How did you pick the artists?
The four curators – Nigel Hurst [director and chief executive of the Saatchi Gallery in London], Honor Harger [executive director of ArtScience Museum], Tan Boon Hui [Group Director of Programmes at National Heritage Board] and myself – went through lots of portfolios. It’s an exhausting but very rewarding process! Nigel, Honor and Boon Hui all had their own opinions so there was plenty of debate. What we were really looking to do was showcase the depth and diversity of Singapore’s contemporary art scene, so we took each portfolio on its own merits without preconceiving any thematic structure.
Are the artworks new commissions or old works?
Like the rest of the exhibitions in the PrudentialEye programme, we select works by the artists that are already in existence, although that’s not to say that every work has been shown in public before. We discuss with the artists which works are best for the exhibition.
During the curatorial process, what surprised you most about the local arts scene?
The first thing that pleasantly surprised me was the conceptual confidence that the artists have. Many of them work across media in a way that is totally natural.
Tell us about the books accompanying each show.
They’re super important! And very close to my heart as I’ve edited or coedited them. They feature a wider selection of artists to contextualise them in the exhibition and spotlight a particular scene. I hope that they leave a legacy for future curators!