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License to thrill? Our verdict on Secret Cinema’s ‘Casino Royale’

License to thrill? Our verdict on Secret Cinema’s ‘Casino Royale’

Secret Cinema is back with a new 007 extravaganza, ‘Casino Royale’. We sent ‘Juniper Blackthorn’ – AKA Alex Godfrey – to give his verdict.

‘Ooh, it’s a shootout,’ says a young woman in front of me, 50 percent curious, zero percent fearful of witnessing any actual murder. We’re somewhere masquerading as somewhere exotic, and sure enough, right by the bar two men are suddenly trying to kill each other. Hordes of us glammed-up punters are screamed at to take cover, while fake blood is shed. Shootout over, the young woman saunters over the bar to size up the cocktails. At Secret Cinema’s take on ‘Casino Royale’, we can all afford James Bond’s nonchalance.

Is there anything else quite like this? 007 fits Secret Cinema like an evil henchman’s glove. As ever, it takes place in a secret London location (the SC spoiler police are cat-stroking psychopaths, so that’s all you’re getting here), but this year’s extravaganza is a fun night out on its own terms thanks to the Bond locales (again, if I tell you, I’ll be tortured where it hurts the most). It is a sprawling sandbox in which you’re taken to glitzy corners of the world to partake in glamorous espionage activities, but if you’re less inclined to interact, the design and decoration is impressive enough for you to just hang out in the shadows and drink it in.

If you do want to get your hands dirty, arriving early pays off. If you do want to get your hands dirty, arriving early pays off. Having assumed an undercover alias online – I became media mogul Juniper Blackthorn, a millionaire many times over thanks to my music licensing company – I got there at 6pm. The place was barely populated, and as such I was hustled from country to country by a troupe of frankly wonderful actors persuading me to do things I don’t get up to on a regular basis. Getting into it with them is all sorts of fun – they have their scripts, but every moment involves you extracting info for MI6 on your own terms, and you can throw your own spanners into the works. It is genuinely immersive theatre which barely feels like theatre at all, such is its engagement and intimacy. Angus Jackson, who worked at the RSC, recently directing Coriolanus for them, is Creative Director here, and it’s thrilling work.

Finally, there is the film itself. In the cold light of 2019 it doesn’t feel like the radical reinvention it once seemed, especially after the heightened action of the recent ‘Mission: Impossible’ and the exhilarating combat of the ‘John Wick’ films. Yet it is still a blast. Secret Cinema’s theatrical shenanigans alongside the screening amuse, impress and distract to various degrees. On this night, though, this world delivers.




This isn't a representative review of what paying punters get on a busy night.

You really should go to these events as a punter when it is busy, not just the free junket for the press and mates!

It was total rubbish, far too many tickets sold, no chance of interaction as too many people there. Total rip off.

Maybe you should go back once the things has been opened on a busy night and update/give a fairer picture?

Julian T

Okay, I completely disagree. The money to make this happen has all been spent on in the wrong places, literally millions.  Many actors are getting hurt as the show has become more of a West World theme. Audience members are abusing their power of position and not being reprimanded in any way. 2 million was spent hiring the cars for the show... (although wonderful) I would have preferred a more 1 to 1 experience. Having more actors showing us around would help greatly as the whole place was one big maze. The show has not been completed yet and I do not appreciate paying to be a guinea pig. each scene is only played out once so if you arrive late you will have missed all the theatre acting. even if you arrive early there is no guarantee you'll be in the correct place at the correct time.  Out of 1500 audience members maybe 20 will see the show... and out of that 20 maybe only 1 or 2 people will play the games available to them and succeed... but maybe that's the point.

I wouldn't pay to see it again... its simply too much for me... if it was free to go again... I would simply because I now know what I should have done.... but knowing now is too late, sadly.

There are many things I could think of doing for production to improve... so maybe over time the show will improve and the last few shows will be most immersive.

Shame it won't be consistent... and people paying what I paid later down the line will be having a better time... but that's life. nothing is fair. 

I went with family... and we easily spent £500+ we all left hungry, sober and disappointed with the show.


@Julian T I think you miss the whole point, it's not a guided tour through the world of bond, it's an immersive experience that tries to be different for every guest that walks through the door. sure I'll admit there's some luck needed to be in the right place at the right time as ever with any mass immersive event but your solution with a scheduled timetable of where to be and when, or for scenes to be on repeat would ruin the immersive nature of the whole show.

@008 @Julian T It would be immersive if they didn't sell far too many tickets. You just got glimpses and the this price its not on.

Its just a herd of people milling around a themed retail area not knowing what to do.

Didn't even have enough seats for everyone at the screening of the rip-off.