Review

Tate Modern

5 out of 5 stars
  • Art
  • Bankside
  • Recommended
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Time Out says

Thanks to its industrial architecture, this powerhouse of modern art is awe-inspiring even before you enter. Built after World War II as Bankside Power Station, it was designed by Sir Giles Gilbert Scott, architect of Battersea Power Station. The power station shut in 1981; nearly 20 years later, it opened as an art museum, and has enjoyed spectacular popularity ever since. The gallery attracts five million visitors a year to a building intended for half that number; the first fruits of work on the immensely ambitious, £215m TM2 extension opened in 2012: the Tanks, so-called because they occupy vast, subterranean former oil tanks, will stage performance and film art. As for the rest of the extension, a huge new origami structure, designed by Herzog & de Meuron (who were behind the original conversion), will gradually unfold above the Tanks until perhaps 2016, but the work won’t interrupt normal service in the main galleries.

In the main galleries themselves, the original cavernous turbine hall is still used to jaw-dropping effect as the home of large-scale, temporary installations. Beyond, the permanent collection draws from the Tate’s collections of modern art (international works from 1900) and features heavy hitters such as Matisse, Rothko and Beuys – a genuinely world-class collection, expertly curated. There are vertiginous views down inside the building from outside the galleries, which group artworks according to movement (Surrealism, Minimalism, Post-war abstraction) rather than by theme.

Details

Address
Bankside
London
SE1 9TG
Transport:
Tube: Southwark/Blackfriars
Opening hours:
Mon-Thu, Sat, Sun 10am-6pm; Fri 10am-10pm (last adm 45 mins before closing)
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What’s on

Frida: The Making of an Icon

You need only look at the shelves piled high with unibrowed fridge magnets, tea towels, plant-pots and earrings in the average museum gift shop to know that Frida Kahlo is one of the 20th century’s greatest icons.  Featuring over 130 works alongside documents, photographs and memorabilia taken from Kahlo’s archives, Tate Modern’s blockbuster summer exhibition will explore how the Mexican painter became the kind of cultural phenomenon whose likeness adorns everything from novelty socks to limited-edition eyeshadow pallets. The first major London exhibition on the feminist icon since the V&A’s fashion-focused 2018 show Making Her Self Up, it will include some of her most iconic paintings, as well as the work of more than 80 fellow artists, from her contemporaries to the later generations she inspired.  All in all, it promises to be a fascinating exploration of the transformative role of women artists in the 20th century, as well as notions of fandom and the diverse communities who claim Frida as their own. Read our review here. 
  • Painting

Julio Le Parc

In our age of mind-boggling CGI and AI-optimised everything, it’s easy to forget how much pleasure can be had from the simple optical tricks of mirrors and lights. But not for Julio Le Parc. A key figure of the Kinetic and Op Art movements of the 1960s, the late Argentinian artist spent seven pioneering decades making illuminated, kinetic and participatory works, and was still making art at the ripe old age of 97 before his death this past May. This major retrospective celebrates his visionary seven-decade career, spanning from from his arrival in Paris in the late 1950s to his resurgence in the 2010s, with over 60 colourful, immersive (and extremely Instagrammable) works.
  • Installation

Ana Mendieta

4 out of 5 stars
‘Where is Ana Mendieta?’ was the question ringing around the halls of the Tate Modern’s Blavatnik Building just over 10 years ago. It was June 2016, at an opening party for the Tate Modern’s shiny new £260m wing, when around 150 activists invaded the gallery to hold a vigil for the Cuban-American artist who died in 1985 at just 36 years old. Dressed in black and holding funeral flowers, the group had marched across Millennium Bridge carrying banners and placards, before gathering outside the Tate to read poems and share thoughts about Mendieta and her work.  The demonstration was organised in response to the gallery’s decision to display works by Mendieta’s husband, and alleged killer, Carl Andre. A revered modernist sculptor 13 years her senior, Andre was controversially acquitted of murdering his wife, a severe acrophobic, when she fell to her death from the window of his 34th-floor Greenwich Village apartment in the early hours of Sunday 8 September 1985, after neighbours heard them arguing into the night. As a rising star of New York’s avant-garde feminist art scene, there’s no knowing what brilliant work Mendieta might still be producing if her career hadn’t been cut tragically short just as she was entering her prime. And despite her friends and family members having long campaigned for her groundbreaking practice not to be obscured by the violent manner of her death, it’s unfortunate that demonstrations outside of Carl Andre exhibitions have been a lot of fans’...
  • Contemporary art

Monet: Painting Time

Tate Modern kicks off its 2027 season with a huge exhibition examining Claude Monet’s relationship with time. The gallery’s first ever exhibition to focus exclusively on the works of Impressionism’s founding father will feature loans from across the globe, brought together to examine how the French painter evoked the rapid pace of modern life through fleeting, transient, impressionistic moments in time, and will feature key works including ‘Arrival of the Normandy Train, Gare Saint-Lazare’ (1877) and ‘Poplars on the Epte’ (1891–1897). 
  • Painting
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