Southwark Playhouse

Southwark Playhouse Borough

The biggest and most prolific theatre on the London fringe
  • Theatre | Private theatres
  • Elephant & Castle
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Time Out says

Permanently peripatetic fringe powerhouse Southwark Playhouse has occupied several venues since it was founded in 1993, having twice been forced to look for new digs after redevelopment work in the London Bridge area by Network Rail.

With a 240-seat main house and a 120-seat studio, the current location at Elephant & Castle is almost twice as big as the previous venue and by far the largest London theatre that could be described as 'fringe'. But there are even more dramatic plans afoot for 2019, when the Playhouse is scheduled to move on to not one but two new venues: a 300-seater ‘main’ house near the current location, and a smaller venue back at its old digs on Tooley Street. Confused? Let’s just see what happens.

Artistically speaking, the programming under low-key, long-serving artistic director Chris Smyrnios is tricky to pin down, but revolves around new writing and off-the-beaten track revivals, with a latterday reputation for giving stripped down, thrilling second chances to unloved musicals.

Tickets are on the top end of fringe prices, with some musicals costing well over £20. But production values are scaled up in the large space, and the quality is often barely distinguishable from the subsidised off-West End, and there's a tendency for on-the-up TV actors to make their stage debut there.

A convivial bar has a tendency to get very full, but there's a couple of side rooms you can duck into.

As of 2023 it will launch a sister venue, Southwark Playhouse Elephant, with the ‘original’ theatre renamed Southwark Playhouse Borough.

Details

Address
77-85
Newington Causeway Borough
London
SE1 6BD
Transport:
Tube: Elephant & Castle
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What’s on

Wyld Woman: The Legend of Shy Girl

A hit at this year’s Edinburgh Fringe, Isobel Renner’s one-woman, ten-character show is an exploration of social anxiety as seen through the eyes of Shy Girl, who is preparing for an NYC birthday party at which she hopes to prove her coolness and suitability for a partner. Cameron King directs.
  • Drama

Gwenda’s Garage

3 out of 5 stars
This big-hearted new musical is rooted in a brilliant episode of real life. In 1985, three female mechanics, Ros Wall, Annette Williams and Roz Woollen, set up a car repair shop in Sheffield to create work in short supply in their male-dominated industry. Named in honour of trailblazing racing car driver Gwenda Stewart, the garage became a hub for women’s rights and protest in Thatcherite 1980s, notably against Section 28, the law prohibiting the promotion of the ‘homosexual lifestyle’ in education. Sheffield-based theatre company Out of the Archive – whose goal is to make work amplifying the lives and histories of working-class LGBTQI+ people – have crafted their own story and characters out of interviews with surviving Gwenda’s Garage member Ros and its customers. Here, Carole (Eva Scott) is trying to keep the business afloat, while her colleagues, free spirit Terry (Sia Kiwa) and aspiring parent Bev (Nancy Brabin-Platt), navigate their complicated romantic relationship and trainee Dipstick (Lucy Mackay) gets to grips with the mechanics of life. You can strongly feel the DNA of Northern comedies like Brassed Off or The Full Monty and queer films like Pride in Nicky Hallet and Val Regan’s book and lyrics. The characters are vividly drawn and the set-up is a storytelling gift through which to explore the turbulent 1980s and the profound impact of the political on the personal, from industry-gutted economic deprivation to media-inflamed sexism and homophobia.  If anything,...
  • Musicals
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