Warm up those frostbitten toes and broaden your mind at a gallery, museum, ballet or literary festival. From exploring the new Queens Museum to taking in a performance-art piece, Time Out's got you covered, with New York arts events to keep you toasty until spring.
RECOMMENDED: Full guide to things to do in the winter in NYC
Dave Eggers’s literary journal has survived and even thrived in an era generally considered hostile to the printed word. Although it has featured such notable authors as Michael Chabon and Joyce Carol Oates, McSweeney’s still sticks to its original premise of publishing only works that have been rejected elsewhere, and has never lost the sense of playful outsiderdom that has defined it since its inception. At this 15th-anniversary event, contributors including Jonathan Ames and Sheila Heti will participate in readings and discussions.
Since 1954, the New York City Ballet has transported audiences to a world of frost fairies, toy soldiers and towering mice. Tchaikovsky’s score may be hummably familiar, but the choreography still feels magically fresh. Schedule varies; visit nycballet.com for details.
American Ballet Theatre returns to BAM with Alexei Ratmansky's inventive version of The Nutcracker, in which Clara and the Nutcracker Prince grow up before our eyes—braving an ominous snowstorm—and a little mouse nearly steals the show. It's tender, witty and wise, just like Ratmansky.
What better way to banish that New Year’s Eve hangover than with verse and good food? On the first afternoon of the year, 140 of the city’s best poets, artists and performers gather at St. Mark’s Church in-the-Bowery and, one after another, recite their work to a hall full of listeners. Among the many podium-takers this year are composer Philip Glass, storyteller Edgar Oliver, Bowery Poetry founder Bob Holman, and poets Eileen Myles and Anne Waldman. Local joints catering the 11-hour event include Grandaisy Bakery, Porto Rico Importing Co. and more.
The troupe explores a diversified repertory for its City Center season. Highlights include a new work by Aszure Barton, the Ailey premiere of Wayne McGregor's Chroma, Bill T. Jones's D-Man in the Waters (Part I) and Ronald K. Brown's Four Corners. The run—which celebrates Matthew Rushing tenure with the company—also includes restagings of Alvin Ailey's Duke Ellington–inspired pieces The River and Pas de Duke.
The Selected Shorts reading event pays homage to the winner of this year’s Nobel Prize in Literature, a supremely talented Canadian scribe whom the committee described as “a master of the short story.” Fellow fiction-writing giant Margaret Atwood will be on hand to discuss her longtime friend, and a to-be-announced roster of performers and actors will read selections from Munro’s staggering body of work, drawing from her upbringing in rural Ontario.
The NYPL kicks off its latest series of talks with none other than 2013 National Book Award for fiction winner, James McBride. The Good Lord Bird author is also an accomplished musician (some people!) and will have his jazz-gospel quintet, the Good Lord Bird Band, in tow for a special performance.
If you’ve been keeping up with the Sundance Channel’s series, you know that Isabella Rossellini acting out the strange sexual behaviors of insects, arachnids and sea creatures is possibly the greatest thing that ever happened in the history of time. Now, she (along with director Muriel Mayette and cowriter Jean-Claude Carrière) is bringing her intricate spandex-and-paper wildlife costumes to BAM, to school us on the birds and the bees live onstage in her soothing Italian purr. (And seriously, those bees have some fucked-up sex lives.)
The former Office writer-director B.J. Novak—and portrayer of Dunder Mifflin’s resident cad, Ryan Howard—has hung up his fake hipster glasses for good. But much like Ryan, he's already onto the next thing: short fiction. To toast the debut of his first book, One More Thing: Stories and Other Stories, the comedian will read from the tome at this Selected Shorts event. His tales take on subjects as diverse as a kid who wins a fortune from a cereal box, an angry rabbit plotting revenge and John Grisham’s inner monologue.