Susannah Flood as Lizzie


Bess Wohl's Liberation, the story of a feminist consciousness-raising group in 1970s Ohio, is very much about equality, common purpose and mutual support. "In our group, I don't think anyone should be higher than anyone else," says one character. "Hierarchy is patriarchy." So it is apropos that the play's Off Broadway premiere earlier this year was distinguished by exceptional ensemble acting. The cast was honored as a group by both the New York Drama Critics' Circle and the Drama Desk Awards—and all eight actors are now reprising their roles in Liberation's Broadway transfer, directed once again by Whitney White.
"I find it particularly meaningful and fitting that the New York Drama Critics' Circle has chosen to recognize all of our performers equally," said Wohl at the NYDCC ceremony in May. "Nobody higher than anybody else: seamless collaboration, the art of teamwork, egoless acting. These actors each portrayed their individual characters with truth and vibrancy, yet they also drilled the rhythm of the language as one organism."
Wohl's restless intelligence has previously yielded shows as diverse as the Broadway comedy Grand Horizons, the childhood-trauma exploration Make Believe, the nearly wordless Small Mouth Sounds and the porn-world musical Pretty Filthy. To help introduce audiences to the world of Liberation, we asked her to answer two questions about each of the actors: What do their performances render especially well in the characters as Wohl imagined them? And what do the performances bring to the characters that she hadn't expected? Here is what she had to say.
Liberation is playing at Broadway's James Earl Jones Theatre through January 11, 2026. You can buy tickets here.
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