The Hotel Plays
Time Out says
Tennessee Williams spent enough time in hotels to notice something fundamentally rotten about them. They recur in his work as liminal spaces filled with twisted master-slave relations and a sexual threat that hangs in the air like Febreze. Defibrillator, a deeply impressive new theatre company, have brought three of Williams's late short plays to life in three stuffy rooms of the Grange Hotel, and the result is a disquieting triumph.
From a vicious honeymooning couple tearing into one another in a New Orleans shag-pit ('Green Eyes')?to a bed-ridden grande dame being shaken down for her jewels by an unscrupulous bellboy ('Sunburst'), each of the plays offers a claustrophobic glimpse into a dangerous locked-off world.
With the audience crammed against the walls as performers storm into en suite bathrooms and rifle through fitted wardrobes, the occasional discomfort and sight-line problems only serve to make the experience all the more real and considerably more disturbing.
The plays themselves – never before seen in this country – are packed as neatly as a travel-bag and they're directed and performed with considerable skill, but it's the intelligent, detailed integration of the setting that makes 'The Hotel Plays' unmissable.