Our picks for the best things to do in Bangkok this weekend

An exhibition confronting Thai democracy arrives with unsettling clarity, pairing Manit Sriwanichpoom and Akkara Naktamna in a conversation that feels both personal and painfully public. Their works sketch daily existence beneath rigid political scripts where citizenship becomes an endurance test rather than an act of participation. Photographs and installations lean on sharp metaphors: veiled faces, constricted bodies, environments that appear breathable yet quietly hostile. Each piece questions authority’s gentle language while revealing how control slips through education, media, ritual. Viewers are left wondering what belief even means when vision feels filtered and breath negotiated. Are citizens misled, or simply surviving within limits imposed long before consent? The exhibition asks uncomfortable questions without promising answers, suggesting delusion may not belong to individuals alone but to a system sustained by repetition, fear and uneasy silence.   Until April 12. Free. West Eden Gallery, 11am-6pm

Hands still matter, even now. At Rosewood Bangkok, Made in Thai-Hands arrives through a collaboration with Play Art House, offering a thoughtful look at living craft traditions shaped by patience rather than speed. Curated by independent artist Seada Samdao, the exhibition brings together 10 Thai artists working between inherited techniques and contemporary thinking, without treating either as fixed. Moving through the space feels like travelling across different landscapes, guided by texture, material and touch. Threads hold hours of quiet labour, pigment settles through instinct and surfaces reveal years of repetition. Nothing rushes for attention. Instead, each work carries the weight of human effort and the calm confidence that comes from knowing a process deeply. While the rhythms of making remain central, the voices feel current, led by a generation carrying tradition forward with clarity rather than reverence. Craft here feels alive, personal and quietly defiant.   Until March 20. Free. G/F, Rosewood Bangkok, 9am-9pm

Thai illustrator Lili Tae, also known as Phindita Techamongkhalaphiwat, presents a solo exhibition curated by Jason Yang that feels like stepping through shifting layers of memory, dream and landscape. Her digital paintings grow from quiet encounters with forests, wandering paths and unexpected meetings with flora and fauna, reshaped through a deeply personal lens. Soft brushwork meets luminous colour, allowing realism to brush against fantasy and moments of gentle surrealism without losing emotional clarity. Figures appear suspended between waking life and subconscious reflection, suggesting stories half remembered rather than fully explained. Natural textures echo skin, water, leaves and shifting weather, giving each image a tactile presence despite its digital form. Viewers wander through scenes that feel intimate yet expansive, reflecting how imagination reshapes daily observation without ever fully separating from lived experience.   Until March 16. Free. GalileOasis Gallery, 9am-8pm

Song Wat turns playful without losing its sense of history. For Bangkok Design Week, the district becomes a walkable board game, stretching across streets that once carried trade, gossip and daily deals. Building on the earlier manhole cover project, this new chapter invites visitors to play merchant, navigating landmarks and stories that shaped the neighbourhood’s working life. Set along Song Wat Road at Tuk Khaek, Merchants of Song Wat reimagines the area as a network of warehouses and shops. Players move as caravans, trading goods, striking bargains with local businesses and slowly building their own corner of commerce. The rules stay friendly, the visuals clear, drawing from familiar colours and signs around the area.    Until February. Free. Song Wat, 2pm-8pm on weekdays and 1pm-7pm on weekends.

Bangkok welcomes 2026 with a knowing wink as Muse Anime Festival sets up at JAM SPACE, a familiar meeting point for pop culture devotees. This is less trade fair, more shared obsession. Fourteen anime titles spread across 17 photo zones turn fandom into a walk-through experience, complete with oversized sets and scenes designed for lingering rather than rushing. Expect towering inflatables of Momo and Okarun from DAN DA DAN plus Rimuru, the eternally cheerful slime, looming large for cameras. Beyond the visuals, shelves fill with officially licensed pieces and harder-to-find imports, tempting even the disciplined collector. Food gets its own moment too, thanks to a themed cafe riffing on SPY x FAMILY and That Time I Got Reincarnated as a Slime.    January 10-March 29. Free. 4/F, MBK Centre, 11am-9pm

Song Wat turns playful without losing its sense of history. For Bangkok Design Week, the district becomes a walkable board game, stretching across streets that once carried trade, gossip and daily deals. Building on the earlier manhole cover project, this new chapter invites visitors to play merchant, navigating landmarks and stories that shaped the neighbourhood’s working life. Set along Song Wat Road at Tuk Khaek, Merchants of Song Wat reimagines the area as a network of warehouses and shops. Players move as caravans, trading goods, striking bargains with local businesses and slowly building their own corner of commerce. The rules stay friendly, the visuals clear, drawing from familiar colours and signs around the area.    January 29-February. Free. Song Wat, 2pm-8pm on weekdays and 1pm-7pm on weekends.

February Sundays gain a leisurely rhythm with Sunday Jazzy Brunch, a month-long series pairing thoughtful cooking with live jazz that gently reshapes the usual weekend routine. Each week introduces a new culinary theme, encouraging returning guests to experience familiar surroundings through fresh flavours and seasonal ingredients handled with quiet confidence. Expect towers of chilled seafood, flame kissed specialities and shareable plates designed for lingering conversation rather than hurried bites. Atmosphere leans warm and unpretentious, allowing romance to appear naturally without staged theatrics. The Namsai Trio provide an elegant soundtrack, their intimate arrangements drifting through the room like a soft afternoon breeze. Friends gather around generous tables, couples settle close over sparkling glasses, solo visitors find easy comfort among strangers united by music, laughter and the unspoken joy of slowing down.   Every Sunday. Starts at B1,500. Reserve via 02-649-8888. Sheraton Grande Sukhumvit, midday-3pm

ONE OK ROCK has been smashing it in Thailand for a decade now. The Japanese rock quartet first hit Central World Live back in 2013, then Thunder Dome in 2016 and Impact Arena in 2018. Their most recent gig on December 12 2023 sold out completely, with thousands of fans calling it one of the best shows they'd ever seen. Now the band returns with their latest album DETOX performed live in full. Critics reckon it's their deepest and most globally ambitious record yet. Lead single Tropical Therapy has won serious praise from fans and music press alike for its raw emotion, powerful sound and genre bending approach. If their track record is anything to go by, this show is going to be massive. February 21. B2,700-5,500 via here. Impact Arena, 7pm

At this exhibition, the first section turns its attention to Korea’s Demilitarised Zone, a strip of land that has carried the weight of an unfinished war since the armistice paused the conflict in 1953. Spread across 248km, with two narrow bands flanking the Military Demarcation Line, it has remained largely untouched for about 70 years. The exhibition doesn’t retell history as much as reframe it, pairing archival echoes with scenes shaped by nature’s quiet resilience. With people kept out, the land has healed in its own stubborn way, giving rise to wetlands, wildflowers and animals that rarely appear elsewhere. What you get is a portrait of a place suspended between past and renewal, still holding its breath yet defiantly alive.   Until February 22 2026. Free. 7/F, Bangkok Art and Culture Centre, 10am-8pm

The next most important thing after love Maho Takahashi’s solo exhibition speaks softly, trusting that memory does the heavy lifting. Her works return to a gentler world, one that feels familiar even if it cannot be placed exactly. Childhood appears not as nostalgia but as texture: fleeting moods, half-remembered comforts and the quiet confusion of growing older without noticing it happen. Rather than spelling anything out, Takahashi leaves space. Images hover, emotions shift slightly and meaning waits for the viewer to bring their own history to the surface. It feels personal without becoming precious, reflective without leaning sentimental. This is an exhibition that understands growing up as an ongoing process rather than a finished state. Children moving towards adulthood sit alongside adults still figuring things out, often using the same tools. What lingers most is a sense of permission to feel gently, to remember unevenly and to accept that some memories work better when left a little unresolved.   Until March 8. Free. CURU Gallery, midday-5pm