The best things to do in Tokyo this weekend

The annual Odaiba Lantern Festival returns this October to Odaiba Seaside Park with a spectacular lantern festival across two days.

Catch live entertainment daily from noon to 8pm, with performances ranging from hula dancing to DJ sets and beyond. Come dusk at 5pm on both days, 12,000 colourful lanterns will be placed on the beach, creating a myriad of beautiful shapes and patterns. This year’s designs draw inspiration from sea creatures, featuring motifs like crabs, whales, jellyfish and fish.

One of the last hanabi of the season, the Tamagawa Fireworks Festival keeps things fresh each year by introducing a new theme. The theme for 2026 is 'Soaring', capturing the powerful soaring of fireworks into the night sky and offering hope for tomorrow. Regardless of the concept, you can always expect a colourful and artistic hour-long display synchronised to music on Saturday October 3.

While the fireworks show only starts at 6pm, you can come as early as 3pm to enjoy stage performances and food stalls. At the time of writing, only single-seat tickets (¥6,500) are left at the paid viewing area, but there are free viewing areas open to the public as well. However, you’ll need to arrive early to secure the best vantage points. 

The event is held at Futako-Tamagawa Sports Ground by the river near Futako-Tamagawa Station.

Check the event flyer for more details. 

The fireworks festival may be cancelled due to inclement weather, though it will go ahead in light rain. Check the festival's official X account for the latest updates before visiting.

First held in 2015, this multinational celebration returns this October to welcome the arrival of autumn at Ueno Park's Fountain Square, where you can enjoy food, drinks, music and entertainment, plus all the salsa dancing you can possibly take over a single weekend.

Grab a spicy taco and wash it down with beer, caipirinha or a tropical cocktail before moving on to the vast selection of rum and tequila. In between meals and dancing, go check out the stalls selling handicrafts and other fun accessories.

Compared to the massive Super Yosakoi festival in Omotesando, western Tokyo suburb Chofu’s Yosakoi celebration may be smaller in scale but it’s no less energetic. Bringing together 12 local yosakoi teams and more than a dozen dance troupes from a variety of genres, the Chofu Saisaisai (formerly known as the Chofu Yosakoi Festival) will have stage performances across various locations around Chofu City Hall and the adjacent Chofu City Cultural Hall Tazukuri.

Reborn as an inclusive, community-led festival, it brings together people of different ages, nationalities and abilities, giving everyone a chance to enjoy the performances and join the parade, which takes place near Cultural Hall Tazukuri at 11.21am and 1.15pm. On-site reservations are required to take part in this free event, where you can show off your choreography and dancing skills with a tenugui towel.

Shinjuku Loft continues its 50th birthday celebrations with yet another heavy-hitting party, this time spanning multiple venues. The event will see over 60 artists and bands hit stages at nine spots across Shinjuku. The diverse line-up traverses genres as well as generations, with up-and-coming artists like Cat Ate Hotdogs and DNA Gainz playing alongside indie circuit veterans like Cinema Staff, Lunkhead and Sparta Locals. Most stages kick off around midday and wrap up in time for the last train; advance tickets are on sale now for a very reasonable ¥7,200.

This September, Shimokitazawa welcomes the return of its annual lunar art festival that will coincide with the upcoming autumn moon. Back for its fifth edition, Moon Art Night Shimokita will span several venues in the neighbourhood, including the open plaza in front of the station, Shimokita Senrogai Open Space near Shimokitazawa police box, the rooftop of Higashi-Kitazawa Station, and the Bonus Track complex.

Exhibits include an outdoor moon installation by UK artist Luke Jerram, whose giant floating model features striking details of the moon’s surface as captured by Nasa. This particular installation – titled ‘Museum of the Moon’ – is set to be on show every day at the vacant lot of the Shimokita Senrogai complex. 

The festival is also hosting Tokyo-based contemporary artist Shoei Matsuda, whose giant eight-metre-tall inflatable recreates the iconic 'tears of joy' emoji at the Bonus Track complex. Inspired by the evolution of emoji from a feature of Japanese mobile phone culture into a universal visual language, the interactive installation explores the relationship between the digital and physical worlds. Visitors can also use an AR filter to transform their own faces into the 'tears of joy' emoji and share the results on Instagram, blurring the boundaries between online expression and real-world experience.

Moreover, Japanese sculptor and artist Teppei Kaneuji is participating with an interactive installation titled ‘A Thousand Faces of the Moon’ at the paid Higashi-Kitazawa Station rooftop venue. Inspired by the idea that while there is only one moon, its appearance and meaning can vary depending on where you are and your own perspective, the work invites visitors to throw, roll and photograph a collection of moon-shaped sculptures. Kaneuji will also host a silkscreen printing workshop, where participants can create and take home their own moon-themed artwork.

Aside from the art exhibitions, the festival will feature several immersive theatre performances, live music, video installations and pop-ups. Several shops around Shimokitazawa Station will also offer full moon-inspired food and beverages and limited-edition products during the festival.

Tickets to access paid venues and performances are on sale via the official website.

Celebrated Japanese sound giant Audio-Technica is bringing back its annual market – a celebration of all things analogue, from records and turntables to handmade crafts and vintage goods. First launched in 2022 to mark the company’s 60th anniversary, the market returns this autumn on a much larger scale, taking over SKAC (Skwat Kameari Art Centre) for a month from September 2 to October 4.

Focused on the act of listening, the event’s main highlights include a listening area inside the VDS record store, which also happens to be the market’s co-organiser. At this listening station, you can try out some of Audio-Technica’s finest products, including high-end wooden headphones, turntables and more.

Meanwhile, at the Skwat Hertz Orchestra Archive, you can listen to and compare seven original recordings made at SKAC. Audio recorded from street pianos placed around the venue, along with ambient sounds – think the rumbling of trains overhead and the occasional sneeze – is mixed together to create original pieces that you can only hear here. This theme of listening (after all, Audio-Technica’s motto is the ominous-sounding ‘Always Listening’) continues in the Listening Room, where you can enjoy music played through omnidirectional speakers.

On the weekends, the creative hub gets a makeover. On September 12 and 13, 24 record stores from across Japan will set up shop in the MM Storage room from 11am to 7pm. On the weekends of September 19-20, 26-27 and October 3-4, meanwhile, expect a flea market featuring artworks, handmade ceramics, vintage treasures, interior design pieces, fragrances, houseplants, wines and more.

While Tomioka Hachimangu Shrine is worth a visit just for its impressive architecture, the beautiful grounds are also home to a regular antique market that usually takes place on the first, second, fourth and fifth Sunday of every month. However, to make sure the market is on schedule, you can check the website for the exact dates each month.

As this is an antique market, the items here are a bit less junky than some of the other flea markets in town, with plenty of gorgeous Japanese tableware, folk artworks, antique kimono and more.

In case of rain, the event is cancelled.

2026 is shaping up to be a celebratory year for Harajuku-born clothing brand Beams, which is marking both 50 years since its founding and the 10-year anniversary of its Beams Japan label. The latest in a long line of collaborations and pop-ups is this limited-time shop popping up in one of the most unexpected places: on the Sensoji Temple grounds.

Setting up shop from September 26 to February 28, the compact pop-up consists of four interconnected shipping containers and offers exclusive merch made by artisans from eastern Tokyo. Highlights include tenugui hand towels by Nihonbashi’s Todaya Shoten, finished using a traditional Tokyo dyeing technique (¥2,750), and the Kaminarimon lantern-shaped ‘Kaminarimon Reflector’ (¥1,980), perfect for night runs and cycling rides. The store-exclusive, Asakusa-inspired, Beams Japan logo-adorned sacoche, pouches and wooden swords (!?) should be nice to have, too.

Sound, visual art and site-specific elements blend together in innovative and challenging ways at Ambient Kyoto, a multisensory, immersive exhibition that now makes its first foray into Tokyo, landing at Azabudai Hills Gallery. The display centres on the installation ‘async – immersion’, envisioned by the much-missed Ryuichi Sakamoto and Shiro Takatani of Dumb Type and first presented in Kyoto in 2023.

Inspired by Sakamoto’s 2017 album async, ‘async – immersion’ features visuals by Takatani and spatial audio design by sound engineer ZAK, whose fingerprints are all over many of Sakamoto’s late-career projects. At Azabudai Hills, the work has been reconstructed exclusively for the venue, with the setup including a 26-metre-wide screen for displaying the video elements of the installation.

True to the title of the work, the aural and visual components are aligned but not fully synchronised; their constantly shifting relationship rewards attentive viewing and encourages visitors to approach the work on their own terms.

Among the many Japanese incarnations (perhaps 'interpretations' would be more accurate) of Munich's world-famous beer festival, the Yokohama Oktoberfest has traditionally stuck closest to the schedule of its Teutonic forebear.

Yokohama Oktoberfest is Japan's largest beer festival, and you can expect over a dozen stalls offering both German and local brews. On top of the standard pints, some will be offering glasses of wine, highball and cocktails, too. Pair your drinks with platters of sausages and goulash, among other hearty meals. As always, a separate tent will be set up to host live performances and other forms of entertainment.

Entry costs ¥500 at the door, and starting this year, there is an extensive 'one coin menu' with each glass costing you only ¥500. Your first beer will include the cost of a beer glass, which you’ll need to use throughout the day. Once you’re ready to leave, you can return the beer glass to get your deposit back. 

One of Tokyo's three German beer fest spin-offs this autumn (including Shiba Park and Tachikawa), Munich Oktoberfest kicks off on September 18 at Urban Dock LaLaport Toyosu. This beer extravaganza at least manages to fall within a few weeks of the original German beer-fuelled festival it's copying, running from September 18 until October 12.

As with all the other Oktoberfests in town, you can enjoy pints of German beer served in glasses that can fill up to a litre, alongside bratwurst and sauerkraut. There will be oompah bands to sweeten the mood.

Entry is free and you can pay as you go. Do note that the event is mostly cashless; you can pay via credit card, PayPay, IC card, QuicPay, ID and other forms of electronic payment.

The elegant Marunouchi Hotel gets into the beer garden spirit every summer, but as you’d expect from this nearly century-old hotel, it’s a far more refined affair than the rooftop beer gardens found on department stores across the city.

The Standard Course (¥8,500) features a seasonal menu that changes throughout the summer. July and August showcase Spanish flavours, with dishes such as brocheta skewers, seafood ajillo, sea bream ceviche, Spanish omelette and paella. From September, the menu shifts to French cuisine, including comforting dishes like chicken confit with potato mousseline and mustard.

All courses include 120 minutes of free-flowing drinks from a selection of more than 60 options, including beer, wine, cocktails and sours. For an additional ¥1,500, you can upgrade to a heartier main dish, such as beef sirloin steak. Best of all, you’ll enjoy your meal on the hotel’s elegant eighth-floor terrace, decorated in blue and white tones with superb views of nearby Tokyo Station.

Closed on July 31 for a private event. Reserve in advance via Tablecheck.

Shinjuku welcomes a brand new Korean pub-style beer garden, located on the rooftop of the Lumine Est shopping complex in the heart of the city. You can choose from four meal plans: the Pocha course (¥3,500), which includes yangnyeom chicken and bulgogi kimbap; the Korean Chicken BBQ course (from ¥4,000), offering chicken marinated in sweet and spicy miso sauce as well as salted green onion sauce; the samgyeopsal and beef galbi course (¥5,000), featuring makgeolli-aged samgyeopsal and seafood pancake; and the premium BBQ course (from ¥6,000), which builds on the samgyeopsal set with the addition of wagyu steak. All four courses come with a two-hour all-you-can-drink plan, with the options including fruit-flavoured soju, makgeolli, highballs, and both Korean and Japanese beers, along with unlimited banchan (Korean mini side dishes), French fries and curry.

The erotic art of old Edo returns to modern Tokyo’s most seductive ’hood with ‘Kunisada & Kuniyoshi: Shinjuku Kabukicho Shunga Exhibition – WA’. The fourth instalment in a series of exhibitions focused on Shunga, or traditional Japanese erotica, and organised by the Kabukicho-based Smappa! Group, the display showcases original ukiyo-e prints by two of the greatest masters of the form: Utagawa Kunisada and Utagawa Kuniyoshi.

Kunisada (1786-1864) is particularly renowned for depicting kabuki actors (yakusha-e) and beautiful women (bijin-ga). What’s more, his pieces are famed for their detailed portrayals of daily life in Edo, and have proved invaluable for historians researching the folksier aspects of the late feudal period.

Kuniyoshi (1798-1861), meanwhile, was dubbed ‘Edo’s ultimate graphic designer’. He illustrated the trending topics of his day – from political scandals and sexual fashions to mythical monsters – with a wit and humour that endeared him to the capital’s masses.

Curated from the collection of Mitsuru Uragami, one of Japan’s foremost ukiyo-e authorities and Shunga connoisseurs, the exhibition extends throughout the Shinjuku Kabukicho Noh Stage, incorporating bijin-ga, yakusha-e, musha-e (pictures of warriors) and illustrated books in addition to the erotica. Yasutaka Hayashi from artist collective Chim↑Pom from Smappa! Group returns as art director, bringing a hefty serving of Kabukicho flair to the table.

Advance tickets are available now via TimeOutShop. For a ¥200 discount on same-day tickets, use our Time Out Coupons offer.

The force behind smash-hit titles including Chainsaw Man and Jujutsu Kaisen, Japanese animation studio Mappa is celebrating its 15th anniversary this year. To mark the milestone, the company is hosting its largest-ever exhibition from September 16, bringing together work from 23 titles at the newly opened Yurakucho Museum.

The exhibition features original drawings, large-scale sets and video projections that immerse visitors in the worlds of Mappa shows and films such as Chainsaw Man – The Movie: Reze Arc, Attack on Titan: Final Season, Jujutsu Kaisen and more.

At the Chainsaw Man exhibition area, you can feast your eyes on exclusive production materials, including drawings that follow the story of The Movie: Reze Arc, from Denji and Reze’s first encounter and the explosive battle between Chainsaw Man and Bomb to the conclusion of their story. Don’t miss the illuminated life-size figure of Bomb, which is being unveiled for the first time.

The Attack on Titan: Final Season zone features original drawings for key scenes, displays explaining the production process, and original hand-drawn watercolour artwork of the symbolic hill from the story’s ending.

The Jujutsu Kaisen area revisits some of the series’ most iconic battle scenes and memorable moments. Production materials are exhibited in the first half of this zone, including original drawings from Season 1 and Jujutsu Kaisen 0, while the second half features materials from Season 2, Hidden Inventory / Premature Death, Shibuya Incident and Season 3, The Culling Game Part 1.

The exhibition will be held in two parts: the first from September 16 to October 25, and the second from October 28 to December 7. Some exhibits will be changed between the two parts, giving you a reason to plan multiple visits.

Tickets are available for specific dates and time slots. You can currently purchase tickets for the first half of the exhibition via Lawson Ticket, and place applications for advance lottery tickets for the second half (from Aug 22).

South Korean digital art and design firm D’strict is joining hands with Sanrio to bring a popular interactive exhibit to Japan for the first time after a successful run in Seoul last year. Utilising the latest digital media technologies, the hotel-themed exhibition in Shinjuku’s Tokyu Kabukicho Tower takes you on a photogenic and immersive journey through 11 themed areas in the imaginary hotel, with characters such as Hello Kitty, My Melody, Kuromi, Cinnamoroll and Pompompurin appearing in their own dreamy, fairytale-like rooms.

While the full details are still under wraps, expect to see a plentiful line-up of exclusive Sanrio merch, including Hotel Floria room key charms, hotel sticker sets and travel-themed accessories.

The exhibition space is located on the fourth floor. Tickets are now on sale via Eplus.

One of Tokyo’s premier contemporary art galleries, Nanzuka has opened its brand-new flagship space in Shibuya Axsh, marking the gallery’s return to Shibuya after a 20-year absence. The inaugural exhibition celebrates contemporary artist Keiichi Tanaami with his solo show ‘Do Not Bomb’. Spanning works from the 1960s to unreleased pieces made before the artist’s death in 2024, the exhibition explores Tanaami’s memories of war through around 60 works, including silkscreens, collages, paintings, animations, sculptures and videos.

The work closest to the entrance is ‘Do Not Bomb’, created while Tanaami was preparing for a large-scale solo exhibition in 2024. Made against the backdrop of ongoing wars around the world, the piece features a goldfish at its centre, flying towards the viewer like a cannonball.

The exhibition also features Tanaami’s ‘No More War’ series, which connects to ‘Do Not Bomb’. Created in 1967, the series was submitted to an anti-war poster contest hosted by American magazine Avant Garde in 1968, where it was selected as an outstanding work. Influenced by pop art, the silkscreen prints reflect Tanaami’s early interest in reaching a wider audience through reproduced imagery.

The exhibition runs until October 17. Check the gallery website for more details.

The Pola Museum of Art celebrates two milestones with ‘The New Vision: Monet and the Contemporary Gaze’, a large-scale exhibition marking both the museum’s 25th anniversary and the centenary of the death of Claude Monet (1840–1926). Running from June 17 2026 to April 7 2027, the exhibition brings together all nineteen Monet paintings from the museum’s renowned collection, the largest trove of the Impressionist master’s works in Asia, alongside works by 18 contemporary artists from Japan and abroad.

Spanning Monet’s career from his early landscapes to his celebrated Water Lilies, ‘The New Vision’ places the artist’s works in dialogue with contemporary artistic practices. Featuring artists including Lucas Arruda, Pierre Huyghe, Roni Horn, Wolfgang Tillmans, Fujiko Nakaya, Kapwani Kiwanga and Daniel Steegmann Mangrané, the exhibition explores the theme of vision through a wide range of media, from photography, installation and sound to performance and environmental works. Many artists are being introduced to Japanese museum audiences for the first time, while several new commissions created specifically around Monet’s legacy also make their debut.

Extending beyond the galleries into the museum’s lobby and the surrounding forests of Hakone, the exhibition transforms the entire site into a landscape of visual discovery. By bringing together Monet’s enduring vision and the perspectives of contemporary artists, ‘The New Vision’ offers a compelling reflection on how we see, experience and understand the world today.

Summer is here, and so is the National Museum of Nature and Science’s ‘Special Exhibition: Super Amazing World of Life’, a big-time showcase created in collaboration with NHK’s long-running wildlife documentary series Darwin ga kita! (‘Darwin Has Come!’). Combining scientific research with spectacular natural-history filmmaking, the exhibition explores the extraordinary ways in which animals have adapted to an ever-changing planet.

Since the birth of the Earth, life has evolved in response to dramatic environmental shifts, developing remarkable physical traits and survival strategies that have enabled species to thrive across diverse ecosystems. Centring on the animal kingdom, the exhibition examines these evolutionary adaptations through the museum’s extensive collection of specimens, the latest scientific findings and immersive audiovisual presentations.

A particular highlight is the partnership with NHK’s acclaimed nature programme, which celebrates its 20th anniversary in 2026. Having documented wildlife in more than 70 countries and captured over 160 world-first observations, the series contributes a wealth of breathtaking footage that vividly illustrates animal behavior in the wild. These films complement the museum’s scientific displays, bringing evolutionary processes and survival strategies to life with exceptional immediacy.

Blending research, museum collections and cutting-edge wildlife cinematography, ‘Special Exhibition: Super Amazing World of Life’ offers visitors of all ages an engaging introduction to the ingenuity of evolution. By revealing the astonishing abilities animals have acquired over millions of years, the exhibition both provides a celebration of biodiversity and encourages a deeper appreciation of the resilience and complexity of life on Earth.

From August, the Yokohama Museum of Art will unveil a dazzling exhibition dedicated to one of history’s most iconic queens. Known as the ultimate symbol of elegance and excess, Marie Antoinette (1755–1793) transformed the aesthetics of 18th-century France and continues to shape fashion, design and visual culture today.

Curated by London’s Victoria and Albert Museum and making its Japan debut in Yokohama, the exhibition traces how the young queen’s refined taste, from her ornate gowns and glittering jewels to her whimsical interiors at Versailles and the Petit Trianon, established a new mode of sophistication that bridged courtly grandeur and personal fantasy.

Through exquisite dresses, jewellery and furniture from her era, ‘Marie Antoinette Style’ explores the queen’s bold creativity and her role as a forerunner of modern self-expression. It also reveals how her image has been endlessly reinvented in art, cinema and haute couture, from rococo opulence to contemporary runways.

A celebration of beauty, rebellion and individuality, the exhibition invites visitors to rediscover the woman behind the legend – a monarch whose influence still defines the art of style.

A visionary who worked along the boundaries between art, design and everyday life, Ettore Sottsass (1917–2007) was one of the most influential figures in 20th-century Italian design. Rising to prominence in the 1950s through his groundbreaking work for the typewriter and computer manufacturer Olivetti, Sottsass redefined industrial design by infusing functional objects with emotion, symbolism and wit. His restless creative spirit culminated in the 1981 founding of the Memphis Group, an international collective whose bold colours, playful forms and radical aesthetics came to define post-modern design and reshape global visual culture.

‘Design begins where magic begins’ at the Artizon Museum is the first comprehensive retrospective of Sottsass’s work in Japan. Drawing from the Ishibashi Foundation’s extensive collection, the exhibition brings together 112 works spanning the entirety of its subject’s long and prolific career, from early experiments to later, more philosophical creations.

Through furniture, industrial design and conceptual works, the exhibition traces Sottsass’s lifelong challenge to strict rationalism and his belief that design should reflect the emotional and spiritual dimensions of human life. Humour, colour and sensuality emerge as tools with which he sought to illuminate the lived experiences, desires and contradictions of modern society. Offering a rare opportunity to encounter Sottsass’s work in depth, the exhibition reveals a visionary who insisted that true design begins with imagination and magic.

Minami Tada (1924–2014) was a quietly radical figure in post-war Japanese art whose practice unfolded across sculpture, relief, lighting and architectural space. Working at the intersection of art, design and emerging industrial technologies, Tada developed a distinctive visual language that embraced transparency, reflection and light – materials and phenomena closely tied to Japan’s rapid economic growth. As a pioneering female artist operating in a male-dominated field, her work anticipated many later conversations around spatial perception and the expanded field of sculpture.

From August 29 to December 6, the Museum of Contemporary Art Tokyo presents the artist’s first solo exhibition in Tokyo in 35 years. This long-overdue retrospective traces the arc of Tada’s career, from early paintings to her most emblematic sculptural works, as well as large-scale pieces created for architectural settings. Drawing on industrial materials and contemporary technologies, her works explore how light interacts with form and space, producing effects that shift with the viewer’s movement.

The exhibition also includes archival materials that shed light on the artist’s process and intellectual context, situating her practice within broader developments in post-war Japanese art and design. At a moment when interest in overlooked modernist figures is growing both in Japan and internationally, ‘Still, shimmering light’ offers a timely reassessment of an artist whose work feels strikingly current. Elegant, experimental and forward-looking, the exhibition reintroduces Tada as a vital voice in the history of contemporary art.