London's edgy new writing powerhouse
London's premiere new writing theatre, the Royal Court made its name in the 1950s when it was synonymous with kitchen sink dramas and the Angry Young Men, and has scarcely looked back (in anger) since.
The commercially successful reign of Dominic Cooke was famously marked by his stated mission to acknowledge the nature of the Sloane Square theatre's audience and 'explore what it means to be middle class'. The quote probably came back to haunt him, coming to define a reign that was marked by lots of new writing from BAME playwrights, plus such towering West End transfer successes as 'Enron' and the peerless 'Jerusalem'.
Current Royal Court artistic director Vicky Featherstone has taken the theatre down a much more experimental route that frequently thrills but has perhaps endeared her more to artists than audiences. The Almeida and Young Vic having probably overtaken it in terms of influence, though certainly there's a willingness to try something that might not work that seemed to have disappeared somewhat in the Cooke era.
There are two venues, the tiny Upstairs and large Downstairs, plus a welcoming bar kitchen that's a fabulous place to visit for a gander at the cream of London's playwrights and creatives, who inexorably drift through throughout the day.
|Venue name:||Royal Court Theatre||Contact:|
|Opening hours:||Check website for tour times and show times|
|Transport:||Tube: Sloane Sq|
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‘The Woods’ review
There are woods, a big bad wolf and a lost child… but Robert Alan Evans’s play is a very modern fairytale. Woods and wolves here represent not just dark imagination, but a bleak, all-consuming mental illness. A slithery, shape-shifting thing, ‘The Woods’...Drama Until Saturday October 13 2018
‘Poet in da Corner’ review
Buzzing with Dizzee Rascal tunes and daffy energy, Debris Stevenson’s ‘Poet in da Corner’ is boldly different from the sort of show that usually graces the Royal Court’s main stage. Grime saved her, she tells us. And, with a crew of three performers who...Musicals Until Saturday October 6 2018
ear for eye
Excellent, upper case-fearing playwright and director debbie tucker green is back at the Royal Court after a string of sparse, intense plays including 'hang' and 'a profoundly affectionate, passionate devotion to someone (-noun)'. Her new play explores...Drama Thursday October 25 2018 - Saturday November 24 2018
Still No Idea
Lisa Hammond and Rachael Spence's 2010 show 'No Idea' was a witty, personal exploration of stereotypes and how society sees disabled people. Now, they're revisiting the subject, nearly a decade on, to ask how much has changed. Mixing verbatim theatre,...Comedy Wednesday October 31 2018 - Saturday November 17 2018
After 'Two Man Show', their furious, visual, iconoclastic exploration of gender, RashDash are the toast of the town. Now they're making their Royal Court debut by directing 'Hole', actor Ellie Kendrick's first play. Kendrick is best known for playing...Experimental Wednesday November 28 2018 - Saturday January 12 2019
Mark Ravenhill's pioneering 1996 debut play 'Shopping and Fucking' was at the shocking forefront of '90s in-yer-face theatre: his more recent Royal Court work includes the equally brutal 2008 war story collection 'Shoot/Get Treasure/Repeat' and his 2009...Drama Thursday December 6 2018 - Saturday January 26 2019
Average User Rating
4.7 / 5
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A good tip - become a member and you get access to £10 tickets on Mondays. The programme here is generally very strong and it's worth taking a risk and booking ahead. And the bar is a great place to hang out before and after productions.
I went to the Royal Court when I first arrived in London decades ago - it knocked me out then and still does now - a proper theatre offering properly stuff - takes some risks but always delivers a satisfying night - great for local drinks and eating pre and post and right next to the tube.