It doesn’t get any more SG50 than this. The LKY Musical has been one of the most talked-about plays of the year, and unsurprisingly so: it celebrates the life of one of our founding fathers, and it’s due to be staged right through the National Day festivities.
It’s risky to portray such an iconic man on stage, but on paper, the newly minted Metropolitan Productions’ inaugural performance sounds great. Everyone likes a success story, and this one is backed by a stellar cast and crew that include composer Dick Lee, lyricist Stephen Clark and librettist Tony Petito, with Adrian Pang starring as the titular character and Sharon Au as his wife, Kwa Geok Choo.
The show takes us from Lee Kuan Yew’s Raffles College days – when he sulked about his future wife, affectionately called ‘Choo’, beating him in the English and Economic exams – to Singapore’s independence. It unfolds against a minimalistic, effective set, crafted by London-based stage design company takis, that comprises a series of moving wooden panels onto which photos and newspaper headlines are projected.
Although the stories featured in the production are those we know well, it’s refreshing to see them told in a theatrical setting. Our main concern, however, lies in the way that they are told. Twenty-five years is a lot of ground to cover in two and a half hours, but rather than focus on a few key events in detail, the show hurtles through many. Chapters from the former prime minister’s life are only touched upon lightly. One scene cuts quickly to the next, and there’s nothing and no one to serve as an anchor. At times, it feels like we’re watching a dramatised version of Lee’s CV.