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The self-portrait exhibition: person(a)

The concepts of self-portraits and identity are explored through ‘person(a)’, an exhibition that challenged 20 artists to turn the camera on to themselves

Written by
Alison Khong
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The names Leonardo da Vinci, Frida Kahlo and Cindy Sherman all have one thing in common; they were the pioneers of self-portraits. Back then, to create a self-portrait, you needed to have great skills. Today’s self-portrait is the selfie. Visual arts curator Sharmin Parameswaran partners with Vignes Balasingam to curate ‘person(a)’, examining the idea of self-reflection and what it means to reveal the innermost thoughts that shape a person.

This group exhibition features 20 artists the curators felt would be at ease with self-reflection and, after which, would be comfortable with exposing what they find. Their works will be channelled through mediums that include photography, mixed media and installations. Here, we talk to some of the artists about their thoughts on the selfie.

'Hitam Manis' by Nadirah Zakariya

'Hitam Manis' by Nadirah Zakariya

Why is this work important to you?
This work is about a skin disorder I have called Vitiligo, where random white spots would appear on my body due to the loss of pigments. I feel the need to bring awareness to the public about this skin condition and to evoke questions on the concept of beauty.

How do you feel about the selfie phenomenon?
Artists have been taking self-portraits for years, but we now live in an era where the context is different. It’s not so much about self-expression but more about creating an online persona of how we want to be perceived.

How are digital mediums changing photography?
It’s more accessible now with affordable cameras and mobile phone cameras. It’s beautiful because most of them don’t realise what they’re practising are basic photography skills that professional photographers apply too.
'The Undiscovered Self' by Nadia J Mahfix

'The Undiscovered Self' by Nadia J Mahfix

Why is this work important to you?
It’s important to me as it’s a very personal work that touches on private issues (myself and my loved ones). Presenting it to the public is nerve-wracking as I’m somewhat a private person.

How do you feel about the selfie phenomenon?
I don’t mind selfies but they’re annoying. I understand that we’re narcissistic creatures, but to upload ten photos of yourself posing in different angles, that’s saying something.

How are digital mediums changing photography?
We’re able to discover new artists through these mediums and there are plenty of artists out there with amazing work. Ironically this too serves as an issue. Because of the increasing number of emerging artists, it’s hard to differentiate the diamond in the rough.
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'Between Lust and Longing' by kG Krishnan

'Between Lust and Longing' by kG Krishnan

Why is this work important to you?
This piece is predominantly archive-based and the work I’m exhibiting is a capsule collection from a larger body of work titled ‘Between Lust and Longing’. I explore themes such as intimacy, the gay male identity, politics of the body, addiction and substance abuse.

How do you feel about the selfie phenomenon?
The selfie strings together the connection of photography, self and the web. Through the selfie, people are finding ways to establish their presence and existence in the world.

How are digital mediums changing photography?
Instagram and other digital mediums are expanding and further democratising the advent of photography. This means more people are making and sharing images, changing the landscape for both the photographer and their audiences. A visible change is in the way we understand and interact with photographs.
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