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They're Swiss, they've been going for almost 30 years (on and off), and they've written lots of ace, staccato industrial rock tunes in French, English and German, including a whole album of Kurt Weill tunes. Marilyn Manson, among many others, would be nowhere without the abrasive, thrillingly doomy industrio-goth of The Young Gods, who return with their original line-up – live drums, seething orchestral and guitar samples and barking vocals – to play from their first two raw-as-hell albums.