John Kearns – Sight Gags for Perverts review

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John Kearns – Sight Gags for Perverts

  • 4 out of 5 stars
  • Recommended
A monk’s wig, a pair of false teeth, a deflated horse costume: sounds like the props for an am dram murder mystery. But no, the teeth-wig combo has become John Kearns’s trademark. He never explains why he’s wearing them, but they make his screechy self-loathing all the more ridiculous.

‘What this show about?’ he shrieks, in a cockney twang, before explaining it’ll cover some big topics: failure, aspiration and loneliness. But before we can get on to that, he has to test the audience by singing along to an entire instrumental funk track that he offers as our ‘chance to leave’. No one does, and if they had they would’ve missed a treat. Kearns is an absurdist, but there’s honesty and heart behind all his silliness.

Throughout the hour, Kearns focuses on his mundane real life: living with his parents, working as a tour guide at the Houses of Parliament, taking a lonesome holiday to Berlin. He paints himself as a tragic, lonely figure, and wistfully imagines being able to make a living from comedy.

But it’s not all doom and gloom. With a little help from Springsteen, ‘Sight Gags for Perverts’ has an uplifting, optimistic message, and there are tons of absurdly funny lines and strange ideas along the way. You can’t help but leave the show feeling joyous and that you’ve just witnessed a true comedy original. Not bad for someone who’s struggling to speak through his oversized dentures.

See 'John Kearns – Sight Gags for Perverts' at the Edinburgh Fringe

See John Kearns in London

  • Comedy
  • Character
  • Walthamstow
Leftfield comics Riches and Kearns both are and aren’t keeping their cards close to their chests for this oddball seasonal extravganza. On the one hand we know exactly what it’s about: the duo will play Michael Ball and Alfie Boe, the actor-singers who are superstars in their own right and have done serious business as a double act. On the other hand they’re being deliberately opaque about what they actually have planned, even down to who is playing who. Neither Riches nor Kearns are noted for their singing voices; they are renowned for extreme commitment to the bit, no matter how absurd – in Riches’ case it borders on method. Whatever the hell happens, you’re unlikely to forget it in a hurry.
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