The best things to do in Tokyo this weekend

Yasukuni Shrine’s annual Mitama Matsuri is one of Tokyo’s largest Obon festivals. First held in 1947, the festival is best known for its 30,000 lanterns: 10,000 large lanterns light the approach to the shrine while 20,000 smaller ones are set up at the inner shrine grounds. This year, the lanterns will be illuminated daily from dusk until 9.30pm between the days of July 13 and July 16.

During this four-day festival, Yasukuni Shrine’s outer gardens will host a series of daily events, such as a noryo summer folk dancing festival around the bronze statue of Masujiro Omura, and a beautiful display of Sendai Tanabata ornaments. Plus, you’ll also find a congregation of food trucks selling street food throughout the festival period.

Don't miss the giant Nebuta float processions and Awa Odori dance performances happening on Monday July 14 from 6.30pm and 7.30pm respectively. They are, arguably, the highlight of the festivities. Additionally, there are portable shrine processions taking place at 6.30pm on July 13 and 15. 

The event takes place from 5pm to 9.30pm daily.

The Sawara Grand Festival is held twice a year – in July and October – in the picturesque canal city of Sawara in northern Chiba. Regarded as one of the three largest float festivals in the Kanto region, the festival was recognised by UNESCO as an Important Intangible Folk Cultural Property in 2016.

The summer version of the Sawara Grand Festival takes place from July 11 to 13. Expect to see ten magnificent floats adorned with meticulously crafted ornaments and likenesses of ancient warriors on top during the three-day fest. For fans of traditional festivals, this is a truly immersive experience – complete with dancers in period costume, the rhythmic sounds of Sawara bayashi festival music, and a cityscape that feels like it’s been frozen in time for the 300 years the festival has been held for.

While Sawara is located a stone’s throw away from Narita, getting to the city from central Tokyo by train is a bit more difficult. The journey takes approximately two hours, involving a transfer from the Sobu Line Rapid Service at Narita to the Narita Line to Sawara Station. However, easier and faster direct-route bus options are available from Bus Terminal Tokyo Yaesu, stop no. 14 (Choshi Sawara Route).

Spreading out all over Ikebukuro, the annual Hula Festival paints the area in distinctly Hawaiian colours. Outdoor gigs by Hawaiian bands and a dizzying variety of food and drink stalls complement the main event − with an expected 151 teams and up to 2,500 hula dancers convening to show off their hula skills across four stages. If you feel like swinging your hips too, head to the Global Ring Theatre at 6.45pm on both days for 15 minutes of fun, feel-good hula dancing that everyone can join.

Open-air mobile cinema company Kino Iglu is bringing its outdoor film expertise to Azabudai Hills this July for two days, setting up on the spacious lawn at Azabudai Hills Central Plaza. They’ll be showing one film per day from 7.15pm on July 11 and 12.

The screening on Friday July 11 will be Jazz on a Summer’s Day, a laid-back vintage concert film from the late 1950s that documents legendary musicians such as Louis Armstrong and Thelonious Monk at the height of their careers. On the following evening, the 1986 classic coming-of-age film Stand by Me will be screened.

Before the show starts, stop by the El Camion beer bar by T.Y. Harbor Brewery, a massive mobile bar built from a shipping container and mounted on a semi-truck. Here, you can enjoy refreshing pints from a selection of half a dozen craft beers along with picnic-style bites like the Black Chilli Cheese Dog and BBQ Pulled Pork Nachos.

There will be no film screenings on July 13.

Taking place around Yokohama Port, Yokohama Night Flowers (formerly Yokohama Sparkling Twilight) lights up not only the city but also the sky above it. It's a stunning sight as the fireworks are set off above the illuminated boats crisscrossing the sea in front of Yamashita Park. 

This time around, there are 16 five-minute fireworks displays scheduled from February to September. Depending on the date, the fireworks are launched from either Osanbashi Pier and/or Shinko Pier. This makes the seaside Yamashita Park an ideal vantage point to catch all the explosive action.

Along with the fireworks, Yokohama is also hosting several food events nearby, including the Yokohama Strawberry Festival (February 6-March 2), Yokohama Bread Festival (March 7-9), Belgian Beer Weekend Yokohama and more. See the event website for updates.

Fireworks displays are held on February 1, 8 and 22, March 1 and 29, April 5, 6 and 19, May 17 and 24, June 21, July 5 and 12, August 10, and September 6 and 14. (2025)

While you’ll find an abundance of vintage and thrift stores in Shimokitazawa, the trendy neighbourhood also hosts a regular flea market at the Shimokita Senrogai open space, just a few minutes’ walk from the station, beside the Shimokitazawa Police Box. 

Expect to find all sorts of treasures and bargains including crafts and other handmade knick-knacks, jewellery and, of course, secondhand and vintage clothing. For when you’re feeling peckish, the market also features a café as well as a line-up of food trucks.

The Oedo Antique Market, the largest and oldest outdoor market of its kind in Japan, is great for picking up some cool art, unique handicrafts or vintage decorative items. Keep an eye out for real Edo-era (1603-1867) treasures hidden among the heaps of merchandise, which range from ceramics and clothing to ukiyo-e prints. Currently, it's being held on the first and third Sunday of the month at the Tokyo International Forum. You can check the exact market dates updated on the website.

Keep in mind that the market operates weather permitting.

Studio Ghibli’s immersive sculpture exhibition is returning to Tokyo to captivate a new generation of fans. Featuring 3D recreations of iconic scenes from hit animated films such as Spirited Away, My Neighbor Totoro, Howl’s Moving Castle and Porco Rosso, the show is a new and improved version of Studio Ghibli’s first ever art exhibition, held in Tokyo back in 2003. 

Running from May 27 to September 23 at Warehouse Terrada’s B&C and E halls in Tennozu, the exhibition will feature mock-ups of scenes such as Chihiro’s first crossing over the bridge into the bathhouse in Spirited Away, and the thrilling scene from Ponyo where the titular character rides the waves to catch up to Sosuke in the storm. The main highlight, however, is arguably the true-to-size mock up of Porco’s Savoia S-21 seaplane from Porco Rosso.

When hunger strikes, head over to T-Lotus M, a waterfront event space adjacent to the exhibition venue, for some ham ramen inspired by a similar dish in Ponyo. Tickets can be purchased in combination with the Ghibli Museum or in conjunction with hotel accommodation plans.

For more details and ticketing information, check the event website. (Japanese only)

The Tokyo Metropolitan Government No. 1 Building in Shinjuku serves as the backdrop for a jaw-dropping and record-breaking projection mapping show. Covering an area of a whopping 13,905sqm, the after-dark spectacle has been certified by Guinness World Records as the largest permanent display of its kind in the world.

The nightly showcase features a range of visual wonders created by a mix of local and international artists. Some shows are inspired by Tokyo’s rich history, while others draw on themes like the lunar cycle. 

From April 26, ‘Tokyo Gundam in the Future’, a brand new projection mapping show featuring a Gundam with a newly reimagined Mobile Suit colour scheme, will begin on weekends and holidays every hour from 7pm (7.30pm from May 10). Be sure to check the event website for more details.

Enjoy a late night stroll under an artificial Milky Way at Tokyo Tower’s main deck. As an alternative experience for astronomy enthusiasts, Tokyo Tower has recreated the Milky Way using 29,000 LED lights, so you can gaze up at the (artificial) stars in the middle of the city.

Every 15 minutes, the blue LED lights that represent the starry sky turn pink and gold, while the Milky Way changes from white to a rainbow of seven colours. This special effect makes the Tokyo skyline look even more mesmerising, as if our beloved city is under a magical starry night.

The event takes place from 9.00am until 11pm.

No trip to Tokyo or Japan is complete without a shopping spree at the iconic Don Quijote. But if browsing the aisles isn’t enough to satisfy your Donki cravings, you’ll want to book a table for this playful Don Quijote-themed afternoon tea at Hotel Indigo Tokyo Shibuya.

Available at the hotel’s 11th-floor all-day dining restaurant, Gallery 11, this fun afternoon tea spread is inspired by Don Quijote’s beloved mascots, Donpen and Donko, with an array of colourful sweets and fun surprises. 

Desserts include unique creations like the passion fruit chocolate and pink pepper marshmallow, honeycomb red velvet cupcake and candy apple filled with a rich caramel – all served on a mini skateboard. You can also enjoy a tastebud-tingling cake made with popping candy featuring images of Donpen and Donko, alongside a savoury herb roast chicken served with lemon and caper sauce.

Time to don those wizardly robes. From April 18 to September 8, Warner Bros. Studio Tour Tokyo are bringing the set of 'Harry Potter and the Goblet of Fire' to life to celebrate the film's 20th anniversary. The tour will feature recreations of props, costumes and locations from the film, such as the Great Hall, the Prefects' Bathroom and the Goblet of Fire itself. Themed food and merch will be available for purchase.

Times and ticket prices vary, so be sure to check their website for availability, as tickets must be purchased in advance and currently are only available until June 30.

In the news for his role as the designer of the Expo 2025 site, Sou Fujimoto is an architect whose work explores the relationship between nature and architecture. Born in Hokkaido, he is inspired by the natural landscapes of his childhood and seeks to integrate organic forms into the built environment through an approach he calls ‘primitive future’.

This philosophy translates into an exploration of the limits between indoors and outdoors and the natural and the artificial, creating spaces that invite a new experience of inhabiting it. Fujimoto’s residential projects in Japan, such as House N, House O and House T, as well as international projects such as the Serpentine Gallery Pavilion in London, illustrate this desire to blur spatial boundaries. His work is characterised by the use of simple materials, often only one per project, implemented in innovative ways to create complex and intriguing shapes. The balance between a defined program and the freedom of appropriation by the occupants is at the heart of his approach.

Fujimoto’s first major Tokyo retrospective takes over the Mori Art Museum from July 2 to November 9. The exhibition offers a comprehensive overview of the architect’s journey over the past quarter century, showcasing his achievements. Models, plans and documentary photographs sit alongside life-size models and installations, providing an immersive visual and spatial experience of the essence of his work. The exhibition highlights projects such as the Musashino Art University Museum & Library, the Arbre Blanc in Montpellier, France, the House of Music in Budapest, and – yes – the Expo site on Osaka’s Yumeshima.

This spring and summer, Japan’s ancient aesthetic heritage meets the cutting edge of animation. On at the Tokyo National Museum from March 25 to August 3, ‘Immersive Theater on Neo-Japonism: From Ancient Art to Anime’ is an ambitious 24-minute visual experience that journeys through 10,000 years of Japanese creativity.

Projected across four massive walls fitted with towering 7-metre screens, the ultra-HD installation explores the evolution of Japanese artistic expression from the clay figures of the prehistoric Jomon period to the ink paintings of the Edo period (1603–1867), culminating in the vibrant dynamism of contemporary anime. Brought to life by the innovative minds at digital art outfits Panoramatiks and Cekai, the experience highlights how Japan’s animist worldview and refined sense of space continue to influence global pop culture.

The exhibition draws poignant connections between ancient scrolls, classical motifs, and works by anime legends like Osamu Tezuka, Isao Takahata and Mamoru Hosoda, serving up a distinctive blend of history, art and imagination.

Ukiyo-e superstar Katsushika Hokusai’s legacy continues to ripple through and beyond the art world even today, centuries after his death – the meme-ification of Under the Wave off Kanagawa being only the most obvious example. But what makes Hokusai a standout among the many Edo-period (1603–1867) masters who captured the lives, dreams and landscapes of the city?

This summer, the Sumida Hokusai Museum invites visitors to explore answers to that very question through an interactive exhibition highlighting the craftsmanship of Hokusai and his disciples. ‘Wow, Hokusai!’ encourages close observation, helping viewers notice shared motifs, subtle differences and clever compositional techniques across the artist’s oeuvre.

The show zooms in on key elements in Hokusai’s work – from thunderous skies to bustling riverbanks, from swirling waves to architectural wonders – to provoke moments of discovery. As such, it offers a vivid introduction to ukiyo-e and an intimate look into Hokusai’s genius.

Step into the masterful world of Japan’s most celebrated woodblock print artist this spring at ‘Hokusai: Another Story’, held at Shibuya’s Tokyu Plaza. Utilising the latest in high-definition imaging, spatial audio and Sony’s state-of-the-art sensory technology, the exhibition promises to bring Hokusai’s iconic works to life.

The main highlight of the exhibition is the vivid scenery of Hokusai's ‘Thirty-Six Views of Mount Fuji’, with ultra-high-definition visuals and Sony's Crystal LED displays recreating the intricate details of the work. Visualise, hear and feel the sensation of jumping on puddles or walking on dry sand, thanks in part to haptic floor technology developed by Sony PCL. Then, follow a path illuminated by bamboo lights to reach a room where you can browse master replicas of iconic ukiyo-e prints. Each replica is crafted using DTIP (3D Texture Image Processing) technology that scans every fibre of the traditional washi-paper originals to preserve the works digitally. This multisensory experience allows visitors to not only see, but truly feel, the world Hokusai depicted.

Tickets must be purchased in advance through the event website.

Kenjiro Okazaki (b. 1955) is a multidisciplinary artist whose work spans painting, sculpture, architecture, landscape design and even robotics. His artistic practice defies categorisation, blending visual abstraction with conceptual depth. Internationally recognised, he directed the Japanese pavilion at the Venice Biennale’s Architecture Exhibition in 2002 and collaborated with choreographer Trisha Brown for the performance I Love My Robot (2007).

‘Time Unfolding Here’ at the Museum of Contemporary Art is the first large-scale retrospective of Okazaki’s work in Tokyo. By presenting his interdisciplinary approach, which bridges art, architecture and philosophy, the exhibition seeks to reveal how artistic creation can serve as a method of understanding the world. A must-see for anyone interested in the intersection of art and critical thinking, the show will feature new works as well as landmark pieces from Okazaki’s long career, illustrating the evolution of his exploration of form, perception and space.

Few would argue against the late Leiji Matsumoto as one of Japan’s most visionary manga artists. Born in 1938, Matsumoto grew up fascinated by the night sky, a passion that would later shape his iconic stories such as Galaxy Express 999 and Space Pirate Captain Harlock. His work blends space-faring adventure with profound philosophical themes, exploring concepts of life, mortality and human perseverance, and has inspired creatives worldwide, even shaping the dreams of future astronauts.

From June 20 to September 7, Tokyo City View at Roppongi Hills will host ‘Leiji Matsumoto: A Creative Journey’, the first major exhibition dedicated to the prolific career of an artist who left an indelible mark on the world of sci-fi with his rich storytelling and strikingly detailed art. Marking the beginning of a series of events celebrating the upcoming 50th anniversary of Galaxy Express 999, this exhibition will immerse visitors in Matsumoto’s imaginative universe. Featuring over 300 original drawings, including early works, rare materials and never-before-seen sketches, the display offers an opportunity to dig deep into the Fukuoka native’s creative process and experience the timeless magic of his work.

Mobile Suit Gundam GQuuuuuuX -Beginning- marks a bold new chapter in the world-conquering franchise. As the first-ever collaboration between two titans of Japanese animation – Evangelion creators Studio Khara and Gundam’s Sunrise – this highly anticipated production fuses two distinct creative legacies into a dynamic reimagining of the mecha genre.

To celebrate this ground-breaking project, Anime Tokyo Station is hosting an exclusive exhibition from May 24 to August 11. Visitors will be treated to a curated collection of scene stills from the film version, immersive life-size displays recreating pivotal moments, and production materials such as original scripts. Standees of key characters and mobile suits bring the universe to life, while an AR photo zone invites fans to pose alongside motifs from the series for an interactive experience.

With free admission and content tailored for both long-time fans and newcomers, the show offers the perfect opportunity to step into the world of giant robots.

In the news for his role as the designer of the Expo 2025 site, Sou Fujimoto is an architect whose work explores the relationship between nature and architecture. Born in Hokkaido, he is inspired by the natural landscapes of his childhood and seeks to integrate organic forms into the built environment through an approach he calls ‘primitive future’.

This philosophy translates into an exploration of the limits between indoors and outdoors and the natural and the artificial, creating spaces that invite a new experience of inhabiting it. Fujimoto’s residential projects in Japan, such as House N, House O and House T, as well as international projects such as the Serpentine Gallery Pavilion in London, illustrate this desire to blur spatial boundaries. His work is characterised by the use of simple materials, often only one per project, implemented in innovative ways to create complex and intriguing shapes. The balance between a defined program and the freedom of appropriation by the occupants is at the heart of his approach.

Fujimoto’s first major Tokyo retrospective takes over the Mori Art Museum from July 2 to November 9. The exhibition offers a comprehensive overview of the architect’s journey over the past quarter century, showcasing his achievements. Models, plans and documentary photographs sit alongside life-size models and installations, providing an immersive visual and spatial experience of the essence of his work. The exhibition highlights projects such as the Musashino Art University Museum & Library, the Arbre Blanc in Montpellier, France, the House of Music in Budapest, and – yes – the Expo site on Osaka’s Yumeshima.