ™āđƒāļāļĨāđ‰āđ€āļŠāļĢāđ‡āļˆāđāļĨāļ°āļˆāļ°āļāļĨāļąāļšāļĄāļēāđ€āļ›āļīāļ”āđƒāļŦāļĄāđˆāđ„āļ”āđ‰āđƒāļ™āđ€āļ”āļ·āļ­āļ™āļŠāļ­āļ‡āđ€āļ”āļ·āļ­āļ™āļ™āļĩāđ‰), Potong āļ‚āļ­āļ‡āđ€āļŠāļŸāđāļžāļĄāļ­āļĒāļđāđˆāļ—āļĩāđˆāļ­āļąāļ™āļ”āļąāļš 17, āļŠāļģāļĢāļąāļšāļŠāļģāļŦāļĢāļąāļšāđ„āļ—āļĒ āļ—āļĩāđˆāļ­āļąāļ™āļ”āļąāļšāļ—āļĩāđˆ 29 āđāļĨāļ°āļšāđ‰āļēāļ™āđ€āļ—āļžāļē āļ‚āļ­āļ‡āļ•āļēāļĄ-āļŠāļļāļ”āļēāļĢāļĩ āļ›āļīāļ”āļ—āļĩāļĄāđ„āļ—āļĒāđāļĨāļ™āļ”āđŒ 50 āļ­āļąāļ™āļ”āļąāļšāđāļĢāļāļ—āļĩāđˆ āļ­āļąāļ™āļ”āļąāļš 42 āļ™āļ­āļāļˆāļēāļāļ™āļąāđ‰āļ™ āđ€āļŠāļŸāđāļžāļĄ-āļžāļīāļŠāļāļē āļĒāļąāļ‡āđ„āļ”āđ‰āļĢāļąāļšāļĢāļēāļ‡āļ§āļąāļĨ Asia’s Best Female Chef āļ›āļĢāļ°āļˆāļģāļ›āļĩāļ™āļĩāđ‰ āļŠāđˆāļ§āļ™āļĢāđ‰āļēāļ™ Haoma āļ‚āļ­āļ‡āđ€āļŠāļŸ Deepanker Khosla āđ„āļ”āđ‰āļĢāļąāļšāļĢāļēāļ‡āļ§āļąāļĨ Sustainable Restaurant — āļ‹āļķāđˆāļ‡āļŠāļĄāļĄāļ‡āđ€āļžāļĢāļēāļ°āđ€āļ‚āļēāļĒāļąāļ‡āļ„āļĢāļ­āļ‡āļ”āļēāļ§āđ€āļ‚āļĩāļĒāļ§ Michelin Green Star āļ”āļēāļ§āļĄāļīāļŠāļĨāļīāļ™āļ‹āļķāđˆāļ‡āđƒāļŦāđ‰āļāļąāļšāļĢāđ‰āļēāļ™āļ—āļĩāđˆāđ‚āļŸāļāļąāļŠāđ€āļĢāļ·āđˆāļ­āļ‡āļ„āļ§āļēāļĄāļĒāļąāđˆāļ‡āļĒāļ·āļ™āļ­āļĒāļđāđˆāļ”āđ‰āļ§āļĒāđ€āļŠāđˆāļ™āļāļąāļ™ Photograph: Top KoaysomboonAsia’s 50 Best Restaurants 2024 āđ‚āļ”āļĒāļĢāđ‰āļēāļ™āļ—āļąāđ‰āļ‡ 50 āļ­āļąāļ™āļ”āļąāļšāđ„āļ”āđ‰āđāļāđˆ SÃĐzanne, Tokyo Florilege, Tokyo Gaggan, Bangkok The Chairman, Hong Kong Wing, Hong Kong (hghest climber) Nusara, Bangkok SÞhring, Bangkok Den, Tokyo La Cime, Osaka Odette, Singapore Sorn, Bangkok Ledu, Bangkok Mingles, Seoul Narisawa, Tokyo Burnt Ends, Singapore Neigborhood, Hong Kong Potong, Bangkok 7th Door, Seoul Fu He Hui, Shanghai Euphoria, Singapore Onjium, Seoul Logy, Taipei Masque, Mumbai Toyo Eatery, Manila Born, Singapore Indian Accent, New Delhi Mono, Hong K

Asia’s 50 Best Restaurants 2024: 8 Bangkok restaurants made the list

Asia’s 50 Best Restaurants 2024: 8 Bangkok restaurants made the list

Chefs and restaurateurs from across Asia have gathered in Seoul for the much-awaited announcement of Asia’s 5O best restaurants for the year. This is the first time the awards event is being hosted in South Korea’s capital city. Time Out Bangkok is onsite, joining media from all over the world, to report live from the InterContinental Seoul.  Topping the list is Sezanne in Tokyo, coming up from No. 2 last year. Tokyo’s Florilege is in 2nd spot. The highest-placed restaurant from Thailand this year is Gaggan Anand at no. 3! It is joined by other Thailand-based restaurants such as Nusara (No. 6), SÞhring (No. 7) and Sorn (No. 11). Photograph: Top KoaysomboonAsia’s 50 Best Restaurants 2024 Asia’s 50 Best Restaurants is one of the region’s most respected restaurant-recognition bodies. The awards are calculated from votes by the academy, which comprises chefs, restaurateurs, insiders, and food media. Each get to vote for 10 venues, at least six from their base country. You can only vote for a venue that you’ve been to within the past 12 months and you can’t vote for your own venue. Here’s the complete list of 50 winning restaurants: 1. SÃĐzanne, Tokyo2. FlorilÃĻge, Tokyo3. Gaggan Anand, Bangkok4. The Chairman, Hong Kong5. Wing, Hong Kong (hghest climber)6. Nusara, Bangkok7. SÞhring, Bangkok8. Den, Tokyo9. La Cime, Osaka10. Odette, Singapore11. Sorn, Bangkok12. Ledu, Bangkok13. Mingles, Seoul14. Narisawa, Tokyo15. Burnt Ends, Singapore16. Neigborhood, Hong Kong17. Potong, Bangkok1

Brave the heights: 4 new sky-high dining and drinking venues have just opened on the 55th floor of Empire Tower in Sathorn

Brave the heights: 4 new sky-high dining and drinking venues have just opened on the 55th floor of Empire Tower in Sathorn

Those who are keeping an eye on the renovation of Empire Tower’s top floors may like to know that the building has just unveiled the first zone of a massive dining complex called EA Rooftop.   The casual dining zone on the 55th floor is called EA Gallery (pronounced “ay-ya”) and is home to four outlets, including the world’s highest %Arabica, the Kyoto-born coffee shop famous for its fine beans, lattes, and minimalist white decor. (Fun fact: It’s not Thailand’s highest cafÃĐ. That recognition goes to Other Cafe on the 76th floor of King Power Mahanakhon.) Photo: Tanisorn Vongsoonton%Arabica at EA Gallery You also have Qraft, a restaurant spin-off of famed green tea parlor Peace Oriental Tea House, which is now Thailand’s highest-located brunch restaurant. The spot serves breakfast and brunch plates, paired with a selection of teas as well as Japanese-influenced sweets, during the day and then turns into an izakaya restaurant once the sun sets.  Photo: Tanisorn VongsoontonQraft at EA Gallery Photo: Tanisorn VongsoontonQraft at EA Gallery The third option is Thailand’s highest Korean restaurant Onggi, which incorporates local chemical-free Thai ingredients into traditional Korean culinary culture and recipes. Right now, only a set menu comprising several small dishes (B3,950 per person) is served.   Photo: Tanisorn VongsoontonOnggi Photo: Tanisorn VongsoontonOnggi Rounding up the dine-and-drink options at EA Gallery is Invitation Only, a picturesque burgundy-hued venu

Just opened: What we know so far about One Bangkok, the new massive mixed-use development in Lumphini

Just opened: What we know so far about One Bangkok, the new massive mixed-use development in Lumphini

One Bangkok, Thailand’s largest and—so far—priciest urban development project, has finally opened some of its areas to the public after seven years of construction.  Taking over the 41-acre area in the heart of Bangkok, where Suanlum Night Bazaar once stood, One Bangkok will be home to five mixed-use buildings, three residential buildings, and five hotels, including Bangkok’s first Ritz-Carlton and Andaz. Right now, however, only two office buildings have opened; the rest will follow in Q4 of this year.  One BangkokParade at One Bangkok To the delight of Bangkok’s shopping-obsessed, One Bangkok will also house three “interconnected” shopping centers and zones spanning 160,000 square meters. Each of the retail hubs—Parade, The Storeys, and Post 1928—will look over Rama IV. Parade will be a nine-floor lifestyle mall catering to both your necessities and whims, while the five-floor The Storeys will steer towards trendy fashion and pop culture. One BangkokThe Storeys at One Bangkok Post 1928 will be the most luxurious one, promising a row of top international luxury brands on what will be Thailand’s first “outdoor shopping street.” Restaurants and cafes will be nestled in all the malls, although the names of key tenants have yet to be revealed.  One BangkokPost 1928 at One Bangkok One Bangkok will also feature a total of 19-acre green spaces hugging these LEED-certified buildings. The complex will also be connected to the Lumphini MRT station via a pedestrian underpass and

‘āļšāļĢāļĢāļ—āļąāļ”āļ—āļ­āļ‡â€™ āļ•āļīāļ”āļ­āļąāļ™āļ”āļąāļš 14 āļ–āļ™āļ™āļ—āļĩāđˆ ‘āļ„āļđāļĨ’ āļ—āļĩāđˆāļŠāļļāļ”āđƒāļ™āđ‚āļĨāļāļ›āļĢāļ°āļˆāļģāļ›āļĩ 2024

‘āļšāļĢāļĢāļ—āļąāļ”āļ—āļ­āļ‡â€™ āļ•āļīāļ”āļ­āļąāļ™āļ”āļąāļš 14 āļ–āļ™āļ™āļ—āļĩāđˆ ‘āļ„āļđāļĨ’ āļ—āļĩāđˆāļŠāļļāļ”āđƒāļ™āđ‚āļĨāļāļ›āļĢāļ°āļˆāļģāļ›āļĩ 2024

‘āļšāļĢāļĢāļ—āļąāļ”āļ—āļ­āļ‡â€™ āļ•āļīāļ”āļ­āļąāļ™āļ”āļąāļš 14 āļ–āļ™āļ™āļ—āļĩāđˆ ‘āļ„āļđāļĨ’ āļ—āļĩāđˆāļŠāļļāļ”āđƒāļ™āđ‚āļĨāļāļ›āļĢāļ°āļˆāļģāļ›āļĩ 2024 āļˆāļēāļ 30 āļ­āļąāļ™āļ”āļąāļš āđ‚āļŦāļ§āļ•āđāļĨāļ°āļ„āļąāļ”āđ€āļĨāļ·āļ­āļāđ‚āļ”āļĒāļāļ­āļ‡āļšāļĢāļĢāļ“āļēāļ˜āļīāļāļēāļĢ Time Out āļāļ§āđˆāļēāļĢāđ‰āļ­āļĒāđ€āļ­āļ”āļīāļŠāļąāļ™āļˆāļēāļāļ—āļąāđˆāļ§āđ‚āļĨāļ āļ–āļ™āļ™āļ—āļĩāđˆ ‘āļ„āļđāļĨ’ āļŦāļĢāļ·āļ­ Cool Street āļ‚āļ­āļ‡ Time Out āļ™āļąāđ‰āļ™ āļ„āļ·āļ­āļ–āļ™āļ™āļ—āļĩāđˆāļĄāļĩāļ„āļ§āļēāļĄāļŦāļĨāļēāļāļĨāļēāļĒāļ‚āļ­āļ‡āļĢāđ‰āļēāļ™āļ­āļēāļŦāļēāļĢ āļšāļēāļĢāđŒ āļĻāļīāļĨāļ›āļ° āđāļĨāļ°āļ˜āļļāļĢāļāļīāļˆāļ—āļĩāđˆāđ€āļ›āļīāļ”āđ‚āļ”āļĒāļ„āļ™āļ•āļąāļ§āđ€āļĨāđ‡āļ āļĄāļĩāļĢāļēāļ„āļēāđāļĨāļ°āļšāļĢāļĢāļĒāļēāļāļēāļĻāļ—āļĩāđˆāļ—āļļāļāļ„āļ™āđ€āļ‚āđ‰āļēāļ–āļķāļ‡āđ„āļ”āđ‰ āļ–āļ™āļ™āđ€āļ”āļīāļ™āđ„āļ”āđ‰ āļĄāļĩāļ„āļ§āļēāļĄāļ„āļķāļāļ„āļąāļāļ‚āļ­āļ‡āļœāļđāđ‰āļ„āļ™ āđāļĨāļ°āļĄāļĩāļžāļ·āđ‰āļ™āļ—āļĩāđˆāđƒāļŦāđ‰āļāļąāļšāļ•āđ‰āļ™āđ„āļĄāđ‰āđāļĨāļ°āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļŠāļĩāđ€āļ‚āļĩāļĒāļ§Â  āđ‚āļ”āļĒāļ­āļąāļ™āļ”āļąāļš 1 āđƒāļ™āļ›āļĩāļ™āļĩāđ‰āļ„āļ·āļ­ High Street āļ—āļĩāđˆāđ€āļĄāļĨāđ€āļšāļīāļĢāđŒāļ™ āļ­āļ­āļŠāđ€āļ•āļĢāđ€āļĨāļĩāļĒ āļĒāđˆāļēāļ™āļŠāļēāļ™āđ€āļĄāļ·āļ­āļ‡āļ—āļĩāđˆāļ„āļķāļāļ„āļąāļāļˆāļēāļāļĢāđ‰āļēāļ™āļ­āļēāļŦāļēāļĢāđāļĨāļ°āļšāļēāļĢāđŒāļ—āļąāđ‰āļ‡āđ€āļāđˆāļēāđƒāļŦāļĄāđˆ āđ„āļ§āļšāđŒāđ€āļ‚āđ‰āļēāļ–āļķāļ‡āļ‡āđˆāļēāļĒ āđāļĨāļ°āļ­āļĩāđ€āļ§āļ™āļ•āđŒāļ”āļ™āļ•āļĢāļĩāļ—āļĩāđˆāļˆāļąāļ”āļ­āļĒāđˆāļēāļ‡āļ•āđˆāļ­āđ€āļ™āļ·āđˆāļ­āļ‡ āļ­āļąāļ™āļ”āļąāļš 2 āđāļĨāļ°āđ€āļ›āđ‡āļ™āļ­āļąāļ™āļ”āļąāļšāļ—āļĩāđˆāļŠāļđāļ‡āļ—āļĩāđˆāļŠāļļāļ”āļ‚āļ­āļ‡āđ€āļ­āđ€āļŠāļĩāļĒ āļ„āļ·āļ­ Hollywood Street āļ—āļĩāđˆāļŪāđˆāļ­āļ‡āļāļ‡ āļ—āļĩāđˆāļĄāļĩāļŠāđ€āļŠāļ™āđˆāļŦāđŒāļ—āļĩāđˆāđ€āļāļīāļ”āļˆāļēāļāļāļēāļĢāļ­āļĒāļđāđˆāļĢāđˆāļ§āļĄāļāļąāļ™āļ‚āļ­āļ‡āļĻāļēāļĨāđ€āļˆāđ‰āļēāđ€āļāđˆāļē āđāļĨāļ°āļ„āļĢāļĩāđ€āļ­āļ—āļĩāļŸāļŠāđ€āļ›āļ‹āđƒāļŦāļĄāđˆāļˆāļēāļāļ•āļķāļāđ€āļāđˆāļē āđ€āļŠāđˆāļ™ Tai Kwun āđāļĨāļ° PMQ āļŠāđˆāļ§āļ™āļ–āļ™āļ™āļšāļĢāļĢāļ—āļąāļ”āļ—āļ­āļ‡āļ‚āļ­āļ‡āļāļĢāļļāļ‡āđ€āļ—āļžāļŊ āļ™āļąāđ‰āļ™āļ­āļĒāļđāđˆāđƒāļ™āļ­āļąāļ™āļ”āļąāļšāļ—āļĩāđˆ 14 Photograph: Tanisorn VongsoontonJeh Sri āđāļ•āđˆāļŸāļąāļ‡āļāđˆāļ­āļ™āļ­āļēāļ™āļ™āļ—āđŒ āļāđˆāļ­āļ™āļˆāļ°āđ€āļĨāļīāļāļ„āļīāđ‰āļ§āļ§āđˆāļēāļšāļĢāļĢāļ—āļąāļ”āļ—āļ­āļ‡āļ„āļđāļĨāđāļšāļšāđƒāļ” āļ•āđ‰āļ­āļ‡āļĒāļ­āļĄāļĢāļąāļšāļāđˆāļ­āļ™āļ§āđˆāļēāļšāļĢāļĢāļ—āļąāļ”āļ—āļ­āļ‡āļ™āļąāđ‰āļ™āļ‰āđˆāļģāđƒāļˆāļˆāļĢāļīāļ‡āđƒāļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļ­āļēāļŦāļēāļĢāļāļēāļĢāļāļīāļ™ āđ„āļĄāđˆāļ§āđˆāļēāļˆāļ°āđ€āļ›āđ‡āļ™āļĢāđ‰āļēāļ™āļ—āļĩāđˆāļ­āļĒāļđāđˆāļĄāļēāļ™āļēāļ™āļ­āļĒāđˆāļēāļ‡ āđ€āļˆāđŠāđ‚āļ­āļ§ āđ€āļˆāđŠāļ§āļĢāļĢāļ“ āđ€āļˆāđŠāļĻāļĢāļĩ āđ„āļ›āļˆāļ™āļ–āļķāļ‡āļĢāđ‰āļēāļ™āđƒāļŦāļĄāđˆāđāļšāļš āļŦāļ™āļķāđˆāļ‡āļ™āļĄāļ™āļąāļ§ āļŦāļĢāļ·āļ­āļŪāļ­āļ•āļžāļ­āļ•āļ•āđˆāļēāļ‡āđ† – āđ€āļĢāļĩāļĒāļāļ§āđˆāļēāļ„āļ§āļēāļĄāļĄāļąāđˆāļ™āļ„āļ‡āļ—āļēāļ‡āļ­āļēāļŦāļēāļĢāļŠāļđāļ‡āļĄāļēāļ āđ€āļŦāļ•āļļāļœāļĨāļˆāļĢāļīāļ‡āđ† āļ—āļĩāđˆāđ€āļĢāļēāļ§āđˆāļēāļšāļĢāļĢāļ—āļąāļ”āļ—āļ­āļ‡ ‘āļ„āļđāļĨ’ āļ‚āļķāđ‰āļ™āđāļĨāļ°āļ™āđˆāļēāļŠāļ™āđƒāļˆāļ‚āļķāđ‰āļ™ āļ„āļ·āļ­ āļŠāļīāđˆāļ‡āđƒāļŦāļĄāđˆāđ† āļ—āļĩāđˆāđ€āļ›āļīāļ”āļ‚āļķāđ‰āļ™āđāļĨāļ°āđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒāđƒāļŦāđ‰āļšāļĢāļĢāļ—āļąāļ”āļ—āļ­āļ‡āđ€āļ›āđ‡āļ™āļĄāļēāļāļāļ§āđˆāļēāļ”āļ‡āļ­āļēāļŦāļēāļĢāļĒāļēāļĄāļ„āđˆāļģāđƒāļ™āļŠāđˆāļ§āļ‡āļŦāļĨāļąāļ‡āļ™āļĩāđ‰ āđ„āļĄāđˆāļ§āđˆāļēāļˆāļ°āđ€āļ›āđ‡āļ™āļ„āļēāđ€āļŸāđˆāđ€āļāđ‹āđ† āđāļāļĨāđ€āļĨāļ­āļĢāļĩāđāļĨāļ°āļ­āļēāļĢāđŒāļ•āļŠāđ€āļ›āļ‹āđƒāļŦāļĄāđˆāđ† āđ€āļŠāđˆāļ™ Slow Combo āļŦāļĢāļ·āļ­āđ‚āļĢāļ‡āđ€āļĢāļĩāļĒāļ™āļŠāļ­āļ™āļ—āļģāļ­āļēāļŦāļēāļĢ The Food School āļ—āļĩāđˆāļāļģāļĨāļąāļ‡āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ™āļīāļĒāļĄ āđāļĨāļ°āļ—āļĩāđˆāļŠāļģāļ„āļąāļāļ„āļ·āļ­āļšāļēāļĢāđŒāļĨāļąāļšāļŦāļĨāļąāļ‡āļ•āļđāđ‰āļ–āđˆāļēāļĒāļĢāļđāļ› Find the Photo Booth āļ—āļĩāđˆāļĒāđ‰āļēāļĒāļĄāļēāđ€āļ›āļīāļ”āļ—āļĩāđˆāļ™āļĩāđˆ – āđāļĨāļ°āļˆāļ°āļŠāđˆāļ§āļĒāļ—āļģāđƒāļŦāđ‰āđ„āļ§āļšāđŒāļ‚āļ­āļ‡āļ–āļ™āļ™āđ€āļŠāđ‰āļ™āļ™āļĩāđ‰āđ€āļ›āļĨāļĩāđˆāļĒāļ™āđ„āļ› āđāļĨāļ°āļŦāļĨāļēāļĒāļ„āļ™āļ­āļēāļˆāļˆāļ°āļĨāļ·āļĄāđ„āļ›āđāļĨāđ‰āļ§āļ§āđˆāļēāļšāļĢāļĢāļ—āļąāļ”āļ—āļ­āļ‡āļĄāļĩ āļŠāļ§āļ™āļˆāļļāļŽāļē