The best things to do in Tokyo this weekend

First held at the 1946 'Festival of Recovery' when much of Tokyo was still in ruins, the mesmerising Toro Nagashi lantern light-up was revived in 2005 after a 40-year hiatus. Rooted in the tradition that floating lanterns guide the spirits of the departed safely back to the afterlife after obon, the event is now held annually on the Asakusa side of Sumida Park, near Azumabashi Bridge and the Tokyo Cruise Asakusa Pier. You can light a lantern for ¥2,000, but enjoying the magnificent view of glittering fires on the Sumida River on a cool summer night is completely free.

Lanterns are sold in advance at the nearby Asakusa Culture Tourist Information Center, until Aug 15.

Known as one of the three great festivals of Edo (along with the Sanno and Kanda festivals), the matsuri at Fukagawa’s Tomioka Hachimangu shrine takes place annually, but is celebrated in its full glory only once every three years.

The festival, which boasts 380 years of history, is well known for its unique water-splashing tradition. People enthusiastically throw water at the mikoshi (portable shrines) as an act of purification, drenching everyone in the vicinity, thus creating a playful and cooling experience, especially in the summer heat.

This year, you can expect the real deal with the main version of the festival taking place in 2026. The main event, featuring mikoshi processions held on a grand scale, features over 50 portable shrines of various sizes and will be held from 7.30am on Sunday August 16. Expect to get soaked with plenty of water splashing this year.

The festivities in the shrine grounds begin on August 12 and continue until August 16, with notable highlights including a jazz performance on August 15 (3pm) and a koto and shamisen performance on August 14 (from 3pm). 

For more information including the festival schedule and procession map (Japanese only), check the shrine website.

Kabukicho’s Bon Odori festival is happening again this year and it's taking over Cine City Square in front of Tokyu Kabukicho Tower for two days. The event is led by Ageha Bijyo, a professor and expert in Japanese folk dance with involvement in some of the country's most prestigious folk dance associations and festivals. 

There’s no need to feel intimidated if this is your first Bon Odori. Ageha will coach you with a step-by-step guide on how to perform the Bon dance – and not just the classic Bon Odori but also a modernised version with pop songs as well. Japanese drum idol group Tokyo Otome Taiko will contribute to the festivities with a taiko drum performance. Moreover, don't miss the unpredictable and comical stage performances by the Blue Man Group, a special appearance to coincide with their Japan tour at the nearby Milano-Za. New for 2026, expect to also see Godzilla join in the action with a large statue of the monster at the event square.

The event is free, so put on your best yukata and come join in!

What this music festival lacks in terms of a picturesque setting, it more than makes up for in convenience. While other festivals boast views of rolling hills or stunning lakes, Summer Sonic has easy access from the city, an abundance of clean toilets and a cracking lineup – sometimes that’s all you need.

This year's Summer Sonic is returning with an impressive lineup of international and local artists on the weekend of August 14, 15 and 16. The Strokes and L'Arc-en-Ciel will headline in Tokyo, with performances also confirmed from UK funk and acid jazz band Jamiroquai, lead Blackpink vocalist and rapper Jennie, Asian American hip-hop lofi singer Keshi, Japanese alternative rock band Sakanaction, Hitsujibungaku, Good Neighbours and more. 

For the latest updates on ticket sales, check the official website.

Hakkeijima Island near Yokohama is bringing back its music-synced pyrotechnic shows this summer, with approximately 2,500 fireworks being launched during a span of 10 minutes. Happening on select weekends and holidays from May 30 to November 22, the fireworks are viewable from the island’s free-to-enter boardwalk area or the paid Hakkeijima Sea Paradise amusement park grounds.

Utilising state-of-the-art digital controls, the fireworks are timed to blast with musical beats to the nearest tenth of a second, illuminating the night sky as if the sparks danced to the music.

Shows start from 8.30pm (8pm from October onwards) on May 30, Jun 27, Jul 18-19 & 25, Aug 1, 8, 15 & 29, Sep 19-22, Oct 10-11, Nov 21-22 and Mar 20-21, 2027.

Check the event website for the latest details.

Step back into the heyday of the ’70s and ’80s at this open-air disco taking over the Yokohama Red Brick Warehouse this summer. Set against the waterfront, the dance floor will come alive with soul, disco, funk and techno spun by some of Japan’s top DJs, including DJ Nori, Muro of Captain Vinyl, Drunken Kong, DJ Hasebe and Grooveman Spot.

Complete with neon lighting, mirror balls and lasers, the venue recreates the atmosphere of a classic disco under the open sky. To make the event as accessible as possible, admission is free on select days. On dates featuring special DJ performances, entry ranges from ¥1,000 to ¥3,800, so be sure to check the official schedule before heading over.

Tickets are now on sale via Asoview. 

Enjoy a sensational stage show this summer with powerful drum battles, breathtaking marching formations and an impressive line-up of more than 50 percussion instruments at Blast! The Tony and Emmy Award-winning production concludes its Japan tour this August with a grand finale at Tokyu Theatre Orb in Shibuya Hikarie, running from August 4 to 16 for a total of 18 performances. Don't miss this electrifying showcase of virtuoso percussionists, brass and wind musicians, and dancers, all coming together in a high-energy spectacle.

Tickets are currently on sale via Eplus, Lawson Ticket, Kyodo Tokyo and Asoview. Check the event website for the latest Tokyo showtimes.

Summer in Japan means intense heat and humidity, vibrant fireworks and festivals, as well as fields of sunflowers. While we wait for the blazing temperatures to die down, hunkered down under air conditioning, others are flourishing in the heat – the defiant and unfettered sunflowers at Tokyo’s Kasai Rinkai Park, that is. The park is home to over 25,000 sunflowers, which are currently in full bloom next to the park’s landmark Ferris wheel (which, by the way, is lit up after dark). Boasting a clear horizon during the evening magic hour, the park’s waterfront location makes it the perfect place to see a proper sunset alongside sunflowers without leaving Tokyo.

In conjunction with the light-up near the most photogenic area, food vendors in the park will be offering limited-time sunflower-inspired soft serve ice cream cones and floats, as well as a red and blue soda inspired by the park’s famous sunsets. While you’re there, don’t miss the other light installations on display, illuminating pathways at various locations within the expansive park.

Inage Seaside Park in Chiba is hosting weekly DJ parties on its picturesque 90-metre-long pier that stretches out into Tokyo Bay, until September 27. Taking place on Saturdays, Sundays and public holidays from 4pm to 8pm, the parties showcase artists spinning tunes from a variety of genres, including Balearic house, afrobeats, tech house, South African amapiano and more.

While the full 2026 line-up is unannounced, expect to see local favourites including Golden Roa, Mark Mila and Ahreum will also take to the decks, spinning everything from techno to R&B to keep the summer vibes alive.

Check the event website for the most up-to-date DJ line-up.

The National Stadium’s swanky next-door park is hosting a summer beer garden and outdoor cinema festival this month from July 17 to September 27. During the event, the park will be transformed into an open-air beer garden complete with tables, tents and plenty of seating. Hosted by Corona, the beer garden will serve favourites such as Corona Extra (¥750), alongside the brand’s non-alcoholic Corona Cero (¥600) and inventive Corona-infused cocktails. New for 2026 is the Corona Sunsets Truck, which will be serving drinks and appetisers designed to pair perfectly with Corona beer every Friday, Saturday and Sunday.

While you’re there, don’t miss the free outdoor film screenings taking place on Fridays, Saturdays and Sundays. This weekend outdoor cinema event is one of Japan’s largest, with screenings running for over 70 days. While the cinema line-up for 2026 has yet to be announced, last year’s programme featured Academy Award-winning titles such as Green Book and Top Gun: Maverick, as well as family favourites including Paddington, School of Rock, The Minions and more. Note that most screenings are Japanese-dubbed versions of the films.

While entry to the festival is free, a special reservation is required to enter on August 8, when the nearby Jingu Stadium is hosting the Jingu Gaien Fireworks Festival. Capacity is limited to two thousand visitors, so reserve a slot via the official website before it's too late.

After collaborating with JoJo’s Bizarre Adventure creator Hirohiko Araki in early 2025, Yebisu Beer and Ai Yazawa reunite this summer for a second collaboration. The project centres on new illustrations that reinterpret Yebisu Beer’s historic bijin-ga advertisements – early 20th-century beer posters featuring elegant portraits of women.

Yazawa presents two new bijin-ga works reimagined through a contemporary lens and themed around summer evening festivals. The pieces will be exhibited at Yebisu Brewery Tokyo from July 8 to August 31. Visitors can also look forward to limited-edition merchandise featuring her artwork, including T-shirts, notebooks, fans and more.

Enjoy a late-night stroll under an artificial Milky Way at Tokyo Tower’s main deck. As an alternative experience for astronomy enthusiasts, Tokyo Tower has recreated the Milky Way using 30,000 LED lights, so you can gaze up at the (artificial) stars in the middle of the city.

Every 15 minutes, the blue LED lights that represent the starry sky turn pink and gold, while the Milky Way changes from white to a rainbow of seven colours. This special effect makes the Tokyo skyline look even more mesmerising, as if our beloved city is under a magical starry night.

The light-up runs from 9am to 11pm.

Tokyo Midtown has a packed programme of summer fun this year. If you want to take it easy, cool down at Midtown Garden’s Ashimizu area. The gentle stream here has been transformed into a foot bath, open between 3pm and 9pm (closed on Tuesdays). It can accommodate up to 70 people at a time and, best of all, it’s free. Towels are available for ¥100 each, but of course, you can always bring your own. Cool down in the mist and ice-cooled water, with a free rentable parasol that even glows softly after nightfall for a calm evening ambience.

Feeling wiped out by the summer heat? Make a beeline for the restaurants and cafés at Tokyo Midtown, now hosting a refreshing summer sweets fair featuring cool desserts such as the mango syrup kakigori shaved ice at Hal Yamashita, the strawberry and condensed milk kakigori shaved ice at Ukafe and many more.

New for 2026, enjoy a casual summer evening with small firework sparklers at the Midtown Garden from 5.30pm to 9pm on July 18, 19, 20, and August 8, 9, 10, and 11. Sparklers can be purchased on-site, starting at ¥500 for five sticks and ¥1,000 for 12 sticks. Up to two people may enter the fireworks space per purchase.

Shinjuku welcomes a brand new Korean pub-style beer garden, located on the rooftop of the Lumine Est shopping complex in the heart of the city. You can choose from four meal plans: the Pocha course (¥3,500), which includes yangnyeom chicken and bulgogi kimbap; the Korean Chicken BBQ course (from ¥4,000), offering chicken marinated in sweet and spicy miso sauce as well as salted green onion sauce; the samgyeopsal and beef galbi course (¥5,000), featuring makgeolli-aged samgyeopsal and seafood pancake; and the premium BBQ course (from ¥6,000), which builds on the samgyeopsal set with the addition of wagyu steak. All four courses come with a two-hour all-you-can-drink plan, with the options including fruit-flavoured soju, makgeolli, highballs, and both Korean and Japanese beers, along with unlimited banchan (Korean mini side dishes), French fries and curry.

Popular German craft beer brand Schmatz takes over the Lumine Ikebukuro rooftop with its annual beer garden serving modern German cuisine. The premium all-you-can drink plan features three original craft beers, plus a range of beer cocktails including shandy gaff, cassis beer, mango beer and even a peach weizen. Additionally, there are regular cocktails, highballs, wines and soft drinks to choose from as well. 

The standard barbecue plan with the premium 2-hour all-you-can-drink option will set you back ¥6,500, and includes spare ribs, beef shoulder loin, specialty sausages, chicken, corn and an array of veggies to grill. If you're looking to save, the standard all-you-can-drink lager beer plan at ¥6,000 is worth considering too.

Make a reservation via the official website.

South Korean digital art and design firm D’strict is joining hands with Sanrio to bring a popular interactive exhibit to Japan for the first time after a successful run in Seoul last year. Utilising the latest digital media technologies, the hotel-themed exhibition in Shinjuku’s Tokyu Kabukicho Tower takes you on a photogenic and immersive journey through 11 themed areas in the imaginary hotel, with characters such as Hello Kitty, My Melody, Kuromi, Cinnamoroll and Pompompurin appearing in their own dreamy, fairytale-like rooms.

While the full details are still under wraps, expect to see a plentiful line-up of exclusive Sanrio merch, including Hotel Floria room key charms, hotel sticker sets and travel-themed accessories.

The exhibition space is located on the fourth floor. Tickets are now on sale via Eplus.

A new exhibition space in the basement of the Tokyo International Forum, Yurakucho Museum is opening this July, and its inaugural exhibition brings the whimsical world of Pingu to Japan. Running from July 10 to September 6, it features priceless clay models used in actual animation production, alongside storyboards and other production materials. What’s more, you can pretend to be in Pingu’s Antarctic igloo with a photo spot made to look like the penguin boy’s home.

While you’re there, take the opportunity to study Pingu’s facial expressions, unique play-doh-like contortions and language, and maybe you’ll learn to decipher his noot noots once and for all. The exhibition also includes three collaborative art pieces by renowned miniature photographer and artist Tatsuya Tanaka, who has reimagined Pingu with everyday items.

Tickets are now on sale via Epus.

Known for emotionally resonant works that bridge intimate storytelling and speculative worlds, Mamoru Hosoda is the man behind landmark films such as The Girl Who Leapt Through Time, Summer Wars and Wolf Children. His cinema is marked by a fluid interplay between everyday life and digital or fantastical realms, as well as a sensitivity to themes of family, memory and transformation.

Marking the 20th anniversary of The Girl Who Leapt Through Time, ‘The Creative Origins of Mamoru Hosoda’ unfolds at the Creative Museum Tokyo from June 20 to August 31. Conceived as the most comprehensive exhibition ever dedicated to the director, it offers unprecedented insight into the creative processes behind his most celebrated works.

Drawing extensively from original production materials, the exhibition presents storyboards, layouts, key animation drawings and background art that illuminate the construction of Hosoda’s cinematic language. By foregrounding these foundational elements, the show reveals how influences from painting, cinema and animation converge within his visual storytelling.

Rather than simply looking back, the exhibition invites visitors to reconsider Hosoda’s films through the lens of their origins, tracing recurring motifs and stylistic evolutions across his oeuvre. In doing so, it captures both the enduring appeal of his past works and the continuity of his artistic vision as it extends toward new creative horizons.

Daniel Buren has spent more than six decades questioning where an artwork begins and where the surrounding world enters into it. Internationally renowned for his unmistakable 8.7cm vertical stripes, the French artist has transformed this seemingly neutral motif into a rigorous conceptual tool, using it to expose the architectural, historical and symbolic conditions of every site he inhabits. This spring and summer, Scai Piramide in Roppongi presents ‘Situated Works 1966-2013’, a rare survey spanning nearly fifty years of his practice.

The exhibition traces Buren’s evolution from his early, radical interventions of the 1960s to luminous optical-fiber works produced in the 2010s. Historical pieces such as Peinture aux formes variables reveal the moment when the striped industrial fabric first became his defining visual language, while the Five Elements paintings, originally created for a 1989 exhibition in Nagoya, demonstrate his persistent dismantling of expressive authorship and painterly convention.

In later galleries, Buren expands this inquiry through works integrating LED-lit optical fibers, where colour and light become spatial phenomena rather than fixed surfaces. Their shimmering presence underscores the artist’s long-held conviction that colour is the irreducible core of visual experience. Deeply connected to Japan, Buren here appears as an artist whose disciplined investigations continue to sharpen our perception of space itself.

When the boundless imagination of Pablo Picasso meets the vibrant creativity of Sir Paul Smith, fireworks follow. Picasso (1881–1973), one of the most influential artists of the 20th century, revolutionised modern art with his radical innovations in form and colour. British designer Smith, noted for his playful approach to tailoring and his masterful sense of colour and pattern, brings his unique sensibility to the table, transforming the NACT’s galleries into a dialogue between art and fashion, and tradition and reinvention.

‘Adventure of Playful Spirits’ offers a fresh encounter with approximately 80 works from the Musée National Picasso-Paris. Following the success of the 2023 Paris exhibition ‘Picasso Celebration: The Collection in a New Light!’, this Japan edition invites visitors to rediscover the painter’s creative evolution from his early Portrait of a Man to the tender Paulo as Harlequin, through Smith’s imaginative spatial design.

From colour-splashed walls to whimsical décor, every element of the exhibition reflects Smith’s joyful spirit and his fascination with artistic play. This meeting of two creative giants – one who shaped modern art and another who redefined contemporary design – conjures up a vibrant, immersive world where curiosity, humour and craftsmanship intertwine.

Ron Mueck has long been celebrated for redefining figurative sculpture through extraordinary craftsmanship and emotional acuity. After early work in film and advertising, the Australian-born, UK-based artist emerged on the contemporary art scene in the mid-1990s, gaining international attention with Pinocchio (1996) and Dead Dad (1996-97), the latter exhibited in the landmark ‘Sensation’ show at London’s Royal Academy in 1997.

Over the decades, his meticulously crafted human figures, rendered at startlingly altered scales, have probed themes of vulnerability, solitude, resilience and the fragile complexity of existence. With a rare and limited oeuvre of about fifty works, each sculpture distills months or even years of observation and reflection, resulting in pieces that feel at once hyper-real and quietly enigmatic.

From April 29 to September 23, the Mori Art Museum hosts the artist’s first solo exhibition in Japan in eighteen years. Organised in collaboration with the Fondation Cartier pour l’art contemporain, the exhibition gathers eleven works tracing Mueck’s evolution, including six making their Japanese debut. Its monumental centrepiece is the Japan premiere of Mass (2016-17), an immersive installation of 100 giant skulls reconfigured to reflect the museum’s architecture. Other highlights include Angel (1997), Woman with Shopping (2013) and the iconic In Bed (2005), each inviting viewers into a deeply intimate emotional space.

Complementing the sculptures, photographs and films by Gautier Deblonde offer a glimpse into Mueck’s studio practice, revealing the quiet rigour behind some of contemporary art’s most affecting works.

A visionary who worked along the boundaries between art, design and everyday life, Ettore Sottsass (1917–2007) was one of the most influential figures in 20th-century Italian design. Rising to prominence in the 1950s through his groundbreaking work for the typewriter and computer manufacturer Olivetti, Sottsass redefined industrial design by infusing functional objects with emotion, symbolism and wit. His restless creative spirit culminated in the 1981 founding of the Memphis Group, an international collective whose bold colours, playful forms and radical aesthetics came to define post-modern design and reshape global visual culture.

‘Design begins where magic begins’ at the Artizon Museum is the first comprehensive retrospective of Sottsass’s work in Japan. Drawing from the Ishibashi Foundation’s extensive collection, the exhibition brings together 112 works spanning the entirety of its subject’s long and prolific career, from early experiments to later, more philosophical creations.

Through furniture, industrial design and conceptual works, the exhibition traces Sottsass’s lifelong challenge to strict rationalism and his belief that design should reflect the emotional and spiritual dimensions of human life. Humour, colour and sensuality emerge as tools with which he sought to illuminate the lived experiences, desires and contradictions of modern society. Offering a rare opportunity to encounter Sottsass’s work in depth, the exhibition reveals a visionary who insisted that true design begins with imagination and magic.

Hiroshi Sugimoto is one of Japan’s most internationally acclaimed contemporary artists, whose practice spans photography, architecture and stage production. At the core of his work lies a profound engagement with analogue silver gelatin photography, a medium he has elevated through rigorous conceptual frameworks and extraordinary technical mastery, even as it faces obsolescence in the digital age.

The National Museum of Modern Art, Tokyo now offers a major survey that traces the evolution of Sugimoto’s photographic practice from the late 1970s to the present. Featuring approximately 60 silver gelatin prints, the exhibition brings into focus a medium the artist recognises as endangered, while asking broader questions about truth, memory and time.

Structured into three chapters, the exhibition spans 13 series, from early works that established Sugimoto’s reputation to later bodies of work that probe abstraction, perception and the limits of representation. Newly unveiled pieces, including additions to the Diorama series, offer fresh insight into themes Sugimoto has pursued for more than half a century.

The exhibition’s title refers to a deeper meditation on what is disappearing from contemporary visual culture. As digital images become infinitely mutable, Sugimoto reasserts photography’s original power as a medium of evidence and presence. Through its breadth and philosophical depth, ‘Extinction’ is set to offer a rare opportunity to reflect on photography’s past, and its uncertain future, through one of its most rigorous practitioners.

From August, the Yokohama Museum of Art will unveil a dazzling exhibition dedicated to one of history’s most iconic queens. Known as the ultimate symbol of elegance and excess, Marie Antoinette (1755–1793) transformed the aesthetics of 18th-century France and continues to shape fashion, design and visual culture today.

Curated by London’s Victoria and Albert Museum and making its Japan debut in Yokohama, the exhibition traces how the young queen’s refined taste, from her ornate gowns and glittering jewels to her whimsical interiors at Versailles and the Petit Trianon, established a new mode of sophistication that bridged courtly grandeur and personal fantasy.

Through exquisite dresses, jewellery and furniture from her era, ‘Marie Antoinette Style’ explores the queen’s bold creativity and her role as a forerunner of modern self-expression. It also reveals how her image has been endlessly reinvented in art, cinema and haute couture, from rococo opulence to contemporary runways.

A celebration of beauty, rebellion and individuality, the exhibition invites visitors to rediscover the woman behind the legend – a monarch whose influence still defines the art of style.