Odeon Andover

Cinemas, Multiplex London
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Venue name: Odeon Andover
Contact:
Address: New Asda Development
Cinema Unit
Anton Mill Road
Andover
SP10 2RW
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  • Time Out says
    • 2 out of 5 stars
    It seems third time’s the opposite of lucky with animated franchises. Like ‘Toy Story’ and ‘Ice Age’ before it, the ‘Despicable’ series has made the short trip from lovably madcap to tedious in three films (not counting the actually-kind-of-terrif...
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  • Time Out says
    • 2 out of 5 stars
    In the opening frames of this murky megabudget monster mash, the famous Universal logo – a twinkling globe – revolves and dims, revealing the words ‘DARK UNIVERSE’ in glowering block capitals. We’re not messing about, the new emblem screams. This ...
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  • Time Out says
    • 4 out of 5 stars
    Music sounds better when you’re on the road. In ‘Baby Driver’, ‘Shaun of the Dead’ director Edgar Wright takes the car-chase action film – loaded with tyre squeals – and weds it to a cracking jukebox playlist. The result is the most supercharged p...
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  • Time Out says
    • 4 out of 5 stars
    Before seeing ‘Wonder Woman’, I got a sinking feeling. It’s been more than a decade since a woman headlining a superhero film saved the world. I had visions of middle-aged male studio execs huddled together in a conference room Googling feminism a...
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  • Time Out says
    • 5 out of 5 stars
    ‘Jackie’ starts with a face – more a mask than a face, puffy from crying and suffering a loss that few can imagine. It’s the face of Natalie Portman, playing 34-year-old Jacqueline Kennedy during the week after her husband’s 1963 assassination. Ri...
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  • Time Out says
    • 3 out of 5 stars
    Hollywood legend and legendary playboy Warren Beatty has used his fame to direct and produce a clutch of daring movies, all of which would have languished without him. The latest is this long-gestating passion project about the eccentric pioneer a...
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  • Time Out says
    • 4 out of 5 stars
    Denzel Washington directs and stars in this powerful, respectful, occasionally shouty screen version of August Wilson’s 1983 play about an unhappy working-class African-American family in 1950s Pittsburgh. It’s muscular, solid, sturdy – all those ...
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