Haim Steinbach: once again the world is flat

Art, Sculpture Free
2 out of 5 stars
(1user review)
Haim Steinbach (Untitled (gate, Bento boxes, dish, wrappers, dragon container, toys, figurine, owl, Daluma, trunk, dumplings, bells), 2006)
1/8
Untitled (gate, Bento boxes, dish, wrappers, dragon container, toys, figurine, owl, Daluma, trunk, dumplings, bells), 2006Courtesy of the artist
Haim Steinbach ('basics' 1986)
2/8
'basics' 1986Courtesy of the artist
Haim Steinbach (Salt and pepper collection, 2013)
3/8
Salt and pepper collection, 2013Courtesy of the artist. Photo: Anders Sune Berg
Haim Steinbach ('Untitled (insoles, corks)' 1997)
4/8
'Untitled (insoles, corks)' 1997Courtesy of the artist
Haim Steinbach ('Shelf with Ajax' 1981)
5/8
'Shelf with Ajax' 1981Courtesy of the artist
Haim Steinbach (Adirondack tableau (Display #23) 1988)
6/8
Adirondack tableau (Display #23) 1988© Haim Steinbach. Collection Rose Art Museum, Brandeis University, Gift of Sandra and Gerald Fineberg, Boston
Haim Steinbach ('Shelf with Annie', 1981)
7/8
'Shelf with Annie', 1981Courtesy of the artist
Haim Steinbach ('Shelf with Cookie Jar', 1982)
8/8
'Shelf with Cookie Jar', 1982Courtesy of the artist

New Yorker Haim Steinbach is an art-world heavyweight. Best-known as purveyor (along with Jeff Koons) of what for a short time in the 1980s was dubbed ‘Commodity Art’ – a flashy kind of art which held a mirror up to that consumerist decade –Steinbach in fact has been lining up shop-bought and second-hand items (examples: Nike trainers, dog chews and boxes of soap powder) on shelves since the 1970s. He makes a terse kind of post-pop Proustian poetry that taps into the way objects stimulate memory and desire.

READ OUR INTERVIEW WITH HAIM STEINBACH HERE.

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How much do you like shelves? The Serpentine Gallery does. They’ve staged not one but two exhibitions largely concerned with shelves and the things we put on them. At the original Serpentine Gallery, Israeli-American artist Haim Steinbach has filled the space with found objects, elegantly displayed on a range of shelving units.


Alongside his minimalist square paintings from the 1970s, Once Again The World Is Flat explores our fascination with collecting and displaying objects. As well as inviting other institutions to submit items from their collections, visitors to the gallery are invited to bring their salt-and-pepper shakers to join the display. So you could recreate the experience by rooting through the kitchenware department at John Lewis.


For more art in plain English, check out http://www.curatedlondon.co.uk