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Stratford East

A buzzing community theatre with an impressive history.
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Time Out says

Talk about having a lot to live up to: in the '50s and '60s Theatre Royal Stratford East was arguably the most influential theatre in London, thanks to the presence of the visionary Joan Littlewood and her Theatre Workshop.

These days its output tends to send fewer shockwaves around the world. But under recent artistic director Nadia Fall it has a lively and diverse programme with a breadth and eclectism somewhat comparable to the National Theatre’s. 

Her lasting legacy may be to have dropped the ‘Theatre Royal’ from the name, though to be fair it’s hardly impossible to contemplate the idea a future AD might change it back. Her successor is Lisa Spirling, formerly of Theatre 503.

Details

Address
Gerry Raffles Square
Stratford
London
E15 1BN
Transport:
Rail: Stratford International; Tube/DLR: Stratford
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What’s on

The Harder they Come

4 out of 5 stars
This review is from 2025. They Harder They Come returns for 2026 with a largely unchanged core cast. Let’s be honest, you’re probably booking a ticket to a stage adaptation of The Harder They Come for the songs. Perry Henzell’s seminal 1972 film is the movie that introduced reggae to the world, after all. But Suzan-Lori Parks’s new version of the stage musical – the second to have been staged at Stratford East after a hit 2006 version by Henzell himself – is as much about the grit of the production, impeccably directed by Matthew Xia, as it is the groove of its soundtrack. And yes, of course, Jimmy Cliff’s anthems are as rousing as ever. The soundtrack roars, cracks and prickles in the hands of this killer cast, led by Natey Jones. Big hitters like the aspirational ‘You Can Get It If You Really Want’ and the haunting power ballad ‘Many Rivers to Cross’ are so stirring, members of the audience can’t help but join in, to sing along.  Telling the story of Ivan (Jones) a young man who arrives in Kingston, Jamaica, in 1971, eager to make a name for himself in the music industry, the book by Parks folds in the textures of city life, from the bustle of bars and backstreets to the weight of financial insecurity. Frustrated by his failure to climb to the top, Ivan slides his way into crime, eventually having to go on the run after shooting a police officer. The story lacks the agony that was layered into the film’s fabric. But it is Xia’s ability to paint vivid stage pictures that...
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