The best things to do in Tokyo this weekend

Asakusa Yabusame is a horseback archery performance that started as a New Year’s tradition at Asakusa Shrine during the Edo period (1603-1867). The spectacular event was revived in 1983 and now takes place every spring with plenty of pomp and circumstance.

The day starts out with kusajishi archery from 11.45am at Sanyabori Park, where men wearing formal samurai court robes and traditional headgear compete in aiming at a 110cm-tall deer-shaped target from about 20 metres away. This event is free to watch and doesn't require tickets.

Tickets for the main yabusame archery event are now available to purchase online or at the Asakusa Culture Tourist Information Center. This show, which starts at 1pm at Taito Municipal Sumida Park, features mounted archers in traditional samurai hunting costumes aiming at targets while doing their best to stay in the saddle.

Tickets for the yabusame display cost ¥4,000 per seat. Check the event website for more information.

As the temperature rises, so does our thirst for some good beer. Come down to Hibiya Park for a pint in the sun, as Belgian Beer Weekend is returning to Hibiya Park's Nirenoki Plaza (Elm Tree Plaza) from April 16 through April 19. 

Boasting an extensive menu with over 80 options of lambic, witbier, trappist and more, Belgian Beer Weekend may just be what you need to find your new favourite brew. Don’t miss the popular deep-fried Belgian-style Frikandel sausages, roast beef or fries, as they make the perfect accompaniment to a cold pint.

Admission is free but you’ll need to get a starter set, which comes with a tasting glass as well as 13 tokens for redeeming food and drinks. Make sure you purchase this in advance on the event website for ¥3,750 (¥3,990 at the door). From this year, a cheaper trial set, complete with a tasting glass and 8 tokens, can also be purchased online for ¥2,700 (¥2,840 at the door). Additional tokens can be purchased at the festival as needed (set of five for ¥1,150).

Check the event website for the full line-up of Belgian brews.

Held in Nagoya, Kyoto and Tokyo, this fully vegan festival is a welcome celebration in meat-mad Japan. The Tokyo event, which is held both in spring and autumn, is Japan's biggest plant-based festival. Expect a strong line-up of 79 stalls at Kiba Park, selling everything vegan including veggie burgers, curries, burritos, doughnuts, ice cream, gelato and plenty more.

Every food stall will list the ingredients used (in Japanese), so you can be 100 percent sure that no animal was harmed or involved in the process of making your meal.

Though the cherry blossom season is almost coming to an end, Kamakura is gearing up for another surge in visitors this month for the annual spring festival at Tsurugaoka Hachimangu Shrine. The springtime Kamakura Matsuri happens on the second and third Sundays of April: head there on April 12 to watch a parade along the avenue running up to the shrine (10am start from Geba intersection), followed in the afternoon by a dance performance of Shizuka no Mai, a reenactment of a well-known event from 12th century Japan (from 3pm).

On April 18 and April 19, make your way to either Tsurugaoka Hachiman Shrine or Kenchoji Temple on April 18 or the Kamakura Daibutsuden Kotokuin grounds on April 19 to enjoy an outdoor Nodate tea ceremony, taking place from 10am to 3pm. Known also as the Nogake or Fusube tea ceremony, this is an ancient practice usually held in spring or summer, emphasising hospitality in pleasant weather. The day also features a programme of outdoor performances, so you'll have something to watch as you sip on freshly whisked matcha.

A former writer for and occasional performer on The Late Late Show with James Corden, the multi-talented Dylan Adler toured Europe last year opening for Atsuko Okatsuka and will now be making his Tokyo debut over three nights in Shibuya. The self-described ‘Jewpanese’ comedian is known for turning personal drama into hilarious bits that often incorporate musical elements, so expect a show that’s equal parts touching, irreverent and groovy.

The 7,800sqm azalea garden at Jindai Botanical Garden has around 12,000 flowers that reach peak bloom from mid-April through to the beginning of May. You can see around 270 kinds of azalea that cover the entire field in shades of pink, red and white. There’s also a viewing platform from where you can get a 360-degree view of the azalea garden.

For much of the year, Shiofune Kannonji is a quiet temple on the foothills of Ome, off the beaten path. However, once a year, crowds flock to see the temple grounds come to life in a vibrant array of colours during the annual azalea festival.

The main attraction of this festival is the scenery: a spectacular display of 20,000 azaleas of 20 varieties that blanket a valley with a patchwork of pink, white, purple and green colours. The best time to see them is around Golden Week. 

Coinciding with the bloom, the Shiofune Kannonji Azalea Festival is also hosting a fire-walking event on May 3 to pray for the blessings of the deity Fudo. The public is welcome to take on the challenge of walking over red-hot charcoal in exchange for a charm that is said to help ward off evil. Expect to also see live performances, such as a magic show, (April 18 from 11am and 1pm), a Koto performance (April 19 from 10am, 11am, 1pm & 2pm), traditional Japanese Nihon buyo dance performances (April 25 from 11am & 1.30pm) and a taiko drumming performance (April 29 from 11am & 1pm).

There's a ¥300 entry fee (primary school children and younger ¥100) during the azalea season. Check the temple's Facebook page for the latest blooming updates. 

One of Tokyo’s largest koinobori festivals takes place at the foot of Tokyo Skytree, with 1,000 carp streamers fluttering in the air. The traditional koinobori carp streamers are put up to celebrate Children’s Day, which happens every May 5 during Golden Week. 

If you visit the fifth-floor Block 12 event space near Space 634, children can participate in a fun workshop to colour their own koinobori with guidance from carp streamer artisans for ¥500 (April 11-12). Additionally, other activities will also be taking place at venues around Tokyo Skytree Town, including a Taiwanese food festival, a workshop to make full-length embroidered carp streamers at Kyototo, and a carp streamer candy sculpting workshop at the Asakusa Amezaiku Ameshin store.

If you’re craving some Taiwanese food this spring, then drop by Tokyo Skytree Town for its Taiwan Festival. Head over to the fourth floor of Sky Arena until May 31 to feast on Taiwanese food throughout the day. Several stalls are offering popular Taiwanese festival cuisine such as lu rou fan (braised pork over rice), sheng jian bao (pan-fried soup dumplings) and da ji pai fried chicken.

You can also shop for Taiwanese goods and even enjoy massages and fortune telling. The dining area is decorated with red and Tainan-style vibrant lanterns to give it a Taiwanese night market feel.

The Takanawa Cherry Blossom Festival takes place in an expansive Japanese garden with around 210 cherry trees across 17 varieties. Starting with the early-blooming kawazu sakura in February, the garden offers a succession of blossoms to enjoy for nearly three months.

The cherry blossoms here are illuminated nightly from 4.30pm to midnight until April 19. During the festival, the garden paths are also lined with more than 400 ornate bamboo lanterns inspired by Takanawa Nijurokuya, an Edo-period moon-waiting ritual (1603–1868). It’s an especially scenic spot for capturing memorable sakura photos. Kimono rentals are also available.

While you're there, don't miss the exciting workshops at the Japanese garden, such as the cherry blossom bonsai crafting experience, Kyoto-style sweets-making class, outdoor morning yoga, and more. Special cherry blossom-viewing rooms and al-fresco breakfast sessions are also available for booking.

For more information on workshops and stay packages, check the event website.

Tokyo’s cherry blossoms may be gone for another year, but you can still enjoy this sakura-themed event at the Andaz Tokyo’s Rooftop Bar until the end of April. Take in a stunning view of Tokyo from 250m above ground at the Rooftop Bar, which looks out over the iconic Tokyo Tower, while enjoying seasonal food and free-flowing drinks. 

The Yozakura Premium View Plan includes a selection of canapés, with a lot of cherry blossom inspiration. Expect sakura shrimp quiche, beef sliders, sakura-marinated olives, beetroot salad with tofu dip, egg sandwiches, smoked Fuji salmon tartare, fried chicken and cheesy gougère puffs.

Plans start from ¥9,350 per person with a glass of Saint Marguerite Fantastique Rose plus unlimited wine, beer and soft drinks, in addition to the canapés. Champagne sets go for ¥11,000 (one welcome glass) and ¥15,950 (free-flowing champagne). The Yozakura Premium View Plan is available daily until April 26 and you can make reservations here.

Catch the sight of cherry blossoms before anywhere else at the 60th floor observatory of Ikebukuro’s Sunshine City this spring. From February 26 to May 10, the relaxing indoor park with artificial turf will be decorated with colourful cherry blossom decorations, including branches from real Somei Yoshino cherry trees nearby. These will be set up mainly around the Tembo no Oka (‘observatory hill’) area.

Since the observatory’s whole hanami experience can be enjoyed indoors, there’s no need to worry about the weather or any irritating pollen flying around. During the event period, the Tembo Park Cafe will be offering a special hanami menu featuring treats such as the Sakura Peach Soda Float and the Haruno-otozure (coming of spring) parfait. You can borrow a picnic blanket at the venue and sit down on the turf with your refreshments. 

If you’re visiting after nightfall, don’t miss the chance to try the glowing Yozakura Soda, which is inspired by illuminated cherry blossoms in the night sky. It’s the perfect complement to the beautifully lit cherry blossom ornaments and eye-catching views of Tokyo. Handheld lanterns are also available to borrow after dusk, further enhancing the atmosphere.

The Tokyo Metropolitan Government No 1 Building in Shinjuku serves as the backdrop for a jaw-dropping and record-breaking projection mapping show. Covering an area of a whopping 13,905sqm, the after-dark spectacle has been certified by Guinness World Records as the largest permanent display of its kind in the world.

The nightly showcase features a range of visual wonders created by a mix of local and international artists. Some shows are inspired by Tokyo’s rich history, while others draw on themes like the lunar cycle. 

Currently, on weeknights, you can catch striking visuals synchronised to ‘800’ and 'Zankyosanka' by hit Japanese pop singer and lyricist Aimer as well as ‘Pac-Man eats Tokyo’, ‘Lunar Cycle’, ‘Synergy’, ‘Tokyo Resonance’ and ‘Evolution’. On weekends, you can look forward to the aforementioned ‘Zankyosanka (Aimer)’, as well as ‘Godzilla: Attack on Tokyo’ and ‘TYO337’, a display featuring motifs of traditional Japanese performing arts such as Kabuki paired with electronic beats. 

From March 20, Pokémon Trading Card Game ‘Tokyo Luminous Night’, a brand-new projection-mapping show featuring Pokémon cards on a massive scale, has been running on weekends and holidays from 6.30pm, 7.30pm and 9pm. Be sure to check the event website for more details.

Shows take place every night at fifteen-minute intervals from 6pm (Mar from 6.30pm, 7pm from Apr, 7.30pm from May to Aug) to 9.45pm. For more details and to check the full programme of daily projection mapping shows, visit here.

This expansive exhibition is the largest in the Doraemon franchise’s 56-year history, bringing together manga panels, animation, sculptures, limited-edition merch and a themed food menu all starring the world’s favourite blue robot cat and his friends. It launched in Hong Kong in July 2024, attracting over five million visitors during its month-long run. Since then, it has continued to captivate fans across Asia, making its way through several cities including Shanghai, Guangzhou, Bangkok, and Kaohsiung in Taiwan.

The exhibition space contains over 100 distinct Doraemon figures, each with its own expression and costume. In addition to showcasing the content from the previous cities, the Tokyo exhibition also features Japan-exclusive works. Here you can see Doraemon transformed into a shiba inu, a sumo wrestler and a few other forms inspired by Japanese culture, as well as view two original animations not seen elsewhere.

‘100% Doraemon & Friends’ runs until September 30 and is open from 10am to 6pm daily (last entry 5.30pm). Tickets start from ¥2,400 for adults, ¥1,800 for primary and secondary school students and ¥1,600 for children four years old and below – purchase yours here. As an added bonus, upon arrival exhibition visitors receive one of nine Doraemon-themed acrylic pins and one of four promotional cards (both chosen at random).

Step into a world of vibrant chrysanthemums this spring at this free collaborative exhibition between teamLab and Galaxy. Now in its fifth year, the interactive, immersive space at Galaxy Harajuku uses cutting-edge projection mapping to depict flowers caught in an endless cycle of birth and death. Reach out to touch them and they’ll wither; stand still beside them and they’ll bloom more quickly.

Look down and you’ll see flowing currents of gold beneath your feet – traces shaped by your very presence. The movements of others create their own currents, which intertwine and form swirling vortices. The result is a constantly shifting environment where no two moments are ever the same. The Galaxy store also invites visitors to capture these fleeting scenes using the foldable smartphones available at the venue.

Internationally recognised photographer and film director Mika Ninagawa is hosting a solo exhibition at the homey and intimate DDDArt art gallery in Shimokitazawa this spring. Much smaller in scale than the likes of her recent projects in Kyoto, at Expo 2025 and Tokyo Node, the exhibition takes a step back to revisit Ninagawa’s body of work, from her early career to her latest creations.

Coinciding with the launch of her latest photo book with the same name, the exhibition brings the artist’s worldview to life in a physical space. As if the vibrant pages of the book were superimposed onto reality, the tatami-floored kominka folk house is reborn with shimmering crystal strands, red and pink paint splatters and super-saturated photo prints.

Running until May 31, the exhibit is only a short stroll away from Shimokitazawa, where Ninagawa herself spent over a decade in her formative years. Why not take a detour towards Sangenjaya for a creative journey on your next visit to the area?

Martin Margiela is one of the most influential and enigmatic figures in contemporary creative culture. The Belgian rose to prominence with the founding of Maison Martin Margiela in 1988, redefining fashion through deconstruction, anonymity and radical reinterpretation of form. Having left the fashion industry in 2008, Margiela turned fully toward visual art, where he continues to explore themes of the human body, absence, time, transformation, and the poetry of the overlooked

Showing from April 11 to April 29, ‘Martin Margiela at Kudan House’ marks the artist’s first large-scale solo exhibition in Japan. Set within a registered cultural property completed in 1927, the exhibition unfolds as a series of ephemeral installations staged throughout the historic residence. Margiela was drawn to the charged contrast between contemporary artworks and the intimate atmosphere of a lived-in architectural space.

Collage, painting, drawing, sculpture, assemblage and video coexist across the mansion’s rooms, inviting visitors into a close and contemplative encounter with the works. Reuse, fragmentation and metamorphosis remain central concerns, as everyday materials are subtly transformed into poetic propositions. Conceived and curated entirely by the artist, the exhibition reflects Margiela’s enduring desire not to provide answers, but to pose questions, with disarming intimacy.

Prepare your ponchos and panniers, as Harajuku J-fashion icon Sebastian Masuda has opened his first large-scale solo exhibition in years in Hyper Museum Hanno. The exhibition, running from March 14 to August 30, is packed with psychedelic candy-coloured installation rooms, art pieces and sculptures by Masuda himself, created over the years and brought to Japan for the event.

The exhibition unfolds across six themed spaces presented in a loose chronology, tracing Masuda’s formative experiences and how he arrived at his own understanding of kawaii after navigating personal conflicts.

While it’s taking place a bit outside central Tokyo, the exhibition offers an approachable but deep dive into Harajuku kawaii while prompting a look at where the culture is headed next. Be sure to visit the museum pop-up shop, which stocks exclusive T-shirts, stickers, omamori amulets and more.

Tickets are now on sale via Asoview, Artsticker, Lawson Ticket and Seven Ticket.

Brace yourselves – things are about to get intensely kawaii. From April 9 to June 21, the Mori Arts Center Gallery in Roppongi hosts the final and most expansive edition of a pink-hued exhibition that has toured Japan since 2021. Marking more than 60 years since the founding of cute character empire Sanrio, the show returns to Tokyo in an enriched version that looks back not only at the company’s history, but also at the birth and global rise of kawaii as a cultural language.

Before Hello Kitty’s debut in 1974 (!), Sanrio was already exploring new forms of visual softness, warmth and emotional connection. The exhibition traces this formative period, revealing how kawaii emerged as a distinct value through early designs, products and ideas. Subsequent sections delve into the creation of the company’s multifarious characters, the enduring appeal of Kitty-chan and Sanrio’s unique philosophy of growing characters together with their fans. Central to this story is Ichigo Shinbun, the fan mag that fostered a participatory culture long before the age of social media.

The exhibition culminates in a spectacular gathering of characters: over 200 appear on display, the largest number in Sanrio exhibition history, alongside a vast array of nostalgic merchandise. More than a celebration of cuteness, ‘The Beginning of Kawaii’ offers a thoughtful portrait of how Sanrio shaped, and continues to shape, a global cultural phenomenon.

When at the exhibition, be sure to also check out the collab café right next to the museum.

Ueno’s University Art Museum plays host to this landmark celebration of one of Japan’s most enduring art-focused TV programmes. Since its debut in 1976, NHK Sunday Museum (Nichiyo Bijutsukan) has aired more than 2,500 episodes, introducing audiences to masterpieces from across eras and cultures while elevating the voices of cast members, thinkers and performers who reflect on the meaning of beauty. The exhibition, on view from March 28 to June 21, revisits this half-century history through roughly 120 works presented across five thematic chapters.

Visitors will encounter iconic pieces that shaped the programme’s narrative, from prehistoric Jomon pottery and Edo-period (1603–1868) screens to Paul Cézanne’s Bathers, Alberto Giacometti’s Yanaihara I, Taro Okamoto’s Encounter and the haunting visions of Tetsuya Ishida. Archival footage and carefully selected quotes from past broadcasts, including reflections by literary giants, dancers and contemporary creators, illuminate how the show has continued to discover beauty across generations. High-definition projections, including a life-size rendering of Pablo Picasso’s Guernica, further expand the experience.

Touching on themes such as rediscovered Japanese aesthetics, the evolution of craft, the relationship between art and disaster and the intimate space of the artist’s studio, the exhibition offers a sweeping meditation on creativity. This anniversary celebration stands as a vivid tribute to a programme that has long served as a bridge between the public and beauty.

Having spent over four decades redefining the relationship between art, technology and desire, Hajime Sorayama is one of Japan’s most celebrated contemporary artists. Noted for his iconic Sexy Robot series and his pioneering fusion of human sensuality and mechanical precision, Sorayama’s work has influenced generations of creators across art, design and popular culture – from RoboCop to Dior. His visionary approach, uniting the sensual with the synthetic, has earned him international acclaim and a lasting place in the subcultural art canon.

Opening this spring at the Creative Museum Tokyo, ‘Sorayama: Light, Reflection, Transparency -Tokyo-’ marks the artist’s largest retrospective in Japan to date, following its acclaimed debut in Shanghai. The exhibition traces Sorayama’s artistic evolution from his first robot painting in 1978 to his latest digital and sculptural works. Visitors will encounter highlights such as the original Aibo robot design for Sony, the artwork for Aerosmith’s Just Push Play album, and an immersive installation that embodies Sorayama’s lifelong pursuit of capturing light, air and reflections.

By blending futuristic imagination with classical mastery, Sorayama invites viewers to contemplate a world where human emotion and machine form merge in radiant harmony.

The National Museum of Western Art’s ‘Artists by Artists in Western Prints’ explores how artists have portrayed themselves (and one another) through the medium of printmaking from the Renaissance to the modern era.

Featuring nearly 50 works drawn primarily from the museum’s collection, the exhibition traces the historical evolution of the artist’s image in Western art. During the Middle Ages, creators were largely regarded as anonymous craftsmen, and their likenesses rarely appeared in the works they produced. From the 16th century onward, however, artists began to assert a new identity, aligning artistic creation with intellectual inquiry and positioning themselves as practitioners of the liberal arts. As their social status rose, so too did interest in the individual artist, giving rise to the flourishing tradition of the self-portrait.

The exhibition includes prints by major figures such as Albrecht Dürer, Rembrandt van Rijn, Francisco Goya and Pablo Picasso. Alongside self-portraits, you’ll encounter images of artists at work and idealised representations of the creative figure.

Together, these diverse images offer a compelling reflection on how the notion of the artist has evolved, from skilled artisan to solitary, introspective creator, while inviting viewers to reconsider the enduring relationship between identity, creativity and self-expression.

Roe Ethridge is one of the most influential photographers of his generation, celebrated for a practice that fluidly moves between fine art and commercial imagery. Born in Miami in 1969 and based in New York, Ethridge has developed a distinctive visual language by repurposing techniques from fashion and advertising photography into the realm of contemporary art. His photographs, often still lifes or seemingly mundane subjects, create subtle tensions between reality and fiction, familiarity and estrangement. Collected by major institutions including MoMA, Tate Modern and the Guggenheim, his work consistently reveals how images construct meaning in both personal and cultural contexts.

‘Chanel History Collection by Roe Ethridge’ is an exhibition unveiling a body of work commissioned for Chanel Arts & Culture Magazine, launched in 2025. For this project, Ethridge was granted rare access to the House of Chanel’s Patrimoine archives and to Gabrielle Chanel’s preserved apartment at 31 rue Cambon in Paris. There he photographed objects that shaped Chanel’s artistic universe: a sculpted bust by Jacques Lipchitz, manuscripts by Pierre Reverdy, works linked to Salvador Dalí and Pablo Picasso, and even an ancient Egyptian funerary mask.

Reimagined through Ethridge’s lens and combined with contemporary props in his Paris studio, these images breathe new life into Chanel’s legacy as a visionary designer and patron of the avant-garde. The exhibition encourages dialogue between past and present, extending Chanel’s century-long commitment to artistic creation through the eyes of a photographer who thrives on reinvention.