Hiroshi Sugimoto: Form is Emptiness
Renowned Japanese contemporary artist and photographer Hiroshi Sugimoto’s first major solo exhibition in Southeast Asia lands at Singapore Art Museum. Titled Form is Emptiness, a line drawn from foundational Buddhist text, the exhibition features over 60 works and fossils from his personal collection that outline five decades of artistic journey and expression.
Inspired by the concept of the Five Elements in Buddhist philosophy (earth, water, fire, air and space), the showcase unfolds in the shape of a mandala, inviting viewers to explore the works in a looping motion that feels continuous and seamless rather than linear. It also reflects the themes in Sugimoto’s works, which are marked by his curiosity and fascination with time and metaphysics. Beyond photography, the exhibition also dives into the expansion of the Tokyo-born artist’s photographic thinking, featuring his works in sculpture, large-scale installation, writing, and architectural design. Artwork highlights include the Brush Impression, Heart Sutra (2023), a magnificent curved wall with 288 gelatine silver calligraphy prints of Kanji characters, as well as U.A. Walker, New York (1978) and Tyrrhenian Sea, Scilla (1993), a series of black-and-white photographs of theatres and landscapes.