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© Morley von Sternberg

Sadler's Wells

This Islington venue is synonymous with cutting edge dance of every flavour
  • Theatre
  • Clerkenwell
  • Recommended
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Time Out says

Tucked away on the streets behind Angel station, Sadler's Wells is a sizeable purpose-built 1998 studio complex built on the site of the original seventeenth-century theatre of the same name. And it's the place to go for dance fans, drawing an impressive line-up of local and international talent.

Artistic director Alastair Spalding presides over a varied line-up of in house and touring shows, which take in modern and experimental dance, tango, flamenco (watch out for the annual Flamenco Festival), hip hop, classical and contemporary ballet as well as Matthew Bourne's crowd-pleasing brand of witty dance theatre. There's typically a family-friendly ballet classic at Christmas, as well as annual festivals like Breakin' Convention, a massive celebration of hip hop dance. Main house shows take place in the comfortable, 1,500 seater auditorium, while the smaller Lilian Baylis Studio houses smaller-scale new works and works in progress. And the Peacock Theatre (on Portugal Street in Holborn) operates as a satellite venue for big commercial dance spectacles.

Sadler's Wells is the sixth theatre to stand on its Islington site, and famous producer Lilian Baylis and dancer Ninette de Valois were both instrumental in its multi-stage 20th century transition from crumbling music hall to state-of-the-art dance venue. Its name dates back to the 1680s, when the theatre discovered a medicinal well whose water was said to have health-giving properties. You can still look down the well today, though the days of taking a quick dip before a show are long gone. 

Details

Address
Rosebery Avenue
London
EC1R 4TN
Transport:
Tube: Angel
Price:
Prices vary
Opening hours:
10am-8pm Mon-Sat
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What’s on

Hofesh Shechter Company: Theatre of Dreams

Returning to Sadler’s Wells, renowned choreographer Hofesh Shechter explores fantasy, dreams and the subconscious in this intense full-length work that first premiered in October 2024, accompanied by live musicians and Shechter’s trademark cinematic sound-score.   
  • Contemporary and experimental

The Red Shoes

4 out of 5 stars
'The Red Shoes' returns to Sadler's Wells for Christmas 2025. This review is from its 2016 premiere Translating a much-loved movie to the stage can be a fraught enterprise. Matthew Bourne keeps a steady hand on the tiller, though, as he transforms the classic 1948 Powell and Pressburger film, ‘The Red Shoes’, into a dance-drama that, as his company reaches its thirtieth anniversary, is up there with the best of what he has created. Bourne’s gift for storytelling dazzles here. Every moment has purpose, and scenes bleed into each other so you are caught up and whirled through the story of Vicky Page, the dancer who must choose between her art and her heart when flinty ballet director Boris Lermontov refuses to countenance his rising star’s romance with struggling conductor Julian Craster. Lez Brotherston’s impressive set designs are central to this slick narrative drive, effortlessly switching us from the Covent Garden stage to a Monte Carlo beach to a tragic cabaret in the East End. His central device is a suspended, revolving, gilt proscenium arch with its own red velvet curtains, used to ingenious effect, turning us from audience into backstage voyeurs, and changing or revealing scenes. Brotherston’s boldest move is for the ballet-within-the-ballet sequence, when Vicky gets her big break and dances the lead in Boris’s ‘The Red Shoes’. Projections beamed on to staggered layers of white backdrop create a dreamlike space for Bourne’s updated take on the fairytale of the girl...
  • Ballet
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