South London Gallery

This year’s New Contemporaries exhibition, a showcase of 26 of the UK’s finest emerging artists, opened at the South London Gallery last week. The show includes themes of - and you may want to take a breath here - dystopian futures, the climate crisis, industrialisation, gentrification, displacement, critical approaches to systems of power, digital technologies, mourning, remembrance, and loss. Among others! Highlights include a striking photographic work by Timon Benson depicting a group of young people congregating in an intimate, cramped party setting, a series of brutalist sculptures by William Braitwaithe, and a number of satisfying works on canvas by a collection of plainly virtuosic painters. The absolute stars of the show, however, are located across the street in the gallery’s Fire Station building. On the first floor are two remarkable films. The first, by Chinese artist River Yuhao Cao, explores mourning in regional Chinese folk traditions. It’s a quiet, beautifully shot meditation that centres on a moving stage vehicle, which parks up in the middle of a forest at night. The curtains are drawn to reveal a lone dancer who performs for an audience of just one, presumably grieving, man who sits on the ground, transfixed by her movements. This moving film has a graceful, hypnotic quality to it, and it makes great use of minimal lighting to pierce through the dark, twilight hours during which it was shot. What this exhibition lacks in cohesion, it makes up for in...