Free things to do in Tokyo this week

Asakusa's Kappabashi – the famed mecca for Tokyo chefs and homecooks looking to kit out their kitchens – is festooned with vibrantly coloured streamers and decorations during this annual summer festival. Though it runs from July 3 to 7, the best time to visit the Shitamachi Tanabata Matsuri is over the July 4-5 weekend, when local businesses put out stalls and hold parades and street performances. The street parade on July 4 will begin at 1.15pm near the Ueno Gakuen Junior and Senior High School, and slowly make its way through Kappabashi Main Street towards Asakusa. Expect to see a parade of local kindergarteners, police and primary school marching bands, plus special appearances by a local Morioka-Sansa traditional dance troupe and the Metropolitan Police's all-female motorcycle brigade. On Sunday July 5, Kappabashi will be hosting street performances of all sorts throughout the day, ranging from Sado-Okesa dances from Niigata to Awa-Odori dances from Tokushima.

Yasukuni Shrine’s annual Mitama Matsuri is one of Tokyo’s largest Obon festivals. First held in 1947, the festival is best known for its 30,000 lanterns: 10,000 large lanterns light the approach to the shrine while 20,000 smaller ones are set up at the inner shrine grounds. This year, the lanterns will be illuminated daily from dusk until 9.30pm between the days of July 13 and July 16. During this four-day festival, Yasukuni Shrine’s outer gardens will host a series of daily events, such as a noryo summer folk dancing festival around the bronze statue of Masujiro Omura (times unannounced for 2026) and a beautiful display of Sendai Tanabata ornaments. Plus, you’ll also find a congregation of food trucks selling street food throughout the festival period. Don’t miss the Awa Odori dance and taiko drumming performances on Monday July 13 at 7.30pm and 8.30pm, respectively. Arguably the highlights of the festivities, these performances are joined by the spectacular Nebuta float processions taking place on Thursday July 16 from 6.30pm. The event takes place from 5pm to 9.30pm daily.

Legend tells of the star-crossed lovers Orihime and Hikoboshi who, separated by the Milky Way, are only able to meet once a year on the night known as Tanabata. This festival is synonymous with colourful streamer decorations, wafts of romance, and a ritual in which people write wishes on strips of paper (tanzaku) and tie them to bamboo branches. Zojoji's version of the celebration features a beautiful candle light-up on Monday and Tuesday from 6pm to 9pm. Hundreds of washi paper lanterns are arranged in the shape of the Milky Way along the staircase that leads up to the temple’s main hall. Make sure to write down your wish for Tanabata on a colourful strip of paper, which you can get for ¥200 each. The temple priests will conduct a special ceremony at 5.30pm on July 7, where they’ll bless your wishes.  For this special occasion, Zojoji Temple is selling a beautiful Tanabata-themed omamori lucky charm (¥3,000). If you’d like to get your hands on one, we recommend buying yours in advance via the temple’s online shop, since quantities are limited. When you’re making the purchase, don’t forget to write your name in the column for additional notes, as the priests will read out your name at a special prayer on the night of July 7. The omamori will be shipped after the event (from July 8). For more information, see the event website.

The Tokyo Metropolitan Government No 1 Building in Shinjuku serves as the backdrop for a jaw-dropping and record-breaking projection mapping show. Covering an area of a whopping 13,905sqm, the after-dark spectacle has been certified by Guinness World Records as the largest permanent display of its kind in the world. The nightly showcase features a range of visual wonders created by a mix of local and international artists. Some shows are inspired by Tokyo’s rich history, while others draw on themes like the lunar cycle.  Currently, on weeknights, you can catch striking visuals synchronised to ‘800’ and 'Zankyosanka' by hit Japanese pop singer and lyricist Aimer as well as ‘Pac-Man eats Tokyo’, ‘Lunar Cycle’, ‘Synergy’, ‘Tokyo Resonance’ and ‘Evolution’. On weekends, you can look forward to the aforementioned ‘Zankyosanka (Aimer)’, as well as ‘Godzilla: Attack on Tokyo’ and ‘TYO337’, a display featuring motifs of traditional Japanese performing arts such as Kabuki paired with electronic beats.  From March 20, Pokémon Trading Card Game ‘Tokyo Luminous Night’, a brand-new projection-mapping show featuring Pokémon cards on a massive scale, has been running on weekends and holidays from 6.30pm, 7.30pm and 9pm. Be sure to check the event website for more details. Shows take place every night at fifteen-minute intervals from 6pm (Mar from 6.30pm, 7pm from Apr, 7.30pm from May to Aug) to 9.45pm. For more details and to check the full programme of daily projection mapping shows,...

From June 20 to July 20, the Tokyo Photographic Art Museum showcases the winning works from one of the world’s most prestigious international photography competitions. Since its launch in 2007, the Sony World Photography Awards has championed photographers at every stage of their careers, providing a global platform for both emerging talent and established practitioners while celebrating the diversity and vitality of contemporary photographic practice. This Tokyo presentation adopts the thematic concept developed for the exhibition’s debut at Somerset House in London. Visitors are invited to engage with the award-winning photographs through three interconnected narratives: Absence, which reflects on memory, loss and erasure; Humans in the Stories, focusing on the immediacy and complexity of lived experience; and Conflicted Territories, examining borders, divisions and the political and social tensions that shape today’s world. By placing the works in dialogue with one another, the exhibition encourages viewers to consider broader global issues through photography’s uniquely evocative visual language. A special highlight is a presentation of works by Joel Meyerowitz, recipient of the 2026 Outstanding Contribution to Photography award. Widely regarded as one of the pioneers of colour street photography, Meyerowitz has profoundly influenced the evolution of the medium through his luminous explorations of urban life, light and everyday experience. Displayed alongside this...

One of Tokyo's biggest annual festivals is celebrating its 75th edition this year. Held at its namesake park, Ueno Summer Festival is a month-long programme packed with a diverse array of traditional events, live performances and seasonal festivities. These include a traditional lantern-floating event on July 17 at 7pm, as well as Japanese taiko drum street performances on July 20 and 25 (from 1pm and 3pm) at Ueno Park’s Shinobazu Pond Bentendo Temple. That said, the festival offers more than just classic Japanese celebrations. The antique market, which will run every day from July 10 to August 11 (from 2pm to 8pm) at the gates of Shinobazu Pond Bentendo Temple, for instance, is a great place to look for small treasures and summer mementoes. For a picture-perfect spot to capture your summer memories, don’t miss the nearby Hasumi Deck lookout, adorned with more than 4,000 wind chimes that create a soothing summer soundtrack. As always, there will be plenty of food and drink stalls encircling Ueno Park's Shinobazu Pond (from 3pm to 9pm daily), selling popular street eats like yakisoba and kakigori shaved ice – a staple summer treat. Check the event website for the full programme (in Japanese only).

Window manufacturer YKK AP teams up with a number of prestigious Spanish institutions to highlight a small but crucial detail of Antoni Gaudí’s wide-ranging oeuvre. Zooming in on the role apertures played in the Catalan visionary’s singular architectural language, which was defined by organic forms, intricate ornament and a profound understanding of structure and light, ‘Windows on the Future’ forms part of a wider research initiative examining Gaudí’s creative methods. Organised to mark the centenary of Gaudí’s death, the exhibition at 21_21 Design Sight shares its concept with a more extensive presentation at Barcelona’s Palau Güell, a UNESCO World Heritage site, adapting it to the design-focused environment of Gallery 3. Through models, research materials and visual documentation, visitors are invited to explore Gaudí’s enduring ideas and consider how his inventive thinking may inspire the windows, and architecture, of the future.

If the many Tokyo summer fireworks displays are a little too crowded and urban for your taste, head on down to the beach in Kamakura for this small-scale but fun and energetic local version. Over the span of 50 minutes, expect to see 2,500 fireworks launched from offshore boats for a spectacular low-altitude showcase of explosions. The colourful explosions are made even more impressive by the reflections off the surface of the water, and unimpeded views are not hard to find.

The UNU farmers’ market is one of Tokyo’s longest running and best-attended markets. Taking place every weekend in front of the university’s Aoyama headquarters, this one always attracts a knowledgeable crowd. Organic and local fare is readily available every Saturday and Sunday from 10am to 4pm, with the farmers themselves happy to provide details about their wares. Plus, there's always a few food trucks on hand if you wish to enjoy a quick meal.

What might the present look like when viewed from fifty years in the future? This provocative question lies at the heart of ‘Spectrum 2076 AD – Conscious Entities of the Coming World’, an ambitious group exhibition at Gyre Gallery in Omotesando. Curated by Takayo Iida, director of the Sgùrr Dearg Institute for Sociology of the Arts, the show brings together works by seven contemporary artists to create a speculative vision of the year 2076. Imagining a post-human future shaped by climate catastrophe, technological singularity and environmental transformation, the exhibition functions as an ‘ideological laboratory’ that examines contemporary existence through a retrospective lens. Drawing on concepts ranging from Jacques Derrida’s hauntology to William James’s stream of consciousness, the project explores both the visible spectrum of light and the metaphorical spectres that linger between memory, technology and perception. Visitors are immersed in a sensory environment anchored by Ken Ikeda’s atmospheric soundscape, while each artist contributes a distinct vision of future consciousness. Mariko Mori proposes cosmic transcendence, Kohei Nawa transforms matter into fluid waves of perception, and Emi Kusano employs artificial intelligence to generate memories of histories that never occurred. Together, the works blur boundaries between reality and fiction, materiality and data, and presence and absence. At once philosophical and deeply immersive, ‘Spectrum 2076 AD’ offers a...