Time Out says
London's edgy new writing powerhouse
London's premiere new writing theatre, the Royal Court made its name in the 1950s when it was synonymous with kitchen sink dramas and the Angry Young Men, and has scarcely looked back (in anger) since.
The commercially successful reign of Dominic Cooke was famously marked by his stated mission to acknowledge the nature of the Sloane Square theatre's audience and 'explore what it means to be middle class'. The quote probably came back to haunt him, coming to define a reign that was marked by lots of new writing from BAME playwrights, plus such towering West End transfer successes as 'Enron' and the peerless 'Jerusalem'.
Current Royal Court artistic director Vicky Featherstone has taken the theatre down a much more experimental route that occasionally baffles but frequently thrills, while still managing to score the odd transfer smash via older associates of the theatre: Jez Butterworth’s ‘The Ferryman’ was a monster of a hit. She has also taken something of a leadership role in the London theatre community in the #MeToo era, being the driving force behind a new code of behavious designed to challenge abuse of power within the theatre community.
There are two venues, the tiny Upstairs and large Downstairs, plus a welcoming bar kitchen that's a fabulous place to visit for a gander at the cream of London's playwrights and creatives, who inexorably drift through throughout the day.
|Transport:||Tube: Sloane Sq|
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4.7 / 5
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A good tip - become a member and you get access to £10 tickets on Mondays. The programme here is generally very strong and it's worth taking a risk and booking ahead. And the bar is a great place to hang out before and after productions.
I went to the Royal Court when I first arrived in London decades ago - it knocked me out then and still does now - a proper theatre offering properly stuff - takes some risks but always delivers a satisfying night - great for local drinks and eating pre and post and right next to the tube.
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