The best things to do in Tokyo this weekend

This popular fireworks festival along the banks of the Arakawa River is back this year for another spectacle. The history of this annual affair goes back to 1924, and this year 13,000 fireworks will be set off during the hour-long event on Saturday May 30.

Being pushed forward to early summer to lower the risk of heatstroke and cancellations due to severe weather, the event lets you enjoy the fireworks from either the Nishi-Arai or Senju side of the Arakawa between Nishi-Arai and Senjushinbashi bridges. There are several parks along the banks, where you can set up a picnic to watch the show, including the Arakawa Nishiarai Bridge Green Space.

While the event is free, there are ticketed seats available (now sold out, second release on May 2). 

The event was cancelled in 2025 and 2024 due to inclement weather. Keep an eye on the website for the latest information before visiting.

Tokyo’s popular Vietnam Festival focuses on showcasing the best of contemporary Vietnamese culture. Around 120 stalls are lined up at Yoyogi Park Events Square with ample quantities of bánh mì, phở and bánh xèo, which are best paired with Vietnamese beer and coffee. There are also plenty of colourful handicrafts, knick-knacks, apparel and condiments, too.

Don’t miss the live entertainment at the main stage, ranging from traditional performing arts like water puppetry to the latest pop music. This year features major V-pop artists and influncers like Ngô Lan Hương, Erik and Isaac. You can also catch performances from Japanese acts (yet to be announced for 2026). The full line-up and schedule will be announced on the official website.

While Tomioka Hachimangu Shrine is worth a visit just for its impressive architecture, the beautiful grounds are also home to a regular antique market that usually takes place on the first, second, fourth and fifth Sunday of every month. However, to make sure the market is on schedule, you can check the website for the exact dates each month.

As this is an antique market, the items here are a bit less junky than some of the other flea markets in town, with plenty of gorgeous Japanese tableware, folk artworks, antique kimono and more.

In case of rain, the event is cancelled.

Yomiuri Land amusement park has been breeding and raising fireflies to help conserve the species since 2009. This summer, you can watch genji botaru fireflies in June and heike botaru fireflies in July illuminate the beautiful Hana Biyori garden after dark, with the display running until July 1.

Hana Biyori is open from 10am, but the fireflies viewing time is from 7.40pm until 9pm (8.30pm on weekdays). 

A Hana Biyori ticket (¥800) and a separate Hotaru Biyori ticket (¥400) are required for admission.

Never been to Fussa? Now’s a great time to go, as the western Tokyo city is bringing back its famous firefly festival this May. The mysteriously glowing creatures have been raised for months just for the event, before being released into a riverside park at nightfall to illuminate the area with their soft glow.

The best time to catch the fireflies is around 8pm, with viewing at Hotaru Park running from 7.20pm to 8.30pm. There will also be events throughout the day, including hula dance shows, taiko drumming performances and brass band showcases by local junior and senior high school students at the nearby Fussa Daisan Junior High School Gymnasium.

Finally, crowds are to be expected, so leave the car at home and take the train or bus to the festival site (the closest stations are Ushihama on the Ome Line and Kumagawa on the Itsukaichi Line). Entry to the firefly viewing area requires a free numbered ticket, which can be obtained on the day at the nearby Fussa City Social Welfare Centre (while supplies last).

From now until June 14, you can catch hydrangeas blooming in one of Tokyo’s most picturesque Japanese gardens. Rikugien is currently celebrating the onset of summer with approximately 1,000 hydrangeas of 15 varieties. 

The highlight of the event is arguably the mountain hydrangeas, an elegant variant of the species that has bloomed on the Japanese archipelago since ancient times. These flowers may not have the conventional appearance of a common hydrangea, but they are still beautiful in their own right while being of modest colour and size. At the garden you’ll also find the vibrant pink Satsuki azaleas, which are also native to the mountains of Japan.

Entrance to Rikugien costs ¥300 (free for primary students and younger). Posters explaining the different varieties of hydrangea will have both Japanese and English text.

If you’re craving some Taiwanese food this spring, then drop by Tokyo Skytree Town for its Taiwan Festival. Head over to the fourth floor of Sky Arena until May 31 to feast on Taiwanese food throughout the day. Several stalls are offering popular Taiwanese festival cuisine such as lu rou fan (braised pork over rice), sheng jian bao (pan-fried soup dumplings) and da ji pai fried chicken.

You can also shop for Taiwanese goods and even enjoy massages and fortune telling. The dining area is decorated with red and Tainan-style vibrant lanterns to give it a Taiwanese night market feel.

Shinjuku welcomes a brand new Korean pub-style beer garden, located on the rooftop of the Lumine Est shopping complex in the heart of the city. You can choose from four meal plans: the Pocha course (¥3,500), which includes yangnyeom chicken and bulgogi kimbap; the Korean Chicken BBQ course (from ¥4,000), offering chicken marinated in sweet and spicy miso sauce as well as salted green onion sauce; the samgyeopsal and beef galbi course (¥5,000), featuring makgeolli-aged samgyeopsal and seafood pancake; and the premium BBQ course (from ¥6,000), which builds on the samgyeopsal set with the addition of wagyu steak. All four courses come with a two-hour all-you-can-drink plan, with the options including fruit-flavoured soju, makgeolli, highballs, and both Korean and Japanese beers, along with unlimited banchan (Korean mini side dishes), French fries and curry.

Popular German craft beer brand Schmatz takes over the Lumine Ikebukuro rooftop with its annual beer garden serving modern German cuisine. The premium all-you-can drink plan features three original craft beers, plus a range of beer cocktails including shandy gaff, cassis beer, mango beer and even a peach weizen. Additionally, there are regular cocktails, highballs, wines and soft drinks to choose from as well. 

The standard barbecue plan with the premium 2-hour all-you-can-drink option will set you back ¥6,500, and includes spare ribs, beef shoulder loin, specialty sausages, chicken, corn and an array of veggies to grill. If you're looking to save, the standard all-you-can-drink lager beer plan at ¥6,000 is worth considering too.

Make a reservation via the official website.

Enter the imaginative realm of Japanese mythology this spring at Warehouse Terrada’s digital art exhibit. The humorous yokai figures here, brought to life using cutting-edge 3D graphics and projection mapping technology, are demons, spirits and supernatural monsters from ancient folklore.

Expect to see yokai monsters from artworks such as ‘Hyakki Yagyo Emaki’ and ‘Hyakumonogatari’, as well as realistically recreated oni ogres, tengu goblins, duck-like kappa river monsters, and tsukumogami spirits that seemingly appear right in front of you. While you’re there, don’t miss the exhibit of actual ukiyo-e prints of yokai by Utagawa Kuniyoshi, or the detailed explanations of Edo-period (1603–1868) and Meiji-era (1868–1912) yokai paintings, made possible through cooperation with historians of the Nishio City Iwase Bunko antiquarian book museum and Shodoshima’s Yokai Art Museum.

Tickets are now on sale via Rakuten Travel Experiences, KKDay, Klook, Lawson Ticket and Trip.com.

The wildly popular Mundo Pixar Experience, also known as the Pixar World Exhibition, has finally made its way to Tokyo. The exhibition recreates Pixar Animation Studios’ most popular worlds, including classics like Toy Story, Monsters, Inc., Inside Out, Coco and Finding Nemo, turning them into an immersive experience where you can literally walk into these animated movies.

The experience also lets you meet more than 24 life-sized characters from the animations such as Mike Wazowski and James P. Sullivan from Monsters, Inc., Woody and Buzz Lightyear from Toy Story, Joy and Sadness from Inside Out, as well as Carl Fredricksen and Russell from Up.

Before you leave, you’ll also want to stop by the expansive souvenir zone, where you can stock up on plushies of your favourite characters, as well as other items like clothing and collectible figurines.

The exhibition runs at Crevia Base in Toyosu until May 31. Exhibition hours are set from 10am to 8.50pm, with extended hours on select dates (closed on Mondays).

The Tokyo Metropolitan Government No 1 Building in Shinjuku serves as the backdrop for a jaw-dropping and record-breaking projection mapping show. Covering an area of a whopping 13,905sqm, the after-dark spectacle has been certified by Guinness World Records as the largest permanent display of its kind in the world.

The nightly showcase features a range of visual wonders created by a mix of local and international artists. Some shows are inspired by Tokyo’s rich history, while others draw on themes like the lunar cycle. 

Currently, on weeknights, you can catch striking visuals synchronised to ‘800’ and 'Zankyosanka' by hit Japanese pop singer and lyricist Aimer as well as ‘Pac-Man eats Tokyo’, ‘Lunar Cycle’, ‘Synergy’, ‘Tokyo Resonance’ and ‘Evolution’. On weekends, you can look forward to the aforementioned ‘Zankyosanka (Aimer)’, as well as ‘Godzilla: Attack on Tokyo’ and ‘TYO337’, a display featuring motifs of traditional Japanese performing arts such as Kabuki paired with electronic beats. 

From March 20, Pokémon Trading Card Game ‘Tokyo Luminous Night’, a brand-new projection-mapping show featuring Pokémon cards on a massive scale, has been running on weekends and holidays from 6.30pm, 7.30pm and 9pm. Be sure to check the event website for more details.

Shows take place every night at fifteen-minute intervals from 6pm (Mar from 6.30pm, 7pm from Apr, 7.30pm from May to Aug) to 9.45pm. For more details and to check the full programme of daily projection mapping shows, visit here.

Having spent over four decades redefining the relationship between art, technology and desire, Hajime Sorayama is one of Japan’s most celebrated contemporary artists. Noted for his iconic Sexy Robot series and his pioneering fusion of human sensuality and mechanical precision, Sorayama’s work has influenced generations of creators across art, design and popular culture – from RoboCop to Dior. His visionary approach, uniting the sensual with the synthetic, has earned him international acclaim and a lasting place in the subcultural art canon.

Opening this spring at the Creative Museum Tokyo, ‘Sorayama: Light, Reflection, Transparency -Tokyo-’ marks the artist’s largest retrospective in Japan to date, following its acclaimed debut in Shanghai. The exhibition traces Sorayama’s artistic evolution from his first robot painting in 1978 to his latest digital and sculptural works. Visitors will encounter highlights such as the original Aibo robot design for Sony, the artwork for Aerosmith’s Just Push Play album, and an immersive installation that embodies Sorayama’s lifelong pursuit of capturing light, air and reflections.

By blending futuristic imagination with classical mastery, Sorayama invites viewers to contemplate a world where human emotion and machine form merge in radiant harmony.

Internationally recognised photographer and film director Mika Ninagawa is hosting a solo exhibition at the homey and intimate DDDArt art gallery in Shimokitazawa this spring. Much smaller in scale than the likes of her recent projects in Kyoto, at Expo 2025 and Tokyo Node, the exhibition takes a step back to revisit Ninagawa’s body of work, from her early career to her latest creations.

Coinciding with the launch of her latest photo book with the same name, the exhibition brings the artist’s worldview to life in a physical space. As if the vibrant pages of the book were superimposed onto reality, the tatami-floored kominka folk house is reborn with shimmering crystal strands, red and pink paint splatters and super-saturated photo prints.

Running until May 31, the exhibit is only a short stroll away from Shimokitazawa, where Ninagawa herself spent over a decade in her formative years. Why not take a detour towards Sangenjaya for a creative journey on your next visit to the area?

This expansive exhibition is the largest in the Doraemon franchise’s 56-year history, bringing together manga panels, animation, sculptures, limited-edition merch and a themed food menu all starring the world’s favourite blue robot cat and his friends. It launched in Hong Kong in July 2024, attracting over five million visitors during its month-long run. Since then, it has continued to captivate fans across Asia, making its way through several cities including Shanghai, Guangzhou, Bangkok, and Kaohsiung in Taiwan.

The exhibition space contains over 100 distinct Doraemon figures, each with its own expression and costume. In addition to showcasing the content from the previous cities, the Tokyo exhibition also features Japan-exclusive works. Here you can see Doraemon transformed into a shiba inu, a sumo wrestler and a few other forms inspired by Japanese culture, as well as view two original animations not seen elsewhere.

‘100% Doraemon & Friends’ runs until September 30 and is open from 10am to 6pm daily (last entry 5.30pm). Tickets start from ¥2,400 for adults, ¥1,800 for primary and secondary school students and ¥1,600 for children four years old and below – purchase yours here. As an added bonus, upon arrival exhibition visitors receive one of nine Doraemon-themed acrylic pins and one of four promotional cards (both chosen at random).

Step into a world of vibrant chrysanthemums this spring at this free collaborative exhibition between teamLab and Galaxy. Now in its fifth year, the interactive, immersive space at Galaxy Harajuku uses cutting-edge projection mapping to depict flowers caught in an endless cycle of birth and death. Reach out to touch them and they’ll wither; stand still beside them and they’ll bloom more quickly.

Look down and you’ll see flowing currents of gold beneath your feet – traces shaped by your very presence. The movements of others create their own currents, which intertwine and form swirling vortices. The result is a constantly shifting environment where no two moments are ever the same. The Galaxy store also invites visitors to capture these fleeting scenes using the foldable smartphones available at the venue.

Ron Mueck has long been celebrated for redefining figurative sculpture through extraordinary craftsmanship and emotional acuity. After early work in film and advertising, the Australian-born, UK-based artist emerged on the contemporary art scene in the mid-1990s, gaining international attention with Pinocchio (1996) and Dead Dad (1996-97), the latter exhibited in the landmark ‘Sensation’ show at London’s Royal Academy in 1997.

Over the decades, his meticulously crafted human figures, rendered at startlingly altered scales, have probed themes of vulnerability, solitude, resilience and the fragile complexity of existence. With a rare and limited oeuvre of about fifty works, each sculpture distills months or even years of observation and reflection, resulting in pieces that feel at once hyper-real and quietly enigmatic.

From April 29 to September 23, the Mori Art Museum hosts the artist’s first solo exhibition in Japan in eighteen years. Organised in collaboration with the Fondation Cartier pour l’art contemporain, the exhibition gathers eleven works tracing Mueck’s evolution, including six making their Japanese debut. Its monumental centrepiece is the Japan premiere of Mass (2016-17), an immersive installation of 100 giant skulls reconfigured to reflect the museum’s architecture. Other highlights include Angel (1997), Woman with Shopping (2013) and the iconic In Bed (2005), each inviting viewers into a deeply intimate emotional space.

Complementing the sculptures, photographs and films by Gautier Deblonde offer a glimpse into Mueck’s studio practice, revealing the quiet rigour behind some of contemporary art’s most affecting works.

Brace yourselves – things are about to get intensely kawaii. From April 9 to June 21, the Mori Arts Center Gallery in Roppongi hosts the final and most expansive edition of a pink-hued exhibition that has toured Japan since 2021. Marking more than 60 years since the founding of cute character empire Sanrio, the show returns to Tokyo in an enriched version that looks back not only at the company’s history, but also at the birth and global rise of kawaii as a cultural language.

Before Hello Kitty’s debut in 1974 (!), Sanrio was already exploring new forms of visual softness, warmth and emotional connection. The exhibition traces this formative period, revealing how kawaii emerged as a distinct value through early designs, products and ideas. Subsequent sections delve into the creation of the company’s multifarious characters, the enduring appeal of Kitty-chan and Sanrio’s unique philosophy of growing characters together with their fans. Central to this story is Ichigo Shinbun, the fan mag that fostered a participatory culture long before the age of social media.

The exhibition culminates in a spectacular gathering of characters: over 200 appear on display, the largest number in Sanrio exhibition history, alongside a vast array of nostalgic merchandise. More than a celebration of cuteness, ‘The Beginning of Kawaii’ offers a thoughtful portrait of how Sanrio shaped, and continues to shape, a global cultural phenomenon.

When at the exhibition, be sure to also check out the collab café right next to the museum.

Over a single decade at the end of the 19th century, Vincent van Gogh produced an oeuvre of remarkable intensity, transforming personal struggle into a radical visual language defined by expressive colour and vigorous brushwork. Though largely unrecognised during his lifetime, his paintings now stand among the most studied and admired in the history of art.

From May to August 2026, the Ueno Royal Museum offers a focused exploration of the artist’s formative years. Composed entirely of works from the collection of the Kröller-Müller Museum in the artist’s native Netherlands, one of the world’s most important repositories of Van Gogh’s art, this exhibition traces his development from early influences to the luminous breakthroughs of his Arles period.

Beginning with the Barbizon and Hague schools, whose naturalism and spiritual engagement with rural life left a deep imprint on the young painter, the exhibition follows Van Gogh’s early Dutch period, marked by somber tonalities and a profound empathy for peasant life. It then moves to Paris, where encounters with Impressionist and Post-Impressionist artists catalysed a dramatic shift in his palette and technique.

The exhibition culminates in Arles, the coastal city in southern France where Van Gogh’s mature style emerged in full force. The highlight is the celebrated Night Café Terrace (Place du Forum), a work that captures the artist’s fascination with artificial light and nocturnal atmosphere. Radiant and immersive, it signals his decisive embrace of colour as an expressive force.

As the first chapter of a two-part exhibition series (the second is scheduled for 2027–2028), the presentation offers both an art-historical survey and a meditation on artistic perseverance. In revisiting Van Gogh’s early trajectory, it invites viewers to reconsider the origins of a vision that would ultimately redefine modern painting.

Note that admission is free for high school students and younger until June 30.

Ueno’s University Art Museum plays host to this landmark celebration of one of Japan’s most enduring art-focused TV programmes. Since its debut in 1976, NHK Sunday Museum (Nichiyo Bijutsukan) has aired more than 2,500 episodes, introducing audiences to masterpieces from across eras and cultures while elevating the voices of cast members, thinkers and performers who reflect on the meaning of beauty. The exhibition, on view from March 28 to June 21, revisits this half-century history through roughly 120 works presented across five thematic chapters.

Visitors will encounter iconic pieces that shaped the programme’s narrative, from prehistoric Jomon pottery and Edo-period (1603–1868) screens to Paul Cézanne’s Bathers, Alberto Giacometti’s Yanaihara I, Taro Okamoto’s Encounter and the haunting visions of Tetsuya Ishida. Archival footage and carefully selected quotes from past broadcasts, including reflections by literary giants, dancers and contemporary creators, illuminate how the show has continued to discover beauty across generations. High-definition projections, including a life-size rendering of Pablo Picasso’s Guernica, further expand the experience.

Touching on themes such as rediscovered Japanese aesthetics, the evolution of craft, the relationship between art and disaster and the intimate space of the artist’s studio, the exhibition offers a sweeping meditation on creativity. This anniversary celebration stands as a vivid tribute to a programme that has long served as a bridge between the public and beauty.

From April 7 to July 26, the National Film Archive of Japan explores the creative intersection between cinema and graphic design with ‘The Art of Film Posters in Japan: Revisited’. While film posters in Japan were traditionally produced anonymously under the control of studios and distributors, many stand out today as striking works of graphic art in their own right.

Revisiting a landmark exhibition first held in 2012, the show incorporates newly acquired works and brings together more than 90 posters produced mainly between the 1960s and the 1980s, a period of profound innovation in Japanese visual culture.

The exhibition traces the evolution of the medium across four thematic sections. Early post-war posters, often painted in a dramatic illustrative style, reveal how artists sought to capture the emotional essence of films. By the 1960s, a new generation of designers, including Kiyoshi Awazu, Tadanori Yokoo and Makoto Wada, began to challenge conventional promotional aesthetics with bold experimentation. A decisive turning point came with the emergence of the Art Theatre Guild in the 1960s, which encouraged collaborations between filmmakers and avant-garde designers.

Through these vivid and sometimes surprising images, the exhibition reveals another face of Japanese cinema – one that flourished beyond the screen, transforming the humble ad poster into an expressive and enduring art form.

Katsushika Hokusai is all the rage in Tokyo. Last year saw several acclaimed exhibitions dive into the ukiyo-e master’s ginormous oeuvre, and the Edo native’s iconic art has also been the subject of some pretty remarkable reinterpretations lately.

Next up in highlighting the printmaking genius is the National Museum of Western Art, whose exhibition ‘Hokusai: Thirty-six Views of Mt. Fuji from the Iuchi Collection’ marks the first public unveiling of this remarkable group of works placed on deposit at the museum in 2024.

The exhibition showcases all 46 prints from Hokusai’s iconic series Thirty-six Views of Mt. Fuji (c. 1830–33), alongside two additional impressions of his most beloved masterpieces, Under the Wave off Kanagawa (commonly known as ‘The Great Wave’) and Clear Day with a Southern Breeze (known as ‘Red Fuji’). You can look forward to exceptionally well-preserved impressions, including a rare indigo-printed ‘Blue Fuji’ version of Clear Day with a Southern Breeze.

Bringing together all 48 works, the exhibition offers a rare opportunity to experience Hokusai’s enduring vision of Mt Fuji within Japan’s premier museum of Western art – a fitting setting for appreciating his art’s timeless dialogue between East and West.

The National Museum of Western Art’s ‘Artists by Artists in Western Prints’ explores how artists have portrayed themselves (and one another) through the medium of printmaking from the Renaissance to the modern era.

Featuring nearly 50 works drawn primarily from the museum’s collection, the exhibition traces the historical evolution of the artist’s image in Western art. During the Middle Ages, creators were largely regarded as anonymous craftsmen, and their likenesses rarely appeared in the works they produced. From the 16th century onward, however, artists began to assert a new identity, aligning artistic creation with intellectual inquiry and positioning themselves as practitioners of the liberal arts. As their social status rose, so too did interest in the individual artist, giving rise to the flourishing tradition of the self-portrait.

The exhibition includes prints by major figures such as Albrecht Dürer, Rembrandt van Rijn, Francisco Goya and Pablo Picasso. Alongside self-portraits, you’ll encounter images of artists at work and idealised representations of the creative figure.

Together, these diverse images offer a compelling reflection on how the notion of the artist has evolved, from skilled artisan to solitary, introspective creator, while inviting viewers to reconsider the enduring relationship between identity, creativity and self-expression.