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Photograph: Collection of the Metropolitan Museum of ArtLarry Clark, Untitled, from "Teenage Lust"
“Naked Before the Camera”The Metropolitan Museum of Art, through Sept 9The role of the nude as a photographic subject is surveyed in this collection show.
Photograph: Österreichische NationalbibliothekHeinrich Kuehn, Edeltrude and Lotte
“Heinrich Kuehn and His American Circle: Alfred Stieglitz and Edward Steichen”Neue Galerie New York, through Aug 27Though not as well known as either of the Americans mentioned in the show’s title, the Austrian Kuehn (1866–1944) was an influential figure in the development of fine-art photography. He was one of the medium’s first experimenters with early color-film technologies like Autochrome, which gave his pictorialist landscapes and portraiture a particularly haunting, evanescent quality.
Photograph: Courtesy Greenberg Van DorenInstallation view of "Breed" at Greenberg Van Doren
“Breed”Greenberg Van Doren Gallery, through Aug 24 This group show looks to break down the barrier between the audio and visual worlds. The exhibit, which features figurative and representational paintings by Duncan Hannah, Erika Keck and Eddie Martinez, investigates the complementary relationship of vision and sound, dividing the works into “pianissimo” and “fortissimo” components.
Photograph: Courtesy the artistMark Flood, Eat Human Flesh
Mark Flood, “The Hateful Years”Luxembourg & Dayan, through Sept 29For more than 30 years now, artist Mark Flood has been working in Houston, creating memorably daft mixed-media text paintings and collage remixes of cigarette ads and gossip magazine covers—all of which in some way takes the pulse of that heart of darkness called middle America. This survey focuses on a particularly fruitful period for his work, the 1980s: the decade of Reagan and the beginning of the country’s out-of-control swerve to the right.
Photograph: Collection of the Metropolitan Museum of ArtAlbrecht Dürer, Self-portrait, Study of a Hand and a Pillow
“Dürer and Beyond: Central European Drawings in the Metropolitan Museum of Art, 1400–1700”The Metropolitan Museum of Art, through Sept 3The Met breaks out some of its holdings in drawings, from the Northern Renaissance to the dawn of the Enlightenment. On offer are works by Dürer and Hans Holbein the Elder, among others.
Photograph: Courtesy Luhring AugustineInstallation view of "Painting In Space" at Luhring Augustine
“Painting in Space” Luhring Augustine, through Aug 17This roundup of big-name talents, including Mark di Suvero, Tony Oursler and Lawrence Weiner, is meant to benefit the Center for Curatorial Studies at Bard College, which is celebrating its 20th year. CCS Bard’s executive director, Tom Eccles, and graduate-program director, Johanna Burton, handle the curatorial duties.
Photograph: David Heald/Solomon R. Guggenheim MuseumEmilio Vedova, Image of Time
“Art of Another Kind: International Abstraction and the Guggenheim”Solomon R. Guggenheim Museum, through Sept 12Say “Abstract Expressionism” and most people think of New York in the 1940s and ’50s, when a drunken Jackson Pollock pissed into Peggy Guggenheim’s fireplace and Willem de Kooning painted his feral women. But as this collection show demonstrates, AbEx was simply part of a worldwide transformation of abstract art that took place in the years following World War II. The Guggenheim puts things in perspective, hanging the work of Pollock and De Kooning alongside examples by such lesser-known but equally innovative artists as Karel Appel, Eduardo Chillida and Takeo Yamaguchi, among others.
Photograph: The National Gallery of ArtEdouard Vuillard, Woman in a Striped Dress
“Edouard Vuillard: A Painter and His Muses, 1890-1940”The Jewish Museum, through Sept 23Like his contemporary Pierre Bonnard, Vuillard (1868–1940) is best known for urbane interior scenes radiating a sublime stillness that gives them a timeless quality. This show brings together 50 of his works, with an eye toward the artist’s important relationships with Jewish clients and patrons in late-19th-century Paris.