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The second largest space within the sprawling Southbank Centre, the Queen Elizabeth Hall is where more prominent dance, music and performance events play out. QEH's brutalist architecture sits well with fellow venue the Hayward, both designed in the 1960s, and skaters have found a lively use for the vacant car park-like enclosure beneath it, turning it into a graffitied performance space.
Inspired by Anne Carson’s 1992 essay ‘The Gender of Sound’, acclaimed Belgian choreographer Jan Marten created Voice Noise to explore how patriarchal culture has silenced womens voices. Inspired by pop music, Martens uses glorious choreography to create a alternative canon, and illuminate some of the great women performers and composers of our time.
Contemporary and experimental
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