National Gallery Singapore

The fifth edition of Gallery Children’s Biennale, held until March 29, is made for the young ones – and the young at heart. Spread across the National Gallery Singapore, the exhibition features eight immersive, larger-than-life artworks created by local artists and beyond that are inspired by the theme, ‘Tomorrow We’ll Be…’. Combining art with imagination and play, each piece explores the boundless possibilities of the future, guided by the values of joy, kindness, dream and love. Look forward to an interactive, sensory artwork filled with colours and texture, a motion-responsive digital installation, and a whimsical playground made out of upcycled children’s clothing and over 400 donated toys. If you’re a parent with a newborn, you’re also in luck. For the first time ever, the Children’s Biennale also includes baby-friendly experiences so that even infants can discover and explore art in an environment that stimulates their auditory and visual senses safely. Complete the experience with the Gallery’s Art Pack, which includes additional arts and crafts activities such as a t-shirt upcycling kit. It is available for $8 at any of the Gallery’s vending machines.

Five women, over 50 artworks and one shared mission. This exhibition brings Southeast Asian artists Amanda Heng (Singapore), Dolorosa Sinaga (Indonesia), Imelda Cajipe-Endaya (Philippines), Nirmala Dutt (Malaysia) and Phaptawan Suwannakudt (Thailand) to display their work together in Singapore for the very first time. But more than just an art showcase, Fear No Power is a space to have a conversation about meaningful change and the artists’ decades-long commitment to it. Featuring photography, paintings, sculptures and performances that date all the way back to the 1960s, this multidisciplinary exhibition examines the concept of communal world-building across the region and what it means to forge a community. Every piece of work is an intimate and powerful reflection deeply rooted in care, collaboration and resistance.

These days, we’ve maybe taken Singapore’s multicultural society for granted – because have we actually ever thought about what it was like before this vision was established? This exhibition presented by Founder’s Memorial is a step back into a crucial time in Singapore’s history to chronicle the key moments between the ’50s and ’70s that defined and shaped the foundation of this nation into what it is today. Unpack, explore and learn from the honest dialogues shared by real-life citizens and political figures of that time to understand the dilemmas and tension that led to the momentous change. Showcased in the multimedia exhibition are archival photographs, artworks, illustrations and artefacts like the original letters between Ministers Ong Pang Boon and S. Rajaratnam on the National Pledge in 1966. There’s also a three-part audio play inspired by S. Rajaratnam’s “A Nation in the Making”. Not Mere Spectators culminates in present-day Singapore, where it encourages the audience to reflect and appreciate the nation’s multicultural journey, what it means to us, and how it needs to be upheld for the years to come.

In this larger-than-life artwork taking over the National Gallery’s Padang Atrium, contemporary Thai artist Navin Rawanchaikul captures the dynamic and passionate cultures and lives that make up the diverse Singaporean community. Following a year-long engagement with migrant workers, indigenous groups and faith organisations, the artist’s revelations and discoveries are translated into spectacular billboard paintings, video interviews and a travelogue that celebrates their vibrant stories and voices. The showcase is supported by an enriching two-part programme that highlights the people who have inspired the installation. Join in on fireside chats with the artist to explore behind the scenes and the empowering migrant stories. Singaporama Unfolded Part I centres on Kaugnay, an organisation for Filipina domestic workers, and its fabulous Trashion Show, while Part II traces the history of migration in Singapore. The latter presents a performance of a traditional Indian folk dance by Migrant Workers’ Centre (MWC) Ambassadors, alongside a discussion on identity, community and collaboration.