Almeida Theatre

Although she turned in a fine adaptation of Lorca‘s The House of Bernarda Alba for the National Theatre a couple of years ago, it’s been an age since we’ve had a ‘proper’ play from the wonderful Alice Birch, whose Anatomy of a Suicide and Revolt. She Said. Revolt Again. were two of the great British stage works of the ’10s. There’s no secret what she’s been up to since: her screenwriting career has massively taken off, most notably with Lady Macbeth and the screen adaptation of Normal People, although she’s pretty damn busy generally.  Anyway, long story short, Romans: A Novel is her first ‘original’ play in years, which is cause for celebration in and of itself. Plus it sounds like she’s lost none of her ambition: the somewhat cryptically titled play is a dissection of masculinity from the nineteeth century to the present and the way in which male narratives shape the world as we know. Precisely what it’ll involve is very much TBC, but it will star Andor’s Kyle Soller and will be directed by Sam Pritchard, Birch’s husband. 

Some of superstar director Michael Grandage’s first London shows were at the Almeida Theatre. But that was all a long time ago: he’s not been back this century. Until now: as part of Rupert Goold’s final season, Grandage returns to direct a very juicy prospect indeed. The Line of Beauty is rising star playwright Jack Holden’s adaptation of Alan Hollinghurt’s classic novel of Thatcherite Britain, set in 1983 as it follows protagonist Nick as he gets sucked into an alluring, disconcerting world of extreme privilige in a rapidly changing country. There’s no word on casting yet, but you wouldn’t put it paat Grandage to land a name – though his own and that of the book are doubtless quite enough to sell out the show.