Photo by Trafalgar Theatre
Photo by Trafalgar Theatre

Trafalgar Theatre

This modern theatre is a no-frills home for the edgier end of proper drama
  • Theatre
  • Whitehall
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Time Out says

As of April 2021, Trafalgar Studios is due to reopen as the revamped Trafalgar Theatre, a larger and more conventional venue with no second studio

A kitsch-free rebel on the outskirts of theatreland, Trafalgar Studios is a modern, minimalist, not-especially comfortable space in the shell of the former Whitehall Theatre. Its two studios tend to present emerging, established and international talent with varied success. Director Jamie Lloyd successfully scuffed it up for a trio of big name, youth-focussed seasons under the banner of Trafalgar Transformed, but this seems to have ended, and the venue potters on much as it did before. The 380 seater Studio One tends to play host to celebrity-led productions that run for a few months, as well as transfers from big producing houses like the NT's 'Nine Night'. With just 100 seats, Studio Two is essentially a glorified fringe theatre, and often hosts shows from the likes of the Finborough and Theatre 503.

Trafalgar Studios assumed its current form in 2004, when an ambitious conversion turned the austere art deco 1930s theatre into two spaces: the dress circle was turned into Studio One, with a new elevated stage, while the former stalls area was turned into Studio Two. The great divide marked a change of pace, too. The old Whitehall Theatre was best known for Brian Rix's so-called Whitehall farces, a series of five long-running comedies in the '50s and '60s which featured crowd-pleasingly silly plotlines full of misunderstandings and trouser-dropping mishaps. And in grey wartime Britain, the Whitehall follies featured naked turns from Phyllis Dixey, who tickled audiences with dances with feathered fans in the West End's first stripshow.

Details

Address
14
Whitehall
London
SW1A 2DY
Transport:
Rail/Tube: Charing Cross
Opening hours:
Temporarily Closed
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What’s on

Clarkston

3 out of 5 stars
American writer Samuel D. Hunter’s 2015 play, making its UK debut at Trafalgar Theatre, isn’t big on laughs. Heartstopper’s Joe Locke is Jake. Just diagnosed with the degenerative Huntington’s disease and dumped by his boyfriend, he’s run away to Clarkston, Washington, so named after his distant ancestor, the famed explorer William Clark (of Lewis and Clark). Taking a job at the local Costco retail store, he meets the brooding Chris (Ruaridh Mollica), who is saving to go to college while dealing with his meth-addicted mother, Trish (Sophie Melville). The pair form a complicated bond founded on a tentative mutual attraction and a sense of both being lost in their lives. The play compares and contrasts the frontier-pushing exploration of Lewis and Clark with how people can become stuck in small-town America. At the same time, Jake’s casual disruption of Chris’s life is counterpointed by the explorers’ troubling colonial legacy in terms of the region’s Native American history. The writing pushes this larger narrative resonance to varying degrees of success as the dialogue leaves few chinks of light for its characters. Hunter’s writing is perceptive about the doubts that lurk beneath people’s hopes, but its aim at a grander poetry about life can fall short. Locke brings a baffled consternation to Jake that occasionally deepens into something more plaintive and agonised. He shares an appropriately fragile chemistry with Chris, who Mollica portrays as someone constantly...
  • Drama

Oh, Mary!

Cole Escola’s outrageous comedy about an embittered, fame-hungry Mary Todd Lincoln – aka Abraham Lincoln’s wife – has been a massive hit on Broadway with Escola themself winning huge acclaim and a Tony Award for their turn as Mary (pictured, the first ever Tony acting award to go to a non-binary performer, fact fans). A West End transfer seemed inevitable, but the fact Sam Pinkleton’s original US production is nipping in just before Christmas 2025 is a somewhat unlooked for delight. An all-new cast will star UK-based American Mason Alexander Park – excellent in Jamie Lloyd’s recent Shakespeare plays – as Mary, with the mighty Giles Terera taking on the role of Mary’s deeply closeted husband, whom she utterly despises. History buffs can take some solace in the fact that it is not intended to be historically accurate, just funny.
  • Comedy
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