Exterior of the V&A East, viewed from a distance and framed by trees in the foreground
Photograph: Peter Kelleher © Victoria & Albert Museum

V&A East

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Time Out says

It’s been a busy few years for London’s iconic Victoria & Albert museum, thanks to a whole bunch of major development projects on the go across the city.

First, there was the £13 million revamp of the museum’s childhood-focused Bethnal Green outpost, which reopened as the Young V&A to in June 2023 and was named the Art Fund Museum of the Year the following summer. Then, in spring 2025, came the groundbreaking new V&A East Storehouse, a ‘working museum’ purpose-built to house half a million objects rom the museum’s various archives while offering Londoners a peek behind the scenes to see how a museum actually operates.

And finally, just shy ofa decade after it was first announced as part of the £1.1 billion development of Stratford’s East Bank cultural quarter, the long-awaited V&A East is due to open to the public on Saturday, April 18 2026. The 7,000-square-metre museum will bring together exhibits that speak to both east London’s creative heritage and the voices that are shaping contemporary culture across the globe today.

Early visitors will be able to check out its Why We Make Galleries, a permanent display spread across two of the museum’s five floors and featuring 500 objects from the V&A’s collection, arranged into ten key themes addressing the most pressing issues in contemporary society. And its inaugural temporary exhibition The Music is Black: A British Story also sounds like a banger. Promising to explore how Black British music has shaped culture in Britain and beyond, it features exhibits including Joan Armatrading’s childhood guitar, looks worn by Little Simz and newly acquired photography by Dennis Morris and Jennie Baptiste. 

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What’s on

The Music is Black: A British Story

5 out of 5 stars
Before I enter The Music is Black: A British Story I’m handed a pair of headphones with a sensor on top. These will be my auditory guide through an exhibition that tells the story of Black British music from the past 125 years. As I move through the show, my ears are blessed with the sounds of composer and conductor Samuel Coleridge-Taylor, ‘Silly Games’ singer Janet Kay, Sade, jungle pioneer Shy FX and Little Simz. What is a music exhibition without the melodies, after all?  Kicking things off with a bang, the V&A East’s first exhibition explores the trailblazers, visionaries and unsung heroes of Black music in the UK from the 1900s to the present day. From swing and jazz, to jungle, grime and trip hop, no genre goes uncovered. More than 200 objects from the V&A’s collection are displayed, with photographs, instruments, fashion, sheet music and artworks on show.  The Music is Black doesn’t shy away from the murky past. At the beginning, you are confronted with the horrifying realities of slavery and colonialism – from a graphic showing the volume of slave ship voyages through the 16th to 19th centuries, to the 1633 Royal charter legalising the trade of enslaved Africans. There are items, like an Ethiopian prayer book, marked as looted by British troops (although there’s no mention of returning it). The stark opening is a grave reminder that early protest music paved the way for the tunes we listen to today.  It’s a comprehensive and triumphant ode to some of the best...
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