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© Susie Rea

Haymarket Theatre Royal

This storied (and potentially haunted) venue is one of London's oldest theatres
  • Theatre | West End
  • Leicester Square
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Time Out says

Dating back to the eighteenth century, Theatre Royal Haymarket is London's third oldest theatre that's still in use. On the outside, its gleaming white Neoclassical facade, designed by John Nash, features six stately Corinthian columns. On the inside, things have often been rather less dignified. The theatre's riotous history includes the 'Dreadful Accident' of 1794, where 20 people were killed in a crush of audience members trying to glimpse the king. It was also the home of legendarily scurrilous 18th century actor, theatre manager and satirist Samuel Foote, whose digs at other performers regularly threatened the theatre's existence. 

Perhaps unsurprisingly, given its long and eventful history, it's also one of London's most haunted theatres. Actor Patrick Stewart is the latest person to have claimed to see the ghost of the theatre's Victorian actor-manager, John Baldwin Buckstone, who apparently hangs out in the wings, wearing tweeds, when a comedy is playing. 

Unlike its West End neighbours, Theatre Royal Haymarket offers a clutch of fresh openings each year. One of the finest proscenium arches in theatreland frames a line-up that focuses on 'proper theatre': you'll regularly get celeb-led takes on classic 20th century plays, as well as the odd production of Shakespeare or a new musical. 

Details

Address
18 Suffolk St
London
SW1Y 4HT
Transport:
Piccadilly Circus tube
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What’s on

Grace Pervades

Ralph Fiennes has been beavering away busily over at Theatre Royal Bath this last year, curating and starring in a season of work at the prestigious South Western theatre. London seems very unlikely to get all of it, but here’s one nailed on transfer: Fiennes and Miranda Raison will star as the great Victorian actors Henry Irving and Ellen Terry in Grace Pervades, the approximately millionth (well, thirty-second) play from the great David Hare (curiously it’ll run in the West End at the same time as a revival of his very early play Teeth ‘N’ Smiles). Jeremy Herrin directs the drama, which follows the stage legends plus Terry’s children Edith Craig and Edward Gordon Craig, and examines the dynasty’s wider influence on British theatre. 
  • Drama

Trainspotting the Musical

For a novel about Edinburgh heroin addicts written in dense Scottish dialogue, Irvine Welsh’s Trainspotting has proved to be a remarkably enduring cultural artefact: a book (with numerous sequels), a film, a cult stage play and now – 33 years on – a musical written by Welsh himself. The truth, of course, is that Danny Boyle’s film is its most iconic and definitive form, which this musical pretty much acknowleges: its song list will mix tracks by Welsh plus collaborator Stephen McGuinness with bangers from the movie’s iconic Britpop-era soundtrack (exactly which ones haven’t yet been decided-slash-cleared). It’s hard to exactly imagine a musical about catastrophically crashing out heroin addict criminals in ’90s Edinburgh ending up as a Les Mis-style long-runner, but the show is directed by Caroline Jay Ranger, who has made a very solid fist of directing the live versions of Fawlty Towers and Only Fools and Horses – Trainspotting is significantly edgier source material, but the film was a big hit and they’re clearly leaning into nostalgia for it. Don’t expect any star names, but the lead role of semi-likeable casualty Renton (aka the Ewan McGregor role) goes to Scots actor Robbie Scott (pictured).
  • Musicals
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