Es Devlin: Other Worlds
You may not have realised, but at some point in your life you’ve probably encountered the work of Es Devlin. If you’ve been to an Adele concert, watched a Super Bowl half-time show, or tuned in to the 2012 Olympics closing ceremony, you will most likely have come face to face with creations by the British artist and stage designer.
To call Es Devlin impressive would be an understatement. The designer’s contact book is like a who’s who of the world’s biggest A-listers – she’s conjured up ingenious staging for the Weeknd, Lorde, Beyoncé, Dua Lipa, the Pet Shop Boys and U2. Devlin has made otherworldly sets for some of the world’s most esteemed theatres and opera houses, from the National Theatre to Milan’s La Scala. She’s also the proud owner of three Olivier Awards, one Tony, three Emmys, one Ivor Novello, the London Design Medal… you get the picture.
With such an illustrious career, it’s no wonder the Design Museum has deemed Devlin worthy of a retrospective, staging her first European solo show as its big autumn opening. But how does all this awe-inspiring stage design come across when it’s not actually on a stage?
We enter into a recreation of Devlin’s studio, with messy bookshelves and drawings strewn all over the place. In a video projection Devlin tells us her life story: she was named after a witch, whose name her parents found in a crossword puzzle; her great-grandfather was an architect; she studied literature at university and then her mind was awakened at art...