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Somehow, inexplicably, ‘The Anatomy of Painting’ will be the first major museum exhibition in London dedicated to the work of Jenny Saville. I say inexplicably, because since the 1990s – when she was part of Saatchi’s infamous, groundbreaking ‘Sensation’ exhibition – Saville has been one of the most important, influential and distinctive painters in the country. She is the natural successor and heir to Bacon and Freud, a vicious, extreme, passionate painter of flesh, whose work tears bodies apart and rebuilds them in shocking, beautiful ways.
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